Portrait Drawings and Watercolors

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

Charcoal on paper, signed and dated (lower right), 33cm x 24cm, (66cm x 56cm framed). The work is framed behind UV glass and stepped gilded frame. Bortnyik was a painter and graphi...

Letters to Sardinia is a modern artwork realized by Italian artist Filiberto Scarpelli  (Naples, 1870 - Rome, 1933).Four Separate artworks in one frame.  Original drawings realized i...

A delightful pencil sketch on watermarked laid paper by Camille Pissarro’s son, George Manzana Pissarro. Signed by means of his studio stamp and with auct...

Erich HERMES (1881-1971) Portrait of a Woman, 1929 Sanguine on paper Signed "E. Hermès" and dated "29" lower left 29.5 x 22.5 cm original frame Erich Hermès, a Geneva artist of Germ...

A strong portrait, and a piece of history. It was confidently sketched in 1923, during the heyday of the "Lost Generation" in Paris, at the Closerie des Lilas - Ernest Hemingway's favourite haunt and home-from-home in the City. This historical café is where Hemingway first read The Great Gatsby with his friend F. Scott Fitzgerald and where he wrote most of The Sun Also Rises...

Georges Antoine Rochegrosse (1859-1938) A zither player carbon pencil on thin paper 8.5 x 3.3 cm In good condition Framed : 35 x 24 cm Provenance: Estate of the artist and by Inher...

Georges Antoine Rochegrosse (1859-1938) Study for "Le Cocher" carbon pencil on thin paper 14.5 x 13 cm In good condition Framed : 36.7 x 31 cm Provenance: Estate of the artist and...

Alfred H. Maurer emerged as an influential crucial figure in the art scene of late 19th-century America, gaining widespread recognition for his innovative Fauvist approach characterized by vibrant colors and expressive brushwork. Departing from his renowned portraits and genre paintings, he delved into Fauvist landscapes, still lifes, and depictions of anonymous individuals. His distinctive technique relied on saturated colors rather than precise lines or forms, allowing him to convey a profound psychological intensity through dynamic, flowing strokes. As he matured as an artist, Maurer pioneered American...

