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Fabric Nude Drawings and Watercolors

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Period: 20th Century
Medium: Fabric
La femme préhistorique (Prehistoric Woman)
Located in New Orleans, LA
James Tissot was among the most successful and critically acclaimed artists of the Victorian era. Although the artist is celebrated for his elegant scenes of fashionable life in Paris and London, this work is a fascinating rarity within his oeuvre. In this monumental pastel, Tissot depicts a prehistoric woman draped in a tiger skin, presented with a striking pose and heroic air. His delicate portraiture, combined with his fascination with conveying texture, demonstrates why he was one of the most revered artists of his generation, and La femme préhistorique illustrates the remarkable technique for which he was renowned. This work was completed in preparation for a series of works exploring the Old Testament undertaken by Tissot from 1899-1902 that remained unfinished at the time of his death. A portion of this series focused on illustrations of Adam and Eve, and among these sketches were images of a nude Eve partially draped in animal furs. Towards the end of his life, following his conversion to Catholicism, biblical subjects became important to the artist. A few years before this work was completed, Tissot embarked upon a highly ambitious group of nearly 300 watercolors illustrating the New Testament, presenting the illustrated epic in its entirety at the Paris Salon of 1894. Both of these series were a critical artistic departure for the artist, stemming from a desire to create works separated from his typical images of modern society. This pastel imagines Eve as the prototype of womanhood in the guise of a prehistoric woman. Tissot rarely painted the nude, and his skill as a draftsman highlights the figure's natural beauty, contrasting it with the stark landscape surrounding her. Although a study, this monumental work is incredibly well-finished and highly engaging, with the statuesque model commanding the majority of the canvas. Her pose is strong and theatrical, and she addresses the viewer with a direct, confident gaze. The imagined historical subject of this drawing is grounded by Tissot’s exceptional attention to detail. A master of conjuring an array of textures, Tissot showcased this ability in this work by juxtaposing many types of fabrics and natural elements within one composition. The tiger skin with which the woman partially covers herself was a favorite studio prop of Tissot’s, appearing in many of his most influential works from the period, including several paintings of his partner and favorite model Kathleen Newton. It, in particular, showcases the artist’s understanding of texture, yet it also serves as an exotic element that elevates the sensuality of the scene when placed against the woman’s bare skin. Born in 1836 in the port town of Nantes, Tissot traveled to Paris at the age of 20 in order to join the studios of Hippolyte Flandrin and Louis Lamothe. During this period, he became close with James Abbott McNeill Whistler, Edgar Degas and Edouard Manet, and the impact of these friendships is reflected in his portraits of modern life. Having enjoyed considerable success in Paris during the 1860s, Tissot fought in the Siege of Paris, and after the fall of the Commune in 1871, he went to London, where he stayed for the next ten years. He was met with incredible success there, and he also met the love of his life, Kathleen Newton, a divorcée, with whom he lived from about 1876 until her death in 1882. Today he is regarded among the great masters of Belle Époque painting, and his works can be found in important collections worldwide, including the Metropolitan Museum of Art, the Brooklyn Museum, the National Gallery of Art, the Musée d’Orsay, the Tate Gallery and many others. This pastel remained in Tissot's private collection until his death in 1902 and is referenced in the posthumous 1902-3 valuation of Tissot's home at 64 avenue du Bois...
Category

Early 20th Century Academic Fabric Nude Drawings and Watercolors

Materials

Laid Paper, Canvas, Oil Pastel, Pastel

Under the Matterhorn - Acrylic on Canvas
Located in Soquel, CA
Under the Matterhorn - Acrylic on Canvas A sleepy village sits under the shadow of the Matterhorn in this Swiss-style painting by an unknown artist. A handful of lights illuminate w...
Category

