C. Villars

French Poster Project Aviation Illustration Gouache Drawing by C. Villars

circa 1940

This is an original Post-war illustration drawing, hand-painted with gouache on Arches Velum paper by French artist C. Villars (France - 20th Century). The poster project features a young woman in a bikini swimsuit sitting on a globe. She holds in her hand a toy in the shape of an airplane on the end of a string. In the background on the terrestrial globe, the connections between France and the countries of South America are guessed. The drawing was created for an airline company named STAR. The illustration is signed C. Villars in the bottom left corner. This image was probably later printed in a larger size for ad posters...

This is an original Post-war illustration drawing, hand-painted with gouache on Arches Velum paper by French artist C. Villars (France - 20th Century). The poster project features a woman in travel clothes with all her suitcases sitting on a magic carpet. Below the carpet, we guess a plane in the air. The drawing was created for an airline company named STAR. The illustration is signed C. Villars in the bottom left corner. This image was probably later printed in a larger size for ad posters...

This is an original Post-war illustration drawing, hand-painted with gouache on Arches Velum paper by French artist C. Villars (France - 20th Century). The poster project features an airplane propeller and the earth in the background, with emphasis on France and South American countries. The drawing was created for an airline company named STAR. The illustration is signed C. Villars in the bottom left corner. This image was probably later printed in a larger size for ad posters...

1950s portrait, gouache on paper painting by Belgian artist Max Moreau (1902 - 1992). A finely detailed portrait of a lovely young girl looking like a good child from the period right after WWII. Moreau captures the sweet expression, soft features, and calm, well-mannered demeanor of that child. Hand-signed and dated on the bottom right corner. The artist demonstrates incredible skill in detailing this portrait with gouache and watercolor. This skill has made his portraits so desirable for international collectors. The painting still has its original elegant mahogany carved frame with glass protection. Measurements: With frame: 25.19 in wide (64 cm) x 30.32 in high (77 cm) x 2.38 in deep (6 cm). Opening view: 19.69 in wide (50 cm) x 24.50 in high (62 cm). Note: Max Leon Moreau (1902 - 1992) Moreau is a highly acclaimed artist born in Belgium. He is best known for his loosely brushed street scenes of Paris, Granada, and North Africa and his revealing portraits of met characters during his foreign travels. Taught to paint by his father, the family moved to Paris, where he made copies of paintings at the Louvre Museum. Later Moreau and his family lived in Tunisia and Morocco before settling in Granada, Spain. Following his death in 1992, his home was converted into a museum dedicated to his life and work. His paintings are internationally collected and appear at auction in major international houses. Max spent his last 30 years living in his Moorish-style house in Granada, which upon his death, was bequeathed to the City of Granada along with the contents of his studio and artwork. The City of Granada has turned his home into a museum showcasing his paintings, studio, and private life. The main building of the Casa Museo Max Moreau houses an exhibition space that takes us on a journey through his most common themes: portraits, still-life, and landscapes, represented through oil paintings, watercolors, and drawings on paper. There is also a series of models for theatre creations that illustrate his interest and relationship to the scenic arts (he was involved in many productions as an actor, playwright, musician, and set designer). The building is an original from the region of Albayzín and is popularly known as Carmen. Does the name come from the Arabic word Karm which means vine, orchard, or garden.?The second building houses his studio, remained untouched: the easel next to the window, a piano with scores, and a collection of oriental objects...

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