Art by Medium: Fabric

Giorgio Sansoni Title: La memoria del nonno Media : oil on canvas Size: 100x100 cm

Alpine Haymaking Harvesting 20th Century Realist Oil Painting by German Landscape Artist, Wolfgang Heinz (1930–2014). Horses, cart, figures in a beautiful sunny mountain setting near...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Tête de Femme Blonde by Pierre-Auguste Renoir (1841-1919) Oil on canvas 26.1 x 19 cm (10 ¹/₄ x 7 ¹/₂ inches) Signed upp...

"Blue Waters" is an oil on canvas painting by Dorothy Hood. The painting size is 90 x 70 inches. Early in her maturation, Hood established herself as an artist of metaphysically cha...

Seascape, 19th Century attributed to William Page Atkinson WELLS (1872-1923) 19th century English Seascape, oil on canvas attributed to William Page Atkinson Wells, oil on canvas. ...

Strong vertical and horizontal elements woven into a repeating pattern, Naohiko Inukai's painting Four & Six, No. 1 offers a calming rhythmic symmetry. As was noted the the March 196...

Benjamin Ferris Gilman paints an intriguing view of Venice through a narrow canal in his oil painting entitled, “Canal in Venice.”

Auguste Herbin 1882-1960 French Vases aux chrysanthèmes Signed 'Herbin' (lower right) Oil on canvas This bold and vivid still life was composed by French painter Auguste Herbin, ...

James Yohe painted this large scale red and deep hues of blue and green powerful and beautiful original work on canvas in 1979. This early work by this famous artist of the 1980's a...

Medium: Oil on Canvas Dimensions: 29.00" x 25.00" Signature: Signed Upper Right

Lyne SEYBEL (1919-2009) Tempête à Honfleur Oil on canvas Size: 65 x 92 cm Signed lower left. In perfect state of conservation. With beautiful frame Provenance: Family of the artist...

This is an original oil painting on canvas by the Russian artist Constantin Kousnetsoff. Condition: Good condition. Unexamined out of the frame.

The artist's modesty was probably an obstacle to her career. Her magnificent, expressive works have few equals in Austria, but the time has come for her work to be honoured anew afte...

Signed and dated "Vytlacil 32" lower right Provenance: Estate of the artist #1584; Martin Diamond Fine Art Exhibitions: 1990 Graham Gallery, NYC (label verso) About this artist: B...

Max Kuehne paints a dockyard across the river from the skyscrapers of New York City in his artwork entitled, “New York Skyline”

The painting is hand signed by the artist at the lower left part "I. Ryback". It was probably painted between 1925 to 1935 in France. Provenance: Josef Steiglitz Gallery, Tel Aviv. ...

Oil on canvas Image size: 35 3/4 x 35 3/4 inches (91 x 91 cm) Entitled, monogrammed, dated 'November 1974' and inscribed on reverse

"Nu Endormi", 20th Century by GERARD DUREAUX (1940-2014) Large 20th Century French Nude portrait of a reclining nude lady, oil on canvas by Gerard Dureaux. Excellent quality and condition example of the famous French painters...

Miguel Padura "Still Life" Oil on canvas 21 1/2 x 38 in

A wonderful painting in the style clearly identified with the artist.

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed. Signed.

Joseph Adam Imhof 1871-1955 American Portrait of Theodore Roosevelt Signed "J.A.Imhof 17" (lower right) Oil on canvas President Theodore Roosevelt is r...

The colourful backdrop of nature blends in a sacred moment when the artist explores the outdoors. The beauty, majesty, wonder and allure are all turbulent yet calming.

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Harry Leith-Ross (1886 - 1973). The son of an English father and a Dutch mother, Harry Leith-Ross was born in the British Colony of Mauritius, an island in the Indian Ocean a thousand miles off the southeast coast of Africa. His first formal art instruction began in England under Stanhope Forbes, followed by studies with Jean Paul Laurens at the Academie Julian in Paris. Leith-Ross came to the United States to enroll at the National Academy of Design in New York City in 1910, and then to Woodstock, in 1913. It was in Woodstock at the Art Students League, under the tutelage of Birge Harrison and John F. Carlson, that Leith-Ross would receive the training that most influenced his career as an artist. There he formed a lifelong friendship with fellow artist, John Folinsbee. The two artists shared a studio during this time and participated in several joint exhibitions exclusively featuring their work, including an exhibit at the Louis...