115 years after they were created, one can view these silhouettes differently than the artist’s intent. After all, the genesis of this work was an editorial illustration for Life Magazine to showcase elaborate women’s hats. They were done for a commercial assignment with a deadline, and picky editors were overseeing the final work. Today, they have a dual meaning. These charming silhouettes are abstractions as much as they are representations. Moreover, each one is a compact little gem stuffed with observational detail. Golden Age female illustrator Jesse Gillespie's mastery of technical skill, is apparent in minute details and composition. Young women, old women, pendants, necklaces, feathers, and laced vails all contribute to the works understated complexity. The identity of the subjects are revealed by small areas of exposed neck and chin. As the viewers eyes goes from left to right - all six silhouettes read as fashion hieroglyphs in a sentence with a visual rhythm and cadence. . Initialed JG lower right., Matted but not framed. Published: Life Magazine, March 17th, 1910. Provenance: Honey and Wax Bookstore ________________________________ From Wikipedia, the free encyclopedia Jessie Gillespie Willing (March 28, 1888 – August 1, 1972) was an American illustrator during the Golden Age of illustration. She was considered the foremost silhouette illustrator of her time, although she did traditional illustration as well. Willing illustrated for books and magazines including Life, The Ladies' Home Journal, Woman's Home Companion, Mother and Child, McClure's Magazine, Childhood Education, the Sunday Magazine, Association Men (the magazine of the YMCA), Farm and Fireside, Every Week, Children: The Magazine for Parents (which became Parents Magazine), and the American Magazine. She is perhaps most well known for her work for the Girl Scouts. Early life Willing was born in Brooklyn on March 28, 1888 to John Thomson Willing (August 4, 1860 – July 8, 1947)[1][2] and Charlotte Elizabeth Van Der Veer Willing (December 1, 1859 – March 4, 1930).[3] Thomson Willing was a noted illustrator and art editor. He was also well known for finding new artistic talent. Jessie Willing was the eldest of three children. Her brother Van Der Veer (November 30, 1889 – January 14, 1919), who died of pneumonia at the age of 29, was an advertising agent.[4] Her sister Elizabeth Hunnewell Willing (July 26, 1908 – August 15, 1991) was one of the first women to graduate from the Philadelphia Divinity School.[5][6] Elizabeth married the Rev. Orrin Judd, rector of St. Mary's Episcopal Church, on September 22, 1931, and was active in church work.[citation needed] The Willing family moved to the Germantown neighborhood of Philadelphia in 1901 or 1902. Jessie Willing attended the Stevens School, from which she graduated in 1905. She then went on to attend the Philadelphia Academy of Fine Arts from 1906 to 1907.[7][8] Career Willing used her middle name Gillespie as her professional surname. She also often signed her illustrations J.G.[9] The story goes that the art editor of Life magazine was in Thomson Willing's office when he was the art editor of the Associated Sunday Magazine syndicate. Thomson Willing had some of Jessie's artwork on his desk, which the Life editor saw and admired. He asked for the artist's information so that he could give her freelance work. Thomson Willing did not want to be accused of nepotism so he persuaded Jessie to use Jessie Gillespie as her professional name, which she did.[10][11] In addition to her extensive illustration work, Willing was also the editor of Heirlooms and Masterpieces from 1922 to 1931 and the art editor of Jewelers' Circular-Keystone from 1933 to 1939.[12] She specialized in jewelry publicity and advertising. In 1966 she won the Gold medal of the Printing Week Graphic Arts Exhibit in Philadelphia for her Christmas catalog for J.E. Caldwell Co., Philadelphia. Willing was a member of the Plastic Club of Philadelphia,[13] the American Institute of Graphic Arts (AIGA) and the National Arts Club of New York.[14] She was an honorary life member of the National Arts Club[15] and served on its Board of Governors from 1941-1970. In 1963, she received the Gold Medal of the National Arts Club in recognition of 32 years of selfless devotion.[15] Additionally, she was the national director of the American Institute of Graphic Arts (AIGA) from 1943 to 1946.[15] Previous to this she served as the Program Chairman of the AIGA and in that position she put together a travelling exhibit on the "history of narrative art from the first recorded picture story to the comic book of the twentieth century."[16][17] Illustrations in books With Tongue and Pen--Frederick Bair, et al. (MacMillan, 1940) Masoud the Bedouin--Alfred Post Carhart (Missionary Education Movement, 1915) The Path of the Gopatis--Zilpha Carruthers (National Dairy Council, 1926) The Schoolmaster and His Son: A Narrative of the Thirty Years War--Karl Heinrich Caspari (Lutheran Publication Society, 1917) On a Rainy Day--Dorothy Canfield Fisher and Sarah Scott Fisher (A.S. Barnes and Co., 1938) Book of Games for Home, School and Playground--William B. Forbush and Harry R Allen...

Horses is a drawing realized by Alberto Ziveri in the 1926. Ink, pencil and watercolor on paper. Hand-signed and dated. In good conditions.

The work represents a carefully rendered and meticulously observed environmental portrait of a young girl absorbed in study in front of a book case. It celebrates the intelligence o...

August Dressler is one of the painters of the New Objectivity. He is one of the lesser-known artists of the Weimar era, but he too, like his famous contemporaries Georg Grosz, John H...

This early 20th-century pastel by Herbert Johnson Harvey (1884-1928) depicts the artist dressed in traditional peasant clothing while surreptitiously whispering. Harvey carried an a...

Fabled Vogue Magazine Cover Artist Eduardo Garcia Benito depicts a perfectly posed long-neck flapper with her reflection in a mirror, Her extrav...

Fabled Vogue Magazine Cover Artist Eduardo Garcia Benito depicts a perfectly posed long-neck flapper with her reflection in a mirror, Her extrav...

This is a fine detailed and superbly executed Edwardian drawing by Estella Canziani which dates to circa 1911. Executed by one of the leading artists of the day it is a very strikin...

This enigmatic 1920's Art Deco portrait is by noted Russian born British artist Jacob Kramer. Worked in chalk/pastel on paper it is a portrait of 'Grace'. There is strong emphasis on...

This is a fine detailed and superbly executed Edwardian drawing by Estella Canziani which dated to circa 1911. Drawn by one of the leading artists of the day, it is a very striking a...

Study of Lucie (Ralph) Belin seated in an interior Graphite on paper, 1915 Signed with the estate stamp, Lugt 909b, the stamp faded from blue to brown (see photo) Provenance: Neffe-D...

