Raymond Debieve

Portrait of a Post-Cubist Woman

Circa 1960s

'The Market Seller in Nice', gouache on paper, by Alfred Salvignol (circa 1950s). The role of women as support to their families has been both very important and highly undervalued b...

'The Family', gouache on fine art paper (1984), by Raymond Dèbieve. In a clear nod to Picasso's influence both stylistically and in terms of subject matter ...

'French Boy in Bloomers', gouache on art paper (circa 1960s-70s), by Raymond Debiève. A young boy emerges from a beach cabana wearing a bloomer bathing costume that was still in use ...

'Portrait of Boy in a Chair', gouache on art paper, by Raymond Debiève (circa 1960s). Here the artist paints a young boy, very probably his son, Vincent, sitting in a chair posing fo...

'La Montera', gouache, watercolour and ink on art paper, by Pierre Ambrogiani (circa 1960s). The artist created many artworks with bullfighting as theme. In this case, a single torer...

'Sailors in Marseille', gouache on art paper, French School (circa 1960s). Ever since the 6th century, there have been fishermen selling their catch in the Old Port of Marseille while sailors from visiting vessels have always enjoyed a night on the town. Today the Old Port is the city’s beating heart, a vital part of Marseille. In this work, the artist depicts a solo French sailor crossing paths with his American counterpart. The Frenchman sports his cap with iconic pom pom rouge while the American sailor is dressed in his white 'Cracker Jack...

This interesting seated woman pencil study is by French artist Wouyart (20th Century). This unique representation captures the model's expression through trace lines and shadows that...

1950s portrait, gouache on paper painting by Belgian artist Max Moreau (1902 - 1992). A finely detailed portrait of a lovely young girl looking like a good child from the period right after WWII. Moreau captures the sweet expression, soft features, and calm, well-mannered demeanor of that child. Hand-signed and dated on the bottom right corner. The artist demonstrates incredible skill in detailing this portrait with gouache and watercolor. This skill has made his portraits so desirable for international collectors. The painting still has its original elegant mahogany carved frame with glass protection. Measurements: With frame: 25.19 in wide (64 cm) x 30.32 in high (77 cm) x 2.38 in deep (6 cm). Opening view: 19.69 in wide (50 cm) x 24.50 in high (62 cm). Note: Max Leon Moreau (1902 - 1992) Moreau is a highly acclaimed artist born in Belgium. He is best known for his loosely brushed street scenes of Paris, Granada, and North Africa and his revealing portraits of met characters during his foreign travels. Taught to paint by his father, the family moved to Paris, where he made copies of paintings at the Louvre Museum. Later Moreau and his family lived in Tunisia and Morocco before settling in Granada, Spain. Following his death in 1992, his home was converted into a museum dedicated to his life and work. His paintings are internationally collected and appear at auction in major international houses. Max spent his last 30 years living in his Moorish-style house in Granada, which upon his death, was bequeathed to the City of Granada along with the contents of his studio and artwork. The City of Granada has turned his home into a museum showcasing his paintings, studio, and private life. The main building of the Casa Museo Max Moreau houses an exhibition space that takes us on a journey through his most common themes: portraits, still-life, and landscapes, represented through oil paintings, watercolors, and drawings on paper. There is also a series of models for theatre creations that illustrate his interest and relationship to the scenic arts (he was involved in many productions as an actor, playwright, musician, and set designer). The building is an original from the region of Albayzín and is popularly known as Carmen. Does the name come from the Arabic word Karm which means vine, orchard, or garden.?The second building houses his studio, remained untouched: the easel next to the window, a piano with scores, and a collection of oriental objects...

Donald Stacy "Purple Head" c.1950s Gouache and oil pastel on paper 13.75" x 17" unframed Unsigned Came from artist's estate Donald Stacy (1925-2008) New Jersey Studied: Newark School of Fine Art The Art Students League Pratt Graphic Arts Center University of Paris 1953-54 University of Aix-en-Provence 1954-55 Faculty: Art Department of the New School Museum of Modern Art School of Visual Arts Stacy Studio Workshop Exhibitions: Grand Central Moderns George Wittenborn The New School Print Exhibitions, Chicago University of Oklahoma Honolulu Museum Monclair Museum Wisconsin State College Louisiana Art Commission Philadelphia Print...

This is a suite of 4 works of "exploding faces" Taking a leap from Ms. Bovasso's signature "explosion" drawings, here a figurative element is added.

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Womenswear. There, he tutored many contemporary greats, including John Galliano, Stella McCartney, Christopher Kane, Wes Gordon, Zac Posen and Hussein Chalayan. Examples of Tangye’s portraits are held in many important collections, both public and private, including the Victoria and Albert Museum (V&A), Harvard University and London’s National Portrait Gallery. Throughout his teaching career Tangye quietly developed a particularly idiosyncratic art practice. By employing a decisive line with bold applications of richly layered materials, Tangye explores the nuances of the human form in an effort to expose his subjects’ true essence and energy. — Howard Tangye Lee Roach (Sitting), 2011 Mixed media on grey parchment...