Fleur Thesmar

"DEATH VALLEY", watercolor, mojave desert, Badwater, storm, sky, clouds, salt

2019

APPLE BLOSSOM AND YEW is a new watercolor on Arches paper by Fleur Thesmar. This is part of a series by the artist examining the inherent geometry and co...

STELLATA MAGNOLIA 2 is a new watercolor on Arches paper by Fleur Thesmar. The artwork measures 30x22". Note the fluid precision of the tree, blossoming into...

WINTER SEEDS 3 is a large new watercolor on Arches paper by Fleur Thesmar. The artwork measures 22x30", and is mounted on a simple backing matte. The artwork would ship flat. An extr...

SOUL MOUNTAIN is a new watercolor on Fabriano paper by Fleur Thesmar. The artwork measures 22x30". Note the flow of the landscape, the curves and fields ...

SECRET GARDEN 2 is a new watercolor on Fabriano paper by Fleur Thesmar. The artwork measures 22x30". It is custom framed with anti-UV and anti-glare glas...

SECRET GARDEN 1 is a new watercolor on Fabriano paper by Fleur Thesmar. The artwork measures 22x30". Note the complexity of the composition, the suggestion of one specific place in a...

St. Briac, France watercolor created by Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb creates watercolors with graphite on paper, as a method of personal journaling his travels, both personal and professional. The series of watercolors depicts places where the artist visits, and captures the essence of the place and its atmosphere. This work is 9 5/8 x 4 1/8 inches and is matted in an archival museum mat with an outer dimension of 15 3/8 x 9 3/4 inches. And it comes in a crystal clear archival storage...

Dinan, France watercolor created by Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb creates watercolors with graphite on paper, as a method of personal journaling his travels, both personal and professional. The series of watercolors depicts places where the artist visits, and captures the essence of the place and its atmosphere. This work is 7 x 10 inches and is matted in an archival museum mat with an outer dimension of 12 3/4 x 15 7/8 inches. And it comes in a crystal clear archival storage...

Tree roots emerge from a vase to create a forest of trees in Christina Haglid's "Canopy". The artist invites the viewer to take a closer look at nature, to question what is seen and to enter into a newly created world. Meticulous in her execution, Haglid uses watercolor as one might use a colored pencil. Layer upon layer of color is added to achieve this impressively detailed painting. Christina Haglid Canopy watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH033 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at...

A single bud vase, a willow tree seeming to grow inside a confined vessel, all appearing to float upon a sea of moving water are the subjects of Christ...

Two bud vases seemingly defy gravity as they teeter upon a watery surface in Christina Haglid's "Janus". This meticulously detailed watercolor invites the viewer to take a closer look at nature, to question what is seen and to enter into a newly created world. Intricate in her execution, Haglid uses watercolor as one might use a colored pencil. Layer upon layer of color is added to achieve this impressively detailed painting. Christina Haglid Janus watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH031 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...

A single bloom is captured inside a paper lantern atop a table in Christina Haglid's "Double Blind". This small, exquisite watercolor is awash in sunlight streaming in through parti...