Karl HUBBUCH (1891-1979) Thoughtful young woman, circa 1920-30 Pen and ink, pink colored pencil on paper Stamp of the Karl Hubbuch estate in the upper left corner 14,5 x 14 inch German artist and figure of the New Objectivity, Karl Hubbuch was born in Karlsruhe in 1891. He received his first artistic training at the Academy of Fine Arts in 1908, where he became friends with Georg Scholz and Rudolf...

Isaac Grünewald (1889-1946) Sweden Postcard Depicting A Farmer With His Three-Pronged Pitchfork watercolor on a postcard dimensions: 14 cm x 9 cm (5.51 x 3.54 inches) frame: 22.5 c...

This early 20th-century watercolour by British artist Henry Gillard Glindoni (1852-1913) depicts a passing encounter between two old friends. “And perhaps another game of cards?” he...

This is a beautiful sanguine chalk drawing portrait of a young woman, by Count Mario Grixoni, dated 1922. Executed by one of the leading artists of the day, it is a very striking and...

Lucien-Victor Guirand de Scevola (1871-1950) Portrait of a young woman Pastel on paper 38 x 28 cm (oval) Framed under glass in a vintage framing : 45 x 35 cm A label on the back "1928 Portrait de femme Etude au pastel de Guirand de Scévola" (see photographs please) This pastel study is of course not signed, as the label on the back of the frame gives its attribution to Guirand de Scévola and, equally interestingly, the date 1928, but in fact the artist's style and execution are immediately recognisable without the need for a signature. This type of woman with a bun is typical of the models the artist loved. Her mysterious air recalls his Symbolist period, and pastel is hisr preferred medium because it lends itself to all the characteristics typical of his art. Lucien-Victor Guirand de Scévola ( 1871 – 1950) was a French painter. He was student of Fernand Cormon and Pierre Dupuis...

This is an Art Deco original illustration drawing, hand-painted with ink and gouache on paper, designed by French artist Edouard Halouze. The artwork features two stylish female mode...

Graphite on paper, signed and dated Image size: 18 x 12 1/2 inches (46 x 32 cm) Mounted and framed The sitter for this portrait, Alfred Hardiman, was an English sculptor. Hardiman and Lyon were friends and met when they both attended the British School at Rome in the early 1920s. Hardiman won a London County Council Scholarship to the Royal College of Art in 1912, and three years later joined the Royal Academy School. After a period as an engineer's draughtsman in the Royal Flying Corps during the First World War, Hardiman resumed his studies and in 1920 was awarded the British Prix de Rome scholarship, spending two years at the British School at Rome. There he developed his style, a blend of naturalism and classicism influenced by Roman and Etruscan art and early fifth century Greek sculpture. Hardiman's best-known (but also most controversial) work is the Earl Haig Memorial on Whitehall in London. More universally admired are the heraldic lions flanking the main entrance to the City Hall, Norwich, a work which fully epitomises his style. He was appointed consultant sculptor to the building, having worked with one of the architects, Stephen Rowland Pierce, on the Haig Memorial. Hardiman also carved three large stone figures for the outside of the council chamber, and worked with other sculptors on the project including James Woodford and Eric Aumonier. Hardiman was elected Associate of the Royal Academy in 1936 and a full Academician in 1944. He became a fellow of the Royal Society of British Sculptors in 1938 and the following year received their silver medal for his statue of Haig. In 1946 he won a gold medal for his bronze fountain figure for the New Council House, College Green, Bristol, which however was never erected. In 1918 he married Violet, daughter of Herbert Clifton White, of London, and had two daughters. He died at Stoke Poges on 17th April 1949. Robert Lyon...

Portrait is a Pen Drawing realized by Mino Maccari (1924-1989) in 1928. Hand-signed on the lower margin. Good condition on a little paper. Mino Maccari (Siena, 1924-Rome, June 16...

This stylish 1920s portrait by English artist Edward Ridley (1883-1946) depicts a woman wearing a hat and coat with a fur collar. It’s a fascinating piece produced during Ridley’s time as Headmaster of the Dress Department at the Central School of Art in Birmingham. Edward Ridley dedicated his life to developing the artistic skills and enthusiasm of others. This piece, from around 1925, serves as an important marker of his greatest accomplishment - the creation of Britain’s first dedicated School of Dress Design. In 1924, it began with a small group of girls...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE A Study of Human Head and Tiger by Orovida Pissarro (1893-1968) Pencil on paper 25.5 x 20 cm (10 x 7⁷/₈ inches) E...

