Portrait Drawings and Watercolors

François Clément SOMMIER, known as Henry SOMM Rouen 1844 - Paris 1907 Young Elegant woman in hat, nocturnal Watercolor Signed lower right 32 x 21 cm 50 x 40 cm framed Very good cond...

August Dressler is one of the painters of the New Objectivity. He is one of the lesser-known artists of the Weimar era, but he too, like his famous contemporaries Georg Grosz, John H...

Albert Lebourg ​ Étude des paysans ​ pencil on paper, signed lower right, estate stamp on the reverse, 19 x 13.5cm ​ Provenance: Vente Maître Dumousset, Paris, May 1999: Pri...

Graphite on paper Image size: 11 ¾ x 8 ½ inches (30 x 21.5 cm) Original frame This superbly-drawn portrait highlights the artist’s undeniable skill as a portrait artist, particularl...

Graphite on paper Image size: 10 1/2 x 14 1/4 inches (26.5 x 36 cm) Mounted A fine pencil drawing and a stunning example of a 1930s Art Deco portrait.

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

A pencil sketch by famed American Modernist Joseph Stella, who burst on to the American scene at the epochal Armory Show of 1913 and whose work is today in the collections of every m...

Peasant is an original Drawing on paper in 1958 realized by Roger Clamagirand. Hand-signed and stamped on the lower and dated. Black Marker Pen on paper. Good conditions. The art...

French Expressionist Portrait by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed painting : 19.5 x 15.5 inches provenance: artists estate, France condition: very...

Jean Jansem (Hovhannes Semerdjian) 1920-2013 Young Boy (sad young man) Hand signed lower left corner Provenance: Marble Arch Gallery NYC Measurements Image size: 25 by 18 inches, ove...

O. Casio Untitled (Moon Man), c. 20th Century Mixed media on paper Sight: 10 x 13 1/4 in. Framed: 16 x 20 in. Signed lower right: O. Casio

Ruth Cobb (American, 1914-2008) Untitled, c. 20th century Watercolor and mixed media on paper Sight: 19 3/4 x 28 1/2 in. Framed: 33 1/2 x 41 3/4 x 1 3/4 in. Signed lower right Born ...

Dionis Baixeras i Verdaguer (1862-1943) - Docker - Charcoal drawing Drawing measurements 58x43 cm. Frame measurements 74x59 cm. Dionisio Baixeras Verdaguer (Barcelona, ​​1862-1943),...

Another very pretty mixed media from the studio of this well collected British artist. Image 21" x 15" mounted Originally from Bury, in the North of England, John Emanuel works in ...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Le Turban by Henri Matisse (1869-1954) Pen and India ink on paper 51.5 x 39 cm (20 ¹/₄ x 15 ³/₈ inches) Signed and date...

Portrait of the Artist by the Artist Original Charcoal Drawing on Paper 1960 Excellent detailed original drawing of the artist by Eugene Hawkins (American, b. 1933). A realistic dep...

John Emanuel embarking on a series of works using new life models. Unusual for a artist who has over the last 40 years only had 3 previous sitters. Now working with Sarah Jane and Ro...

Signed with the estate stamp initials lower right, Lugt 388a (see photo) Provenance: Richard Norton Gallery, Chicago (label verso) Fairweather-Hardin Gallery, Chicago (label verso) ...

Set of x6 figures original watercolour painting on artist paper signed by Marjorie Schiele (1913-2008) *see notes below piece of paper is 14 x 10 inches In good condition provenance:...

A strong portrait, and a piece of history. It was confidently sketched in 1923, during the heyday of the "Lost Generation" in Paris, at the Closerie des Lilas - Ernest Hemingway's favourite haunt and home-from-home in the City. This historical café is where Hemingway first read The Great Gatsby with his friend F. Scott Fitzgerald and where he wrote most of The Sun Also Rises...

Figures is an Artwork realized by Mino Maccari  (1924-1989) in 1960 ca. Drawing pen on yellowed paper. Hand Signed on the lower right margin. Good conditions. Mino Maccari (Siena,...