20th Century Impressionist Fabric Nude Drawings and Watercolors

Materials

Canvas, Acrylic

'Woman On Chair’ Original Drawing, Figurative Nude Art By Hal Frater
Located in Carmel, CA
11x14 (with frame 19x23) Hal Frater passed away on February 3, 2008, just a month from celebrating his 99th birthday. Hal Frater had a long and prolific career. He became a sought ...
Category

20th Century Modern Fabric Nude Drawings and Watercolors

Materials

Canvas, Oil

'Painters with a model' Original Drawing By Hal Frater
Located in Carmel, CA
Hal Frater passed away on February 3, 2008, just a month from celebrating his 99th birthday. Hal Frater had a long and prolific career. He became a sought after commercial artist fo...
Category

20th Century Modern Fabric Nude Drawings and Watercolors

Materials

Canvas, Oil

Confrontation Series, Nude, Oil on Canvas by Modern Indian Artist "In Stock"
Located in Kolkata, West Bengal
Sunil Das - Confrontation Series - 7.5 x 7.5 inches (unframed size) Oil on Canvas Inclusive of shipment in ready to hang form. Hence the major motifs in his drawings and paintings a...
Category

1980s Modern Fabric Nude Drawings and Watercolors

Materials

Oil, Canvas

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Dusk from the Tomb of Lorenzo di Piero de'Medici - Original Ink Drawing
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This particular drawing is a study of the sculpture at the Medici Chapel in Florence, Italy. The artist creates a true to life representation of the sculpture in question by incorporating techniques of classical academic drawing such as cross hatching and gesture based mark making in order to create volumes and give the study an overall three-dimensionality. Christopher Ganz Dusk from the Tomb of Lorenzo di Piero de'Medici, by Michaelangelo, in Florence Ballpoint pen 24h x 13w in 61h x 33.29w cm CG0064 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. 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Hecker, Assistant Curator, Department of Prints and Illustrated Books, The Museum of Modern Art, New York 2006 The Printed Image: The First Biennial Midwestern Graphics Juried Exhibition National Juried Printmaking Exhibition Alice C. Sabatini Gallery, Topeka & Shawnee County Public Library, Topeka, KS Aug. 11 - Sept 15 Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska- Lincoln 2006 National Contemporary American Realism: Fort Wayne Museum of Art's 2006 Biennial, Fort Wayne, IN, June 10 - Aug. 20; two pieces accepted 26th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Carolyn Autry, artist and Associate Professor of Art and Art History at the University of Toledo 19th University of Dallas Print Invitational - Traveling national invitational exhibition Haggerty Gallery, University of Dallas, Irving TX, Jan. 28 – March 6 three pieces accepted Texas A&M University – Corpus Christi, TX, Feb. 1 – March 9, 2007 Juror: Juergen Strunck...
Category

21st Century and Contemporary Academic Fabric Nude Drawings and Watercolors

Materials

Pen, Paper

Nude Reading
Located in San Francisco, CA
This artwork titled "Nude Reading" c.1970, is a watercolor on paper by noted California artist William Jack Laycox, 1921-1984. It is signed at he lower right corner by the artist. Th...
Category

Mid-20th Century American Impressionist Fabric Nude Drawings and Watercolors

Materials

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Academic Drawing. Figure Study of Young Sitting Nude Man. 19th Century.
Located in Firenze, IT
Charcoal drawing on light gray-blue colored paper. The drawing depicts a young man sitting with the hand on forehead. the position is probably meant to express the feeling of regret,...
Category

19th Century Academic Fabric Nude Drawings and Watercolors

Materials

Steel

Fabric nude drawings and watercolors for sale on 1stDibs.

Find a wide variety of authentic Fabric nude drawings and watercolors available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add nude drawings and watercolors created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Prakash Karmarkar, Hal Frater, Wasim Kapoor, and Shuta Ruelas. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Fabric nude drawings and watercolors, so small editions measuring 0.1 inches across are also available Prices for nude drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $11 and tops out at $648,500, while the average work can sell for $721.

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