Original Vintage 1920's Ink and Watercolor Fashion Illustration by listed New England artist Harriette (Nutting) Cooper (1901 - 2002). The illustration depicts a lovely young flappe...

A pair of original red conte crayon drawings in their original frames featuring two young women in period clothing.

Landscape in Lagny is an Original Pastel and Watercolour realized by Paul Alouard-Carny (1884-1961) in 1936. Good condition on a yellowed paper. Hand-signed by the artist on the lo...

Lubin de Beauvais (1873-1917) L'anse de Launay, a woman at the beach, 1911 signed, dated and titled "Anse de Launay, Loguivy Ploubazlanec, Bretagne,...

An early example from pioneering Female Cartoonist/ Illustrator Edwina Dumm, who draws a comic strip from her long-running cartoon series Tippie which lasted for almost five decades. Signed and dated Edwina, 9-25, matted but unframed. Frances Edwina Dumm (1893 – April 28, 1990) was a writer-artist who drew the comic strip Cap Stubbs and Tippie for nearly five decades; she is also notable as America's first full-time female editorial cartoonist. She used her middle name for the signature on her comic strip, signed simply Edwina. Biography One of the earliest female syndicated cartoonists, Dumm was born in Upper Sandusky, Ohio, and lived in Marion and Washington Courthouse, Ohio throughout her youth before the family settled down in Columbus.[1] Her mother was Anna Gilmore Dennis, and her father, Frank Edwin Dumm, was an actor-playwright turned newspaperman. Dumm's paternal grandfather, Robert D. Dumm, owned a newspaper in Upper Sandusky which Frank Dumm later inherited. Her brother, Robert Dennis Dumm, was a reporter for the Columbus Dispatch, and art editor for Cole Publishing Company's Farm & Fireside magazine. In 1911, she graduated from Central High School in Columbus, Ohio, and then took the Cleveland-based Landon School of Illustration and Cartooning correspondence course. Her name was later featured in Landon's advertisements. While enrolled in the correspondence course, she also took a business course and worked as a stenographer at the Columbus Board of Education. In 1915, Dumm was hired by the short-lived Republican newspaper, the Columbus Monitor, to be a full-time cartoonist.[2] Her first cartoon was published on August 7, 1915, in the debut issue of the paper. During her years at the Monitor she provided a variety of features including a comic strip called The Meanderings of Minnie about a young tomboy girl and her dog, Lillie Jane, and a full-page editorial cartoon feature, Spot-Light Sketches[3]. She drew editorial cartoons for the Monitor from its first edition (August 7, 1915) until the paper folded (July 1917). In the Monitor, her Spot-Light Sketches was a full-page feature of editorial cartoons, and some of these promoted women's issues. Elisabeth Israels Perry, in the introduction to Alice Sheppard's Cartooning for Suffrage (1994), wrote that artists such as Blanche Ames Ames, Lou Rogers and Edwina Dumm produced: ...a visual rhetoric that helped create a climate more favorable to change in America's gender relations... By the close of the suffrage campaign, women's art reflected the new values of feminism, broadened its targets, and attempted to restate the significance of the movement.[4] After the Monitor folded, Dumm moved to New York City, where she continued her art studies at the Art Students League. She was hired by the George Matthew Adams Service[5] to create Cap Stubbs and Tippie, a family strip following the lives of a boy Cap, his dog Tippie, their family, and neighbors. Cap's grandmother, Sara Bailey, is prominently featured, and may have been based on Dumm's own grandmother, Sarah Jane Henderson, who lived with their family. The strip was strongly influenced by Mark Twain’s Adventures of Huckleberry Finn, as well as Dumm’s favorite comic, Buster Brown by Richard F. Outcault. Dumm worked very fast; according to comics historian Martin Sheridan, she could pencil a daily strip in an hour.[6] Her love of dogs is evident in her strips as well as her illustrations for books and magazines, such as Sinbad, her weekly dog page which ran in both Life and the London Tatler. She illustrated Alexander Woollcott's Two Gentlemen and a Lady. For Sonnets from the Pekinese and Other Doggerel (Macmillan, 1936) by Burges Johnson (1877–1963), she illustrated "Losted" and other poems. From the 1931 through the 1960s, she drew another dog for the newspaper feature Alec the Great, in which she illustrated verses written by her brother, Robert Dennis Dumm. Their collaboration was published as a book in 1946. In the late 1940s, she drew the covers for sheet music by her friend and neighbor, Helen Thomas, who did both music and lyrics. During the 1940s, she also contributed Tippie features to various comic books including All-American Comics and Dell Comics. In 1950, Dumm, Hilda Terry, and Barbara Shermund...

