Art by Medium: Glass

Prouvost's work is as whimsical as it is penetrating: it addresses miscommunication and ideas becoming lost in translation. The Bum Glass(es) were created on the occasion of her marr...

Prouvost's work is as whimsical as it is penetrating: it addresses miscommunication and ideas becoming lost in translation. The Bum Glass(es) were created on the occasion of her marr...

Salvador Dali (1904-1989) and Daum Molt Clock : Dance of Time Original pate de verre sculpture Edited and handcrafted by the Daum crystal gla...

Direction blue - black. 2006, glass, copper, author technique 18x56x50 cm

Glass sculpture Merkuce from the series The Italians 2008, glass, 37, 5x11x10 cm

I love this extraordinary American surrealist piece - a collage/montage, an assembly of objects in a velvet-clad box/frame - for a number of reasons reasons. I love the fact that it depicts pipes, among the most iconic images of the surrealist movement, rooted in Magritte’s famous 1929 painting which depicts a pipe accompanied by the caption “Ceci n'est pas une pipe” (This is not a pipe). Marcel Duchamp loved using pipes...

Kenji Lim Hot Fuzz 2023 48 x 32 x 16 cm Mixed Media (Resin, Fake fur, glass pearls, glass vase, silicone, sand) Unique The tourist takes snapshots of life. Experiences are simultane...

ARTIST: Salvador Dali TITLE: Daum Montre Molle Sculpture Designed by Salvador Dali for Daum MEDIUM: pate de verde glass and bronze sculpture. Pate de ve...

Salvador Dalí "Triomphale" Original pâte de verre Salvador Dalí plate Daum Editeur, Nancy, France Inscribed Dalí on lower right, and numbered 1199...

Salvador Dali (1904-1989) "Snail" 1979, Rosenthal plate in glass with polychrome painting, diameter 14.25 in (36.5 cm) Nr. 1886/3000, with certificate. Provenance: Daniel Meyer, Germ...

Noverre - Horse Landscape 2, 'Mane', 2003 C-type Hand Print, Mounted on Aluminium, Custom framed, Museum low glare, UV protective art glass 36.5 x 94 cm / 14.5 x 37 inches approx. Ed...

Salvador Dali (1904-1989) and Daum Rhinoceros (Chippendale Rhinocerotype) Original two-tone yellow and opalescent brown pate de verre Edited and handcrafted by the Daum crystal glas...

May Wilson (1905–1986) was an American artist and figure in the 1960s New York City avant-garde art world. A pioneer of the feminist and mail art movement, she is best known for her Surrealist junk assemblages and her "Ridiculous Portrait" photo collages. Wilson was born in Baltimore, Maryland, into an underprivileged family. Her father died when she was young. She was reared by her Irish Catholic mother, who sewed piecework at home. Wilson left school after the ninth grade to become a stenographer/secretary to help support her family. When she turned 20, she married a young lawyer, William S. Wilson, Jr., and give birth to her first child. She continued to work until the birth of her second child, after which she devoted her energies primarily to mothering and homemaking. In 1942, the couple had prospered enough to move to Towson, Maryland, where she began to take correspondence courses in art and art history from several schools, including the University of Chicago. In 1948, after the marriage of their daughter, the couple moved to a gentleman's farm north of Towson, where she pursued painting and gave private art lessons to neighbors. She exhibited her paintings, scenes of everyday life painted in a flat, purposefully primitive manner in local galleries and restaurants. In 1952 and 1958, she won awards for work submitted to juried exhibitions at the Baltimore Museum of Art. In 1956, her son, the writer Williams S. Wilson, gave to Ray Johnson, the founder of the New York Correspondence School, his mother's address. This began a friendship and artistic collaboration between Johnson and Wilson, which would last the remainder of her life. Wilson became an integral part of Johnson's mail art circle and was initiated into the New York avant-garde through letters and small works that she exchanged with Robert Watts, George Brecht, Ad Reinhardt, Leonard Cohen, Arman, and many others. When her marriage dissolved, she moved to New York City in the spring of 1966, aged 61, taking up residence first in the Chelsea Hotel and then in a studio next door, where she threw legendary soirées and became known as the "Grandma Moses of the Underground". By the time she arrived, Wilson was already working with photomontage collage...

Jiri Kolar (Czech, 1914 – 2002) Pears, 1977 Collage triptych Each panel measures 21.7 x 15.5 cm. All three are signed with initials and dated ‘J.K. 97, the latter 2 dated ‘96’ The ...

Oil, mirror and 24k gold leaf on canvas

Oil, mirror and 24k gold leaf on canvas.

Oil and 3 mirrors on 9 canvases