Mark BeardTwo Menn.d.
n.d.
About the Item
- Creator:Mark Beard (1956, American)
- Creation Year:n.d.
- Dimensions:Height: 44 in (111.76 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU93234095502
Mark Beard
Contemporary New York City-based artist Mark Beard has long demonstrated command in a variety of mediums — he works in oil paint, bronze, ceramics and more. Beard is known mainly for his portraits and figurative paintings, but he is prolific in figurative drawing and nude photography as well.
Beard was born in Salt Lake City, Utah. In 1986, he began working as a set designer, and for the next decade, he created more than 20 sets in New York City, London, Frankfurt, Vienna and Cologne. As a painter and printmaker, Beard didn’t wish to confine himself to a rigid style and instead sought to explore Impressionism, Art Nouveau and other movements in a range of mediums. In order to freely move from one style to the next, Beard created several different personas, assigning a specific biography to each one.
Beard's most prominent artistic alter ego is Bruce Sargeant, whom the artist has positioned in exhibitions as an early 20th-century painter. Beard's work as Sargeant is a detailed study of the male physique. The paintings often feature sculpted athletic men engaged in physical activities like wrestling and rowing. The work is steeped in homoeroticism, and the artist’s name itself is a reference to painter John Singer Sargent — while he’s best known for his Edwardian-era portraits, John Singer Sargent also created murals and drawings of male nudes that were similarly reflective of a homoerotic sensibility.
Beard is also an accomplished landscape painter. His great-grandfather, George Beard, was a regional painter and photographer of the Rocky Mountains. Mark spent summers at his grandfather's 19th-century log cabin retreat as a child. These formative experiences are reflected in his own stunning landscape paintings.
Beard's artwork is held in many high-profile museum collections, including the Whitney Museum of American Art, the Museum of Modern Art, the Metropolitan Museum of Art, the Wadsworth Atheneum Museum of Art and the Museum of Fine Arts, Boston.
Today, Beard resides in the Manhattan loft that he purchased in 1994 with his partner, James Manfred. It serves as both his home and his studio. The space is filled with his oil paintings, drawings and sculptures.
On 1stDibs, find Mark Beard paintings, drawings, photography and more.
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- Untitled (Man Reclining on Tile Floor)By Mark BeardLocated in New York, NYGraphite and conté crayon on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in Ne...Category
1970s Realist Figurative Drawings and Watercolors
MaterialsPaper, Graphite, Conté
- Untitled (Man Reading Newspaper)By Mark BeardLocated in New York, NYConté crayon on paper Signed, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in New York City. His works ...Category
1970s Realist Figurative Drawings and Watercolors
MaterialsPaper, Conté
- Untitled (Man in Blue Tank Top)By Mark BeardLocated in New York, NYPastel and conté crayon with partial foil star on Rives BFK paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in ...Category
1970s Realist Portrait Drawings and Watercolors
MaterialsFoil
- Untitled (Man in Repose Leaning Against Post)By Mark BeardLocated in New York, NYConté crayon on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in New York City. ...Category
1970s Realist Figurative Drawings and Watercolors
MaterialsConté, Paper
- Untitled (Man Undressing)By Mark BeardLocated in New York, NYGraphite on paper Signed, c.l. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now live...Category
1970s Realist Figurative Drawings and Watercolors
MaterialsGraphite, Paper
- Untitled #8 (from the series "Album")By Chris IronsideLocated in New York, NYGraphite on paper Signed, verso This drawing is offered by ClampArt, located in New York City. Price includes framing. About the artist: Chris Ironside is a Toronto-based artist wor...Category
2010s Contemporary Portrait Drawings and Watercolors
MaterialsPaper, Graphite
- Portrait of Leopold Myers by Sir William RothensteinBy Sir William RothensteinLocated in Soquel, CAStately sanguine portrait of Leopold Hamilton Myers (Novelist) by Sir William Rothenstein (English, 1872-1945). Captured in Rothenstein's characteristic style, Myers looks directly at the viewer with a neutral expression. Although this portrait uses only two colors and minimal shading, the likeness of Myers is incredibly well captured. Leo (Leopold) Hamilton Myers (1881 – 1944) was a British novelist. Numerous examples like this one of the writer are in the Tate Museum. Initialed and dated in the lower right corner ("W.R. 1936") Inscription on verso indicating materials, subject, and artist. Presented in a new cream colored mat with foamcore backing. Mat size: 18"H x 12"W Paper size: 15.25"H x 10.75"W William