Pioneering Woman Illustrator Margery Stocking Hart draws a pen-and-ink story depicting a round table of predators encircling a vulnerable bunny rabbit. ...

Jean Launois (1898-1942) Opium smokers, Indochina Stamp of the artit's estate on the lower right Black ink on paper 22.5 x 30.5 cm Framed : 38 x 46 cm This beautiful drawing, a fine example of Jean Launois' particular art, dates from the artist's stay in Indochina, from which he brought a group of works. An exhibition devoted to this Indochinese period of the artist's production was held at the Musée de l'Abbaye Sainte-Croix, Sables d'Olonne in 1998. About the artist : Of Vendée origin, Jean Launois very quickly showed a sure talent for drawing and was encouraged in this by his parents. He trained with his fellow Vendeans Charles Milcendeau and Auguste Lepère and then entered the Académie Jullian in Paris. Enrolled in the First World War in 1916, he continued to draw at the front, and produced numerous portraits of soldiers...

This Illustration Boudoir style Illustration by Female Illustrator Suzanne Meunier was done on an assignment for a French Postcard. It's a very early ...

Original drawing certified by Madame Annie Guedras . black ink on paper from 1930-1932 . dedicated to Germaine Krull (photographer ) . signed Jean Cocteau and with the star .

Portrait is an original Pen Drawing realized by an unknown artist in 1929. Good condition on a yellowed paper, another sketch of a nude woman on the...

Katie Blackmore, R.B.A., A.S.W.A. (fl.1913-1950) She was a female illustrator and artist who painted fantastic scenes of fairies and Angles and Doves floating in celestial space. Blackmore exhibited at the RBA, and also at RA, RI, RHA, Ridley Art Club, Carfax Gallery, Royal Glasgow Institute...

Early in the artist's career most likely for Vogue Magazine. Signed lower left. Helen Dryden (1882–1972) was an American artist and successful industrial designer in the 1920s and 1...

WILLIAM HENRY BARRIBAL (1873-1956) Her Best Bonnet Watercolour and bodycolour over traces of pencil Framed 23.5 by 18.5 cm., 9 ¼ by 7 ¼ in. (frame size 42 by 36 cm., 16 ½ by 14 ¼...

Story of a Boy is a modern artwork realized in 1910 by the Italian artist Filiberto Scarpelli (Naples, 1870 - Rome, 1933). Two Original drawings realized in China ink on paper. ...

Pen and ink, ink wash and pencil on paper, signed and dated (lower right), 38cm x 29cm (65cm x 55cm framed). This penetrating and wonderfully executed self-portrait, is all the mor...

'Portrait of Reclining Nude', pencil on paper, by French artist, Guillaume Dulac (circa 1920s). An artist known for his exquisite drawings - many are sketches for his larger oil pain...

SOLD UNFRAMED *UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE The Diggers in Ashford by Ludovic-Rodo Pissarro (1878-1952) Ink on paper 22.6 x 17.3 cm (8 ⅞ x 6 ¾...