The extensive work of Vilma Eckl covers a period of more than seventy years. Her incomparable artistic talent and her essential contribution to the history of art can be seen in her ...

This work is accompanied by a certificate of authenticity from Anthony Tucker on behalf of the artist’s estate. signed ‘ETUCKER’ (lower left)

PRICE REDUCED - previously £8,000, now £5,000 Norman Howard 1899 - 1955 Evening, The Lizard Lighthouse Oil on canvas, signed lower left Image size: 23 1/2 x 27 1/2 inches Art D...

The painting is being offered with a work and authenticity certificate

Rooftops of Santa Barbara under a cloudy sky.

Oil on canvas. Signed, dated, and titled verso. 46.5 x 36 in. 47.5 x 37 in. (framed) Custom framed in a maple floater. Charles Strong, who was born in Greeley, Colorado on Christmas Day in 1938, was one of the youngest artists of the San Francisco School of Abstract Expressionism. He was a colleague of vanguard artists such as Elmer Bischoff, Richard Diebenkorn, Jack Jefferson...

Japanese Woman’s haori. Meisen (warp-dyed) silk with gold metallic threads in the weft, shibori (tie-dyed) silk lining, unique purple color, with an abstraction of the battleship Mikasa, 42 x 48”, circa 1934. Almost perfect condition. The rarest type of propaganda kimono. Japanese propaganda...

Indira Cesarine is a multidisciplinary artist who works with photography, video, painting, printmaking, and sculpture. A graduate of Columbia University with a triple major in Art Hi...

This painting is from the Matisse series created by Maurice Sullins in the late 1970s. Sullins' works, set in brilliantly imagined scenes in Tahiti, F...

Jean Grimal is a true 20th century discovery. This breathtaking piece is a gorgeous example of his mastery as an artist. He beautifully creates chiaroscuro in this painting. The way the light touches the edges of the Chinese bowl and the grapes is an example of his skill in representing light. Jean Grimal (1942-1998) was born in the town of Tulle, France in 1942. Jean’s family moved to Paris when he was 8 years of age. After receiving a classical French education with studies in Latin and Greek, Jean Grimal entered the University to receive his Baccalaureate. He then attended Claude Barnard School for three years, when he received his Art Degree.  Upon completion Grimal taught art for seven years.  As Grimal’s own interest in formal painting and art began to possess him, the artist’s destiny changed.  In 1967 Jean Grimal stepped aside from teaching and pursued a career in professional painting and working as an illustrator in advertising.  As an advertising illustrator, Grimal worked with Lise Goldfard for more than 25 years at Studio 44 where they collaborated with major and important accounts, such as: Air France, Christofle, Peugeot, Lacoste, to name a few. At the same time he began presenting his formal paintings to galleries in Paris and Cannes, France and in London and Windsor, England.  Much to his surprise, Grimal found that his paintings were sought after by major art galleries and collectors throughout Europe.  After a number of years of being an important and successful art illustrator for these major accounts, he found himself having to choose between the two.  Fortunately for collectors, he chose to dedicate his life to the classical style of painting.  Jean looked at the simplest things in life through a microscope, where he could take the simplest object and depict the age of the fruit or the leaf. Jean Grimal received great pleasure from his work and painted for over thirty years.  As his style matured and became ever more perfect Jean Grimal truly reached the pinnacle of his career.  The artist’s methods were particularly distinguished when measured against his peers.  Grimal’s painting skill was distinctive and exceptional. Jean Grimal was known for his realistic trompe l’oeil and still life paintings.  The artist would carefully arrange the objects to form a satisfying composition.  By painting every shadow, highlight, and reflection within each composition Grimal brought mundane subjects to life.  His tight rendering combined with his attention to light and detail allowed him to blur the lines between illusion and reality, truly making his works one of a kind.  Grimal’s trompe l’oeil paintings consist of intricate compositions of cards, envelopes, photographs, paper of different materials and weights, backs of canvases, images of other artists’ works, kitchen utensils, pistols, and more.  Grimal had a talent for mastering these illusions that deceive the eye in his trompe l’oeil paintings.    No matter what genre Grimal was painting, tight, unperceivable brushwork characterizes his work.  The artist painted every crease and crinkle, every shadow and highlight, every detail.  By doing so, he was able to capture each individual surface texture of the objects in his paintings.  Grimal was also fabulous at depicting light in his paintings- often contrasting strong lights with strong darks, creating chiaroscuro modeling.  His still life paintings are reminiscent of Dutch seventeenth century...

