Giovanni Colacicchi

Italian Cartoon Drawing Allegory River God 1960s pencil on paper

1962

The work is titled “The Bathers” and it’s signed on the right corner “CARENA”. The artist depicted a very natural scene in which two naked ladies are chat...

The drawing, composed by a single sheet without watermark of 20.4 x 12,5 inch, comes from the collection of Placido Fabris’s heirs The drawing shows, on a tempera dark background, a ...

Seated male nude that falls fully within the academic "model from life" production of the early 19th century, as also seems confirmed by the "Titus-like" hairdo of the effigy. The s...

Pencil on paper 32.5 x 23.5 cm. The subject is a double study of a female nude. It's signed at the bottom right, "U. Capocchini". Ugo Capocchini was an Italian artist. He won many ...

This drawing represents a group of putti depicted while they are intent in studying together the "quadrivium". The quadrivium consisted of arithmetic, geometry, music, and astronomy...

The iconography and the inscription at the centre help us recognising the episode in the one of Heracles and the Cercopes, that worth him the appellation of μελάμπυγος (melampygos me...

Pastel on toned paper

Painting: Ink and Watercolor on Paper, Framed Dimensions: 9 in x 12 in, Framed 12 in x 18 in Unique Signed on Verso, includes a certificate of authenticity. Elena Chestnykh was born...

Painting: Ink and Watercolor on Paper, Framed Dimensions: 32 in x 22 in, Framed 36 in x 27 in Unique Signed on Verso, includes a certificate of authenticity. Elena Chestnykh was bor...

Provenance: Dr. George Hamilton, Massachusetts; and by descent. Private Collection, Ohio, until 2021. Exhibited: (Possibly) Clark Art Institute, Massachusetts (according to a handwritten inscription on the reverse). This drawing by an anonymous, 16th-century German hand presents a delightful scene of nymphs—mostly nude but some draped with cloth—making music in an outdoor setting. The composition is executed within a roundel and centers on the harpsichord played by the figure seen from behind. She is accompanied by a host of other instruments, including horns, a harp, and a lira da gamba played by figures gathered nearby, several of which are positioned along the curved edges of the visual field. Two satyrs observe the merrymaking—one leans on the harpsichord while the other holds aloft a cup, presumably of wine, adding a bacchic element to the revelry. The drawing was previously owned by Dr. George Hamilton, scholar of modern art and Director of the Sterling and Francine Clark Art Institute in Williamstown (1966–1977). Hamilton played...

Robert Noel Blair (American, 1912-2003) was an American artist, painter, sculptor, printmaker and teacher. He is best known for his rural life & desert landscapes and World War II sc...

Louise Marie Jossier-Grémillon L'amphore blessée (the wounded amphora), 1934, signed, titled and dated lower left watercolor on paper 62 x 44 cm In good condition In its original f...