Portrait of Man is a modern artwork realized in the 1990s and attributed to Emilio Giannelli. Black and white china ink drawing on paper.

Portrait of Man is a modern artwork realized  in the 1990s and attributed to Emilio Giannelli Black and white china ink drawing on paper.

Composition  is a drawing in pen on paper, realized by Alfredo Mezio in 1934 for the magazine "Il Selvaggio", Year XI, p. 46. The artwork is depicted skillfully through confident an...

Portrait of an Elegant Lady original watercolour painting on paper by Marjorie Schiele (1913-2008) *see notes below piece of paper is 14 x 10 inches In good condition, though with mi...

Set of x9 figures original watercolour painting on artist paper signed by Marjorie Schiele (1913-2008) *see notes below piece of paper is 14 x 10 inches In good condition provenance:...

Portrait of an Elegant Lady original watercolour painting on paper by Marjorie Schiele (1913-2008) *see notes below piece of paper is 14 x 10 inches I...

Black Woman's Beauty by Lu Haskew Watercolor Portrait 10x8" image size 20x18" framed (behind glass) Shipping price includes the custom packing necessary for safe transport of fine art. ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career that lasted 17-years. Beginning in 1992, she studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike...

Dick Stone was a top mid-century illustrator who worked for the most famous brands. He was an assignment artist hired by such esteemed Ad Agencies as BBDO ...

Frederick Bosley was an Impressionist painter of the Boston School who most often depicted portraits, figures and still-lifes. The artist was born in Lebanon, New Hampshire in 1881. He studied at the Museum School in Boston from 1900-1906 with Edmund C. Tarbell (1862-1938) and Frank W. Benson (1862-1951), and then in Europe from 1906-1908. Bosley returned to Boston in 1909, obtaining a studio at the Fenway Studios from 1909-1918. He was to become a teacher in his own right, settling as Director at the Museum School from 1913-1931. His many awards include First prize in the 1920 Concord Art Academy Exhibition and a Gold Medal in the Pennsylvania Academy of Fine Arts Exhibition, 1925. His work may be found in the collections of several institutions, including the Boston Museum of Fine Arts, the Farnsworth Museum, the National Academy of Design and the Concord Academy...

From the estate of the artist. Frederick Bosley was an Impressionist painter of the Boston School who most often depicted portraits, figures and still-lifes. The artist was born in Lebanon, New Hampshire in 1881. He studied at the Museum School in Boston from 1900-1906 with Edmund C. Tarbell (1862-1938) and Frank W. Benson (1862-1951), and then in Europe from 1906-1908. Bosley returned to Boston in 1909, obtaining a studio at the Fenway Studios from 1909-1918. He was to become a teacher in his own right, settling as Director at the Museum School from 1913-1931. His many awards include First prize in the 1920 Concord Art Academy Exhibition and a Gold Medal in the Pennsylvania Academy of Fine Arts Exhibition, 1925. His work may be found in the collections of several institutions, including the Boston Museum of Fine Arts, the Farnsworth Museum, the National Academy of Design and the Concord Academy...

Attributed to Frank Weston Benson American 1862-1951 Portrait of a Young Woman Watercolor on paper Signed “F.W. Benson 1912” (lower right) This watercolor painting, entitled Port...

Figures is an Artwork realized by Mino Maccari  (1924-1989) in 1960. Watercolor on yellowed paper. Monogrammed on the lower right margin. Good conditions. Mino Maccari (Siena, 192...

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Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...

Charcoal on paper Image size: 4 1/2 x 4 1/4 inches (11.5 x 10.75 cm) Mounted with a contemporary style frame This is a somewhat haunting self-portrait by William Dring, crafted in c...

Per strada (On the Road)  is a drawing on paper, realized around the Seventies by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 - 1989). Black China ink (foun...

Un Angelo solitario is a drawing on paper, realized around the Sixties by the great Italian artist and journalist, Mino Maccari  (Siena, 1898 - 1989). Black ink drawing (watercolor)...

Sex Appeal is adrawing on paper, realized around the Sixties by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 - 1989).  Blue ink drawing on paper.  Signed "M...