JOAQUÍN PEINADO Spanish, 1898 - 1975 CHÂTEAU UNDER THE MOON signed "Peinado ´29" (lower right) oil on canvas 13 x 16-1/4 inches (33 x 41 cm.) framed: 2...

German Modernist

Artist: Kyohei Inukai (aka Earle Goodenow), American (1913–1985) Title: Three Nudes Year: 1938 Medium: Oil on Canvas, signed l.l. Size: 14.5 x 10 inches Frame Size: 18 x 14 inches

Signed and dated "Mary Spencer Nay '74" lower left. Titled "Pyromaniac's Pyre" verso. Exhibited: 1976-1977 "Mary Spencer Nay: Recent and Retrospective Works". J.B. Speed Art Museum...

Matthew At The Piano, dated 1969 by EDWARD HALL (1922-1991) Large 20th century portrait of Matthew at the piano, oil on canvas by Edward Hall...

In Byron Brown's "The Night Journey", 1947, Picasso meets Jackson Pollock. Here Brown strikes a balance between fanciful representation and abstraction. ...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Alfred Collin (1880-1944). Alfred Collin was a Swedish impressionist landscape and marine painter. Like many of his Scandinavian contemporaries he tra...

A painting by William Theophilus Brown. "Horse with Swimmers at Beach" is a Post-War figurative painting, acrylic on canvas in a palette of greens and purples by American artist Will...

Russian oil portrait of Andrei Arsenevich Tarkovsky by A. Ivasenko Russian, 1987 Frame: height 106cm, width 111cm Canvas: height 95cm, width 100cm This excellent portrait was executed by the artist A. Ivasenko, and depicts Andrei Arsenevich Tarkovsky, the famed Soviet filmmaker, and son of the noted poet Arseniy Tarkovsky. Tarkovsky wasthe most important Soviet filmmaker after Sergei Eisenstein, and his approach to cinematic time and space, as well as his commitment to cinema as a form of poetry, means his oeuvre is regarded as one of the most defining collections of modern film. He first achieved international acclaim with 'Ivan's Childhood' in 1962, which won top prize at the Venice Film Festival, and other career highlights include 'Andrei Rublev...

the painting is being offered with a work and authenticity certificate

Medium: Oil on Canvas Signature: Initialed Lower Left Cover Illustration for American Boy Magazine, May 1934. Includes copy of the magazine.

"Parisian Model" is an oil on canvas painting by Max Weber painted in 1908. The work is signed and dated, lower right, "Max Weber Paris 1908". The painting size is 35 1/2 x 19 5/8 inches. The framed size is 43 x 27 x 2 1/4 inches. "Parisian Model" was painted in 1908, when Weber participated in a life class in Matisse's studio in Paris and painted several nudes. Weber was influenced toward a more Cubist styler after seeing Cezanne's work in the 1906-07 Salon in Paris, and he consorted within avant-garde circles in Paris as early as 1905. After returning to the US in 1909, Weber was credited with showing American audiences Cubism based on his firsthand knowledge of the key players and the style. Several drawings of Weber's from this time are in museum collections at The Met, the Smithsonian, and MoMA and show a similar style and stocatto gesture. Parisian paintings by Max Weber are extremely rare as there are hardly any that have sold publicly. Provenance: Estate of the Artist Gerald Peters Gallery...

An exceptional impressionistic depiction of an afternoon along the Seine in Paris by Mario Passoni, on a spring day with the busy activities of people wa...

Georges Lapchine, 1885-1951, Russian "Isbahs Russes dans la Neige", 1927 Oil on canvas Signed and dated lower right Canvas: 31 7/8" high x 39 3/8" wide Frame: 44 1/8" high x 51 1/8" wide Georges LAPCHINE: Russian painter, born in Moscow in 1885. Died in 1951. Painter of figures, landscapes, post-impressionist. A pupil of Fernand Cormon and Léon Lhermitte...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 49, plate #056. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes...

