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Art by Medium: Engraving

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Period: 19th Century
Medium: Engraving
John Thomson (1777-1840) - 1830 Map Engraving, Chart of the World
Located in Corsham, GB
A fine engraved map of the world on Mercator's projection, from the second edition of John Thomson's 'New General Atlas' published in 1830. On paper.
Category

Early 19th Century Art by Medium: Engraving

Materials

Engraving

Kangaroos, Australian animal engraving with original hand-colouring, 1849
Located in Melbourne, Victoria
'Kangurou laineux' Steel-engraving with original hand-colouring, by Fournier after Edouard Travies (1809-1865). 1849. 160mm by 245mm (sheet). Mid 19th century French depiction o...
Category

Mid-19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Inside of the Duke's Theater in Lincoln's Inn Fields as it appeared...Charles II
Located in Middletown, NY
London: William Herbert & Robert Wilkinson, 1809 Engraving on buff wove paper, 12 1/4 x 8 1/4 inches (310 x 208 mm), full margins. In good condition with some scattered surface soiling, and edge wear along the top sheet edge, well outside of the image area. From a series of three views of the Duke's Theater. An impression of this work may be viewed in the permanant collection of the Royal Collection...
Category

Early 19th Century English School Art by Medium: Engraving

Materials

Handmade Paper, Engraving

"Dover" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category

Early 19th Century Art by Medium: Engraving

Materials

Engraving

George Brookshaw (1751-1823), Apple Cluster, PL LX
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W Frame Sz: 19 1/4"H x 16 3/4"W Publisher: Longman, Hurst, Rees, Orme & Brown Plate LX George Brookshaw, also known as G. Brown, was a notable English painter and illustrator from London. His early career was spent as a London cabinet-maker specializing in painted furniture, often with floral decorations. Brookshaw also published supplementary drawing manuals on fruit, flowers, and birds. Pomona Britannicaa London 1804-1812 Engravings with original hand-coloring George Brookshaw's splendid "Pomona Brittanica" is a masterpiece among 19th-century British flower books. The publication of the "Pomona" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual "A New Treatise on Flower Painting", 1797. Characterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the "Pomona" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton...
Category

Early 1800s Art by Medium: Engraving

Materials

Engraving

George Brookshaw (1751-1823), Cherry Cluster, PL V
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W Frame Sz: 19 1/4"H x 16 3/4"W Publisher: Longman, Hurst, Rees, Orme & Brown Plate V George Brookshaw, also known as G. Brown, was a notable English painter and illustrator from London. His early career was spent as a London cabinet-maker specializing in painted furniture, often with floral decorations. Brookshaw also published supplementary drawing manuals on fruit, flowers, and birds. Pomona Britannicaa London 1804-1812 Engravings with original hand-coloring George Brookshaw's splendid "Pomona Brittanica" is a masterpiece among 19th-century British flower books. The publication of the "Pomona" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual "A New Treatise on Flower Painting", 1797. Characterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the "Pomona" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton...
Category

Early 1800s Art by Medium: Engraving

Materials

Engraving

George Brookshaw (1751-1823), Black Apricot; Breda Apricot; Brussels Moor Park A
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W Frame Sz: 19 1/4"H x 16 3/4"W Publisher: Longman, Hurst, Rees, Orme & Brown Plate XX George Brookshaw, also known as G. Brown, was a notable English ...
Category

Early 1800s Art by Medium: Engraving

Materials

Engraving

Sidney Sussex College, Cambridge engraving by John Le Keux after Mackenzie
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Le Keux (1783 - 1846) after Frederick Mackenzie (1788 - 1854) Sidney College from the Master's Garden (1845) Hand-coloured engraving 12 x 15 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of Sidney Sussex College, Cambridge. The College was founded in 1596 under the terms of the will of Frances Sidney, Countess of Sussex, wife of Thomas Radclyffe, 3rd Earl of Sussex, and named after its foundress. Frederick Mackenzie (circa 1788 - 1854) was a British watercolourist and architectural draughtsman. He first exhibited at the Royal Academy in 1804, and contributed eleven drawings between that year and 1828. He contributed to the Society of Painters in Water Colours exhibitions from 1813, becoming an associate in 1822, and a full member the following year. From 30 November 1831 until, his death he was treasurer to the society. In later life Mackenzie was no longer commissioned to illustrate books. John Le Keux was a British engraver. When working as an apprentice to his father, a pewter manufacturer, he began engraving pewter, and trained as an engraver. He was then apprenticed to the noted engraver James Basire, and went on to produce engravings for the architectural publications of John Britton, Augustus Welby Pugin, John Preston...
Category