Ritratto di Guelfo Bianchini  is a pen and watercolor drawing on paper realized by  Sergio Barletta  in 1959. Hand-signed and dated on the lower margin. In very good conditions. S...

Unknown School. Second half of the mid-20th Century. Charcoal, Oil Paint & Spray Paint on Plywood Panel. Signed Indistinctly. Image size 26.8 inches x 21.7 inches ( 68cm x 55cm ). ...

Flore is a beautiful drawing on paper, realized by the French artist  Marcel Dupont (1898-1974). Hand-signed on back. The artwork represents a minimalistic, clean design, through p...

Profilo maschile (Male profile)   is al drawing on paper, realized around the Sixties by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 - 1989). Pencil drawing...

L'Alchimista (The Alchimist, Portrait of Giorgio Morandi)  is a drawing on paper, realized around the Sixties by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 ...

Portrait of Carlo Forte is a drawing on paper, realized in the Mid-20th Century by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 - 1989). Charcoal and pencil ...

Portrait of Carlo Forte is a drawing on paper, realized in the Mid-20th Century by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 - 1989). Charcoal and pencil ...

Two Sketched Portraits  is a drawing on paper, realized around the Sixties by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 - 1989).  China ink (fountain pen)...

Medieval Concert is an ink and watercolour drawing on llaid and ivory-colored paper, realized around the Sixties by the great Italian artist and journalist, Mino Maccari (Siena, 1898...

Church Bell is a drawing realized by Alberto Ziveri in the 1930s. Watercolor on paper. Hand-signed. In good conditions.

Women Nudes is an Artwork  realized by  the Artist G. Riegler. Drawing in ink on paper, Hand-signed and dated by the artist on the lower right corner. Th...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. In recent years there has been new scholarship and increasing commercial interest in Andy Warhol's early works, material created prior to Pop Art. During the 1950's Warhol established himself in New York City as a trendy illustrator contributing to a wide number of fashion publications and retailers. His simple line drawings were modern and gentle, with a subtle but unmistakably gay touch. In a short period of time, he created an aesthetic that was both versatile and distinctively his. Like the consummate artist that he was, Warhol was frequently drawing. The images he created during this era, independent from his fashion commissions, were romantic, hopeful, and unabashedly gay. It is worth emphasizing that Warhol was almost exclusively dedicated to drawing during this period, only creating a handful of paintings - which were intended to be used for window displays. Taschen, the legendary art book publisher, recently released the book Andy Warhol: Love, Sex, and Desire 1950-1962 which celebrates his drawings of the male form from the pre-Pop era. This portrait is a paradigm of Warhol's mastery of line and visionary framing. A man's profile commands the composition as he gazes forward with his hand raised towards his mouth, holding a delicate flower. With the lightest touch, Warhol masterly portrays this male ideal with the details of his chiseled jawline, softened gaze, and timeless elegance. Warhol drawings from the 1950s are marked by a gentle whimsy that embodies Warhol's vivid imagination. With fanciful details such as exaggerated lips and eyebrows, "Young Man with Flower...

Arch Architecture is a drawing realized by Alberto Ziveri in 1928. Pencil on paper. Hand-signed. In good conditions.

Portrait of Men is an Artwork  realized by  the French Artist Gaston Charles Vuillier. Drawing-ink on paper.  The artist wants to define a well-balanced composition, through precis...

Painter is a drawing realized by Alberto Ziveri in 1938. Ink and watercolor on paper. Hand-signed. In good condition.

Self portrait is a beautiful pen drawing on paper, realized in 1993 by the French artist  Pierre Lagénie (1938-2020). Hand-signed and dedicated on the lower right margin. The work ...

Cityscape is a drawing realized by Alberto Ziveri in the 1930s. Ink and watercolor on paper. Hand-signed. In good conditions.

The Portrait is a painting realized by Alberto Ziveri in 1936. Oil on cardboard Hand-signed and dated In good conditions.

Horses is a drawing realized by Alberto Ziveri in the 1926. Ink, pencil and watercolor on paper. Hand-signed and dated. In good conditions.