Born in Philadelphia, Ben Wilson was a New York abstract expressionist painter. His work was exhibited frequently from the mid-thirties through sixties, and less frequently but consi...

A painting by Nathan Oliveira. "Mask" is a Post-War painting, acrylic, earth, and oil on canvas by Bay Area Figurative artist Nathan Oliveira. The artwork is signed and dated in the ...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 16 018 Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...

Jim’s of Lambertville is proud to offer this artwork by: Charles Hargens (1893 - 1997) Carversville, Bucks County, Pennsylvania artist and illustrator Charles was born in Hot Springs, South Dakota. As a young boy he loved to draw cowboys, Indians and ranch buildings. By age ten, he was “a commercial success” selling drawings of neighbors’ barns and houses for $25. When he grew older, his parents consented to enroll him at the Pennsylvania Academy (1913-20) where he studied with Daniel Garber, Hugh Breckenridge, Henry McCarter, and William Merritt Chase. At Garber’s invitation, Hargens occasionally came to visit his Lumberville studio to paint with him. A lifelong friendship resulted. In 1915, the Pennsylvania Academy awarded Hargens its Cresson Traveling Scholarship and he went to Paris to study at the Academie Julian and the Academie Colarossi. Hargens was a fellow of the Pennsylvania Academy and a member of the Society of Illustrators, the National Cowboy Hall of Fame and the Philadelphia Sketch Club. He exhibited at the Art Institute of Chicago (1923 awards) and at the Pennsylvania Academy of Fine Arts (1915 prize, 1917 prize, 1918 award). By the early 1920s, he began to produce illustrations for book jackets, books, magazines and advertisements. His career took off and soon his illustrations of cowboys, Indians, Western life, Revolutionary War action and boy scout themes appeared in, or adorned the covers of The Saturday Evening Post, Collier’s, Liberty, McCall’s, Boy’s Life and Gentlemen’s Quarterly. His work also appeared on billboards and advertisements for Stetson hats and Coca-cola. It was conditioned by Hargens that all of his original art was returned to him after being published. His entire body work remained in his studio until his death in 1997; this is largely the reason his paintings have not yet commanded the high prices of his contemporary Saturday Evening Post illustrators (i.e. Rockwell, Leyendecker and N.C. Wyeth). At first he and his wife worked from their studio in Philadelphia. In 1940, they purchased a property at the intersection of Aquetong and Sawmill roads in Carversville. They commuted to Philadelphia regularly and stayed in South Dakota every summer. Eventually, he set up a studio next to his Carversville home. After moving to Carversville, Hargens began a lifelong friendship with George Sotter. Hargens’ Carversville home was the subject of many of George Sotter’s paintings long before and during the time Hargens lived there. Hargens also studied with Henry Rand...

Signed Verso Rex Ashlock (1918 - 1999) Born in Spokane, WA on Aug. 23, 1918. Ashlock moved to San Francisco in 1937 and was a copy boy for Associated Press while studying at the C...

Date: 1932 Medium: Oil on Canvas Dimensions: 18.00" x 20.00" Signature: Signed Lower Right A New Year's themed cover painting by Leslie Thrasher for the January 9, 1932 edition of L...

Medium: Oil on Canvas Signature: Signed Upper Left "Dan Content 29" Story Illustration, Good Housekeeping Magazine, September 1929, pg 32-33 Biography: Daniel Content was born of Dutch parents and grew up in New York City. He attended New Eutriek High School in Brooklyn, NY. He studied under Dean Cornwell at the Pratt Institute as well as attending the Art Students League. Mr. Content worked as a freelance artist for about thirty years. He illustrated for such magazines as Colliers, Cosmopolitan, Readers Digest, and McCall's. In 1928 he illustrated the Windermere Series printing of Robin Hood. During World War II he traveled with the USO to Burma and India entertaining the service men with personal sketches. In the late 1950s he was an Art Director for Benton & Bowles in NYC. He also taught at the workshop School of Advertising Art. Mr. Content continued his sculpting and painting long after retirement. Some of his work can be found at Society of Illustrators in their permanent Museum. Exhibited: Masters of the Golden Age: Harvey Dunn and His Students South Dakota Art...

Date: 1927 Medium: Oil on Canvas Signature: Signed Lower Right Liberty Magazine Cover, September 24, 1927