1840s Art by Medium: Engraving

Materials

Engraving

Newhaven Pier - Engraving by Robert Brandard - 1838
Located in Roma, IT
Newhaven Pier is an engraving on paper realized by R. Brandard in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.
Category

1830s Modern Art by Medium: Engraving

Materials

Engraving

Dundee - Engraving by Charles James Richardson - 1838
Located in Roma, IT
Dundee is an engraving on paper realized by C. Richardson in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.
Category

1830s Modern Art by Medium: Engraving

Materials

Engraving

Flamborough Head - Engraving by Edward Francis Finden - 1838
Located in Roma, IT
Flamborough Head is an engraving on paper realized by E.Finden in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.
Category

1830s Modern Art by Medium: Engraving

Materials

Engraving

Harwich - Engraving by Edward Francis Finden - 1838
Located in Roma, IT
Harwich is an engraving on paper realized by E. Finden in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.
Category

1830s Modern Art by Medium: Engraving

Materials

Engraving

Cromer - Etching by Edward Francis Finden - 1838
Located in Roma, IT
Cromer is an engraving on paper realized by F.Finden in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.
Category

1830s Modern Art by Medium: Engraving

Materials

Engraving

Blyth - Engraving by E.Finden - 1845
Located in Roma, IT
Blyth is an Engraving realized in 1845 by E.Finden. Signed in plate. The artwork is realized in a well-balanced composition.
Category

1840s Modern Art by Medium: Engraving

Materials

Engraving

Entrance to Shields Harbour - Engraving by E. Finden - 1845
Located in Roma, IT
Entrance to Shields Harbour is an Engraving realized in 1845 by W.Finden. Signed in plate. The artwork is realized in a well-balanced composition.
Category

1840s Modern Art by Medium: Engraving

Materials

Engraving

Slaines Castle - Near Peterhead - Engraving by Robert Brandard - 1845
Located in Roma, IT
Slaines Castle - Near Peterhead is an engraving realized in the 1845 by R.Brandard. signed on plate. The artwork is realized in a well-balanced composition.
Category

1840s Modern Art by Medium: Engraving

Materials

Engraving

(after) John Constable mezzotint "River Stour, Suffolk"
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...
Category

1850s Art by Medium: Engraving

Materials

Mezzotint

(after) John Constable mezzotint "Summer Evening"
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...
Category

1850s Art by Medium: Engraving

Materials

Mezzotint

(after) John Constable mezzotint "Autumnal Sun Set"
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...
Category

1850s Art by Medium: Engraving

Materials

Mezzotint

(after) John Constable mezzotint "A Dell, Helmingham Park, Suffolk"
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...
Category

1850s Art by Medium: Engraving

Materials

Mezzotint

(after) John Constable mezzotint "East Bergholt"
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...
Category

1850s Art by Medium: Engraving

Materials

Mezzotint

"Bow-and-Arrow Castle" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category

Early 19th Century Art by Medium: Engraving

Materials

Engraving

"Mount Edgcumbe" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category

Early 19th Century Art by Medium: Engraving

Materials

Engraving

"East and West Look" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category

Early 19th Century Art by Medium: Engraving

Materials

Engraving

Berkshire 19th century map engraved by John Dower
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." John Dower (1825 - 1901) Map of Berkshire from an actual survey made in the ye...
Category

1820s Art by Medium: Engraving

Materials

Engraving

Thomas Hearne, artist, portrait, soft ground etching, 1809
Located in Melbourne, Victoria
'Thomas Hearne' Soft ground etching by William Daniell RA (1769-1837) after George Dance the Younger (1741-1825), 1809. Thomas Hearne (1744-1817...
Category

Early 1800s English School Art by Medium: Engraving

Materials

Etching, Engraving

Henry Bennet Earl of Arlington, English Civil War, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after Peter Lely. Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouches. Originally published 1739, this impression c1820. 360mm by 230mm (platemark) Henry Bennet, 1st earl of Arlington, 1618-85, was an English statesman who fought for the royalists in the English civil war...
Category

Early 19th Century Renaissance Art by Medium: Engraving

Materials

Engraving

Sir William Morice, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780). Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouc...
Category

Early 19th Century Renaissance Art by Medium: Engraving

Materials

Engraving

Sir William Wyndham, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780). Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouc...
Category