Work on paper Molded frame in gilded wood with glass pane 61 x 51 x 6.5 cm

Young Lady in Profile (Dorothy Gibson) Graphite on paper, c. 1915 Signed lower right (see photo). The sitter for this drawing, along with a huge number of Harrison Fisher’s works, is the model, turned actress, Miss Dorothy Winifred Gibson (1889-1946). She was one of the lucky ones who survived the sinking of the Titanic in 1912. There is an in depth biographical sketch available on Wiki. "Dorothy Winifred Gibson (1889-1946) is arguably one of the most fascinating women of the twentieth century. Her story is more than deserving of its own film or TV show and yet, if it was to ever appear on the screen, it would be in serious danger of being criticised as ‘too unbelievable’ or ‘farfetched’. But believe me, readers, everything I am about to tell you about Dorothy Gibson is true... Early Life Dorothy Winifred Gibson (originally Dorothy Winifred Brown, before her father died when she was three years old and her mother remarried), was born in New Jersey on 17 May 1889. Between 1906 and 1911 (aged 17-22), she appeared on stage as a singer and dancer in a number of theatre and vaudeville productions, and in 1909 she began modelling for Harrison Fisher, a famous commercial artist. Dorothy soon became Fisher’s favourite muse, and her image was seen regularly on postcards, merchandising products and even on the covers of magazines like Cosmopolitan. During this time, Dorothy met and married a pharmacist named George Henry Battier Jr, but the couple soon separated and were divorced by 1913. As early as 1911, Dorothy began appearing in movies, starting out as an extra but soon taking the leading roles in a series of films by Éclair Studios. Praised for her natural acting style and comedic flair, she was a huge hit – and arguably the first actress to be promoted as a star in her own right. Surviving the sinking of the RMS Titanic On 17 March 1912, after starring in a string of movies, Dorothy and her mother, Pauline, took a trip to Europe – but after a few weeks Dorothy was called back to America by the studio to start working on a new series of films. Dorothy and her mother were in Paris when they booked their tickets on the maiden voyage of the RMS Titanic, and boarded at Cherbourg on 10th April. On the night the ship sank, Dorothy had ‘spent a pleasant Sunday evening playing bridge with a couple of friendly New York bankers’ (her words, in an interview with the New York Dramatic Mirror). Despite the request of a steward for them to finish, they carried on with their game and it was not until about 11:40pm that Dorothy returned to the stateroom she shared with her mother. It was at that point that she felt ‘a long drawn, sickening crunch’ and, while not exactly alarmed, she decided nonetheless to investigate. Quickly noticing that the deck was ‘lopsided’, she rushed back to her room to fetch her mother, and the pair returned to the boat deck. Dorothy and her mother escaped from the ship on the first lifeboat launched (number 7), and given how quiet it was on the boat deck at the time, she asked her bridge partners to join them. However, events took a turn for the worst when a hole was found in the bottom of the lifeboat, causing icy cold water to rush in and almost flood the boat. Luckily, though, Dorothy explained, ‘this was remedied by volunteer contributions from the lingerie of the women and the garments of men.’ It is hard for us now to imagine the terrors of that night – and the emotional damage it caused to those who survived. After the event, Dorothy told the Moving Picture World, ‘I will never forget the terrible cry that rang out from people who were thrown into the sea and others who were afraid for their loved ones.’ Unbelievably, though, Dorothy was to re-enact the experience a mere five days after it happened, when she starred in the first film about the disaster. It was a silent movie, called Saved From The Titanic, and was actually hugely successful and the first of many hit films about the sinking. In the movie, Dorothy even wore the same clothes she had been wearing when the ship sank – a white silk dress underneath a cardigan and polo coat. Shortly after the release of Saved from the Titanic Dorothy gave up acting. An affair to remember...

The King of Sardinia is a modern artwork realized in 1925 by the Italian artist Filiberto Scarpelli (Naples, 1870 - Rome, 1933). Three drawings rea...

'Mon Colonel', pencil and crayon on paper, by noted French artist, Auguste Chabaud (circa 1914-1918). A delightfully simple drawing of a French Army colonel in profile along with clo...

Georges Clairin Sarah Bernhardt in Yellow and Blue Original charcoal drawing with tempera Signed bottom right On paper 42 x 26 cm at view (c. 17 x 10 ...

This is drawing is signed and dated on the bottom right side "Colacicchi Firenze 1924". It's an Academia, depicting a nude male model sitted, holding a stick. The portrait is influenced by Metaphysical...

'Portrait of Jean', pencil on art paper, by French artist, Guillaume Dulac (circa 1920s). An artist known for his exquisite drawings - many are sketches for his larger oil paintings ...

Figure of a woman is a pencil drawing realized by Jean Bernard on 1910 ca. In good condition, worn paper on the marginal line, and traces of old scotch on the back. Atelier's stamp...

'Portrait of a Young Girl Writing', pencil on art paper, by French artist, Guillaume Dulac (circa 1920s). An artist known for his exquisite drawings - man...

Louise H. "Louie" Burrell (née Luker 1873 – 1971) was an English-born artist who also lived in Canada and the United States. The daughter of William and Ada Luker, both artists, Bur...

Smiling Girl is an original modern artwork realized by Arnaldo De Lisio in 1917. Mixed colored oil pastel o board. Hand signed and dated on the lower ma...