Jack Hooper

Mid-Century "Green & Blue Nude" Oil Pastel Drawing

1963

Jack Hooper "Green and Blue Nude II" 5/1963 Oil pastel on paper 8.5"x11" unframed Signed and dated in pencil lower right Jack Meredith Hooper (August 26, ...

Benoit Gilsoul (1914-2000) "Orange Abstract Figure" c 1970s Pastel on paper 19"x24 unframed Unsigned Benoît Gilsoul (1914-2000) Belgium - completed his primary studies and Greek-Lat...

Robert Gilberg (1911-1970) "Pink Cheeks" c.1950s Ink and pastel on paper 12"x13.75" unframed Unsigned Good Condition - Wear consistent with age and history. Deep creases on upper le...

John Bowers Collection Nude With Cubist Sculpture 1929 Charcoal on Paper 18.75"x24.75", unframed Dated in charcoal lower right Came from a portfolio owned by artist John Bowers John was awarded a Master of Fine Arts degree by the University of California, at Berkeley. His collection included pieces by fellow student artists and professors at UC Berkeley including Fred Reichman...

John Ayres Head in Hand May 1, 1937 Charcoal on Paper 25"x19", unframed $1250 Signed and dated in charcoal top right *Custom framing available for additional charge. Please expect fr...

Donald Stacy "Star Ear" c.1950s Ink on paper Black wood frame 9.75"x17.25 Signed lower right in pencil Came from artist estate This striking piece of art is an original drawing by r...

James Tissot was among the most successful and critically acclaimed artists of the Victorian era. Although the artist is celebrated for his elegant scenes of fashionable life in Paris and London, this work is a fascinating rarity within his oeuvre. In this monumental pastel, Tissot depicts a prehistoric woman draped in a tiger skin, presented with a striking pose and heroic air. His delicate portraiture, combined with his fascination with conveying texture, demonstrates why he was one of the most revered artists of his generation, and La femme préhistorique illustrates the remarkable technique for which he was renowned. This work was completed in preparation for a series of works exploring the Old Testament undertaken by Tissot from 1899-1902 that remained unfinished at the time of his death. A portion of this series focused on illustrations of Adam and Eve, and among these sketches were images of a nude Eve partially draped in animal furs. Towards the end of his life, following his conversion to Catholicism, biblical subjects became important to the artist. A few years before this work was completed, Tissot embarked upon a highly ambitious group of nearly 300 watercolors illustrating the New Testament, presenting the illustrated epic in its entirety at the Paris Salon of 1894. Both of these series were a critical artistic departure for the artist, stemming from a desire to create works separated from his typical images of modern society. This pastel imagines Eve as the prototype of womanhood in the guise of a prehistoric woman. Tissot rarely painted the nude, and his skill as a draftsman highlights the figure's natural beauty, contrasting it with the stark landscape surrounding her. Although a study, this monumental work is incredibly well-finished and highly engaging, with the statuesque model commanding the majority of the canvas. Her pose is strong and theatrical, and she addresses the viewer with a direct, confident gaze. The imagined historical subject of this drawing is grounded by Tissot’s exceptional attention to detail. A master of conjuring an array of textures, Tissot showcased this ability in this work by juxtaposing many types of fabrics and natural elements within one composition. The tiger skin with which the woman partially covers herself was a favorite studio prop of Tissot’s, appearing in many of his most influential works from the period, including several paintings of his partner and favorite model Kathleen Newton. It, in particular, showcases the artist’s understanding of texture, yet it also serves as an exotic element that elevates the sensuality of the scene when placed against the woman’s bare skin. Born in 1836 in the port town of Nantes, Tissot traveled to Paris at the age of 20 in order to join the studios of Hippolyte Flandrin and Louis Lamothe. During this period, he became close with James Abbott McNeill Whistler, Edgar Degas and Edouard Manet, and the impact of these friendships is reflected in his portraits of modern life. Having enjoyed considerable success in Paris during the 1860s, Tissot fought in the Siege of Paris, and after the fall of the Commune in 1871, he went to London, where he stayed for the next ten years. He was met with incredible success there, and he also met the love of his life, Kathleen Newton, a divorcée, with whom he lived from about 1876 until her death in 1882. Today he is regarded among the great masters of Belle Époque painting, and his works can be found in important collections worldwide, including the Metropolitan Museum of Art, the Brooklyn Museum, the National Gallery of Art, the Musée d’Orsay, the Tate Gallery and many others. This pastel remained in Tissot's private collection until his death in 1902 and is referenced in the posthumous 1902-3 valuation of Tissot's home at 64 avenue du Bois...

"Pink" is an original oil pastel on arches paper work by Lauren Rinaldi. This piece ships float-mounted in the pictured archival custom white frame. The finished framed dimensions ar...

This 14in x 11in original oil pastel work by Lauren Rinaldi ships in the pictured archival custom frame measuring 15in x 12in. Lauren Rinaldi works using unbiased portraits of women...

An original realist pastel drawing by American female artist Catherine Koenig.

Boxers, Ballerinas and Bible Stories “ are a suite of drawings wherein one model plays a series of interactive roles with his or her self. Contemporary graphic novels and the Pop cul...

Abstract figurative reclining nude by Louis Nadalini (American, 1927-1995). This piece is unsigned, but was acquired with a collection of Nadalini work. Unframed (First image shows w...