Early 19th Century Renaissance Art by Medium: Engraving

Materials

Engraving

Head of a Man in a High Cap - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Head of a man in a high cap is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to ...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Oriental Head - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Oriental Head is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of the 19...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Self-Portrait, Stuurs kKijkend - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Self-Portrait, stuurs kijkend is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late e...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Small Gray Landscape - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Small Gray Landscape: a House and Trees beside a Pool is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Portrait - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Portrait is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of the 19th ce...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Head Of An Old Man - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Head Of An Old Man is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of ...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Man Crying Out - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Man Crying Out, Three-Quarters Left is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a ...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Philosopher with an Hourglass - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Philosopher with an Hourglass is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late e...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Self-portrait with a Broad Nose - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Self-portrait with a Broad Nose is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Man Crying Out - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Man Crying Out is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of the 1...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Sick Woman with a Large White Headdress - Engraving after Rembrandt - 19th Cent.
Located in Roma, IT
Sick Woman with a Large White Headdress (Saskia) is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art ...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Bust of an Old Woman - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Bust of an Old Woman is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

A Man with a Large Beard - Engraving after Rembrandt - 19th Century
Located in Roma, IT
A Man with a Large Beard and a Low Fur Cap is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belong...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

The Sleeping Herdsman - Engraving after Rembrandt - 19th Century
Located in Roma, IT
The Sleeping Herdsman is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition o...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Seated Beggar and His Dog - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Seated beggar and his dog is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late editi...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Beggar Leaning on a Stick - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Beggar Leaning on a Stick, Facing Left is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Self-Portrait in a Fur Cap - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Portrait in Fur Cap is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belong...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Beggar with a Stick - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Beggar with a stick is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of ...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

The Artist's Mother - Engraving after Rembrandt - 19th Century
Located in Roma, IT
The Artist's Mother is an enrgraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late ...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Beggar and Peasants - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Beggar and Peasants is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late e...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Bust of an old man with flowing beard - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Bust of an old man with flowing beard is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art b...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Self-Portrait in a Fur Cap - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Self-Portrait in a Fur Cap is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful pi...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Beggar Seated Warming His Hands at a Chafing Dish - Engraving After Rembrandt
Located in Roma, IT
Beggar Seated Warming His Hands at a Chafing Dish is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by ...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Old Beggar Woman with a Gourd - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Old Beggar Woman with a Gourd is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs t...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

William James Smith - Engraving after Rembrandt - 19th Century
Located in Roma, IT
William James Smith is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late e...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Antholyza Fulgens. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Antholyza Fulgens - Refulgent-flowered Antholyza' Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompani...
Category

Early 19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Little Coutance, Geneva by Georges Bastard - Engraving 36x26 cm
Located in Geneva, CH
Work on paper
Category

1890s Realist Art by Medium: Engraving

Materials

Engraving

The Cabin - Original Drypoint by Sir Francis Saymour-Haden - 1877
Located in Roma, IT
The Cabin is an original Modern artwork realized by Sir Francis Saymour-Haden (16 September 1818 – 1 June 1910) in 1877. Beautiful Proof on vélin fort, with stamp "Lugt 1048”. Full ...
Category

1870s Modern Art by Medium: Engraving

Materials

Drypoint

Coupang : Ile Timor. Vue d'un chantier de construction. Early C19th engraving
Located in Melbourne, Victoria
'Coupang : Ile Timor. Vue d'un chantier de construction' Depicts Timorese people and Europeans building a rowboat under a tree, with other boats in the distance. The work is being overseen by a senior naval man, possibly intended to be Captain Freycinet. Steel-engraving by Friedrich Schroeder (1768-1839) after F Garnier after Alphonse Pellion. Alphonse Pellion, artist and naval draughtsman, was a midshipman aboard l'Uranie on Louis de Freycinet's three-year scientific and ethnographic expedition around the world in 1817-1820. From Louis Freycinet's 'Voyage Autour du Monde, Entrepris par Ordre du Roi ... Execue sur les Corvettes de S. M. l'Uranie et la Physicienne Pendant les Annees 1817, 1818, 1819 et 1820', published in Paris in 1825. Louis Claude de Saulces de Freycinet (1779-1842) joined the French Navy in 1793 and was a veteran of the Baudin's voyage of discovery (1801-1803). He also completed the narrative of the expedition which appeared under the title of 'Voyage de Decouvertes aux Terres Australes'. In 1817 de Freycinet successfully lobbied the Government and King Louis XVIII agreed to support a new global campaign. Its mission was to finally determine the shape of the earth and return with detailed reports on geography, people, government, commerce and art of this new world. The 350-ton corvette Uranie had a complement of 120 men and 23 officers including the artist Jacques Arago and a priest. Over the next three years Uranie visited Australia, East Timor...
Category

Early 19th Century Victorian Art by Medium: Engraving

Materials

Engraving

Engraving art for sale on 1stDibs.

Find a wide variety of authentic Engraving art available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Not every interior allows for large Engraving art, so small editions measuring 0.4 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $106 and tops out at $981,948, while the average work can sell for $3,322.

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