Rothenstein (English, 1872-1945) was born into a German-Jewish family in Bradford, West Yorkshire. His father, Moritz, emigrated from Germany in 1859 to work in Bradford's burgeoning textile industry. Soon afterwards he married Bertha Dux, and they had six children, of which William was the fifth. Rothenstein was knighted in 1931. Rothenstein left Bradford Grammar School at the age of sixteen to study at the Slade School of Art*, London (1888-1893), where he was taught by Alphonse Legros, and the Académie Julian* in Paris (1889-1893), where he met and was encouraged by James McNeill Whistler, Edgar Degas and Henri Toulouse-Lautrec. Whilst in Paris he also befriended the Anglo-Australian artist Charles Conder, with whom he shared a studio in Montmartre. In 1893 he returned to England to work on "Oxford Characters" a series of lithographic* portraits. In Oxford he met and became a close friend of the caricaturist* and parodist Max Beerbohm, who later immortalised him in the short story Enoch Soames (1919). During the 1890s Rothenstein exhibited with the New English Art Club* and, in 1900, won a silver medal for his painting The Doll's House at the Exposition Universelle. In 1898 he co-founded the Carfax Gallery in St. James' Piccadilly with John Fothergill. During its early years the gallery was closely associated with such artists as Charles Conder, Philip Wilson Steer, Charles Ricketts and Augustus John. It also exhibited the work of Auguste Rodin, whose growing reputation in England owed much to Rothenstein's friendship and missionary zeal. The gallery was later the home for all three exhibitions of The Camden Town Group*, led by Rothenstein's friend and close contemporary Walter Sickert. Rothenstein is best known for his portrait drawings of famous individuals and for being an official war artist in both World War I and World War II. He was also a member of the International Society of Sculptors, Painters & Gravers. The style and subject of his paintings varies, though certain themes reappear, in particular an interest in 'weighty' or 'essential' subjects tackled in a restrained manner. Good examples include Parting at Morning (1891), Mother and Child (1903) and Jews Mourning at a Synagogue (1907) - all of which are owned by the Tate Gallery. The National Portrait Gallery owns over two hundred of his portraits. In 2011 the BBC and the Public Catalogue Foundation began cataloguing all of his paintings in public ownership online. Between 1902 and 1912 Rothenstein lived in Hampstead, London, where his social circle included such names as H.G.Wells, Joseph Conrad and the artist Augustus John. Amongst the young artists to visit Rothenstein in Hampstead were Mark Gertler...Category
1930s Realist Portrait Drawings and Watercolors
MaterialsConté, Handmade Paper
- Portrait SketchBy Ben FenskeLocated in Sag Harbor, NYA portrait of a male head, in profile by BenFenske. The artist uses a variety of colors to convey a naturalist impression. Artist Bio Ben Fenske (b. 1978) although a native of Minn...Category
21st Century and Contemporary Academic Portrait Drawings and Watercolors
MaterialsCrayon, Paper, Conté
- Self Portrait SketchBy Ben FenskeLocated in Sag Harbor, NYAn early work on paper, by American Impressionist painter, Ben Fenske. It's rare to see a drawing like this from Fenske, especially of a self portrait. Fenske uses classical draftin...Category
Early 2000s Academic Portrait Drawings and Watercolors
MaterialsPaper, Conté
- "Self Portrait Conte Sketch" rare Ben Fenske work on paper - academic studyBy Ben FenskeLocated in Sag Harbor, NYA colorful self-portrait from Ben Fenske, staring at the viewer straight-on. Hues of red dominate. Unframed. Ben Fenske (b. 1978) although a native of Minnesota, and has been worki...Category
Early 2000s Academic Portrait Drawings and Watercolors
MaterialsPaper, Conté
- Head Study, 1930By John SloanLocated in Missouri, MOHead Study, 1930 John Sloan (1871-1951) Signed Lower Right 10.5" x 9" Unframed 19" x 16.5" Framed Born in Lock Haven, Pennsylvania, John Sloan became one o...Category
Early 20th Century Ashcan School Portrait Drawings and Watercolors
MaterialsPaper, Conté
- "Regarding Agnes" - Portrait of a Young Woman, DrawingBy Duncan HannahLocated in East Quogue, NYPortrait of a semi-attired young woman titled "Regarding Agnes" by Duncan Hannah. Conte pencil on paper. Signed front lower right. Offered framed. Frame size: 10.75 x 8.75 inches ...Category
Early 2000s American Realist Figurative Drawings and Watercolors
MaterialsConté, Paper
Recently Viewed
View AllRead More
Lori Grinker’s Artful Photographs of a Young Mike Tyson Are a Knockout!
The New York photographer tells us how an encounter with the then-13-year-old boxer led to a decade-long project that saw them both go pro.
In Marc Yankus’s Photos, New York Landmarks Are Pristinely Devoid of People
A new exhibition at Manhattan's ClampArt gallery shows off the artist's portraits of urban architectural icons.