Amy Sands

Revolution XXII - blue delicate intricate lasercut abstract geometric print

2017

Amy Sands Revolution XX monoprint, serigraphy, lasercut on two sheets of rice paper 15 x 15 inches, 22 1/4 x 22 1/4 inches framed in white 2016 Amy Sands' works of art embody source...

Amy Sands Revolution XXVI Monoprint, serigraphy, lasercut on three sheets of rice paper 15 x 15, 22 1/4 x 22 1/4 framed in a white wood frame 2017 Amy Sands' works of art embody so...

Amy Sands Revolution XXI monoprint, serigraphy, lasercut on three sheets of rice paper 15 x 15 inches, 22 1/4 x 22 1/4 inches framed in white 2017 Amy Sands' works of art embody so...

Amy Sands Revolution LIII monoprint, serigraphy, lasercut on layered kozo framed 35 x 35 inches 2018 This item is framed in a white wood frame Amy sands' works of art embody sourced...

Monoprint, serigraphy, laser cut on three sheets of rice paper, unique 15 x 15 inches, 2015, framed 22.25 x 22.25 inches In this piece, Amy Sands utilizes a slightly different palet...

Monoprint, serigraphy, laser cut on two sheets of rice paper, unique 15 x 15 inches, 2016, framed 22.25 x 22.25 inches In this piece, Sands uses the motif of a sand dollar, and her ...

Abstract painter and printmaker, Laura Fayer, address landscapes and the natural world through an intricate process of layering paint and graphic marks. Deeply influenced by wabi-sab...

Abstract painter and printmaker, Laura Fayer, address landscapes and the natural world through an intricate process of layering paint and graphic marks. Deeply influenced by wabi-sab...

Abstract painter and printmaker, Laura Fayer, address landscapes and the natural world through an intricate process of layering paint and graphic marks. Deeply influenced by wabi-sab...

Abstract painter and printmaker, Laura Fayer, address landscapes and the natural world through an intricate process of layering paint and graphic marks. Deeply influenced by wabi-sab...

Jean Shin Annual Rings SC, 2015 Graphite Rubbing on Rice Paper Signed in graphite on the front 8 × 11 inches Unframed This poignant graphite rubbing on rice pa...

"Sisters #2", 2019 by Valerie Hammond 73 x 34.5 inches unframed Pigment, Color Pencil, Wax, Glass Beads, and thread on Japanese Rice Paper Coated with Beeswax Vertical, indigo panels that are unframed, can be installed with magnets, but framing is recommended. In Valerie Hammond’s series of wax drawings, protection is two-fold: the artist (previously) encases dried flowers and ferns in a thin layer of wax, preserving their fragile tissues long after they’ve been plucked from the ground. In outlining a pair of hands, she also secures a memory, or rather, “the essence of a gesture and the fleeting moment in which it was made.” Centered on limbs lying flat on Japanese paper, the ongoing series dates back to the 1990s, when Hammond made the first tracing “partly in response to the death of a dear friend, whose beautiful hands I often found myself remembering.” She continued by working with family and friends, mainly women and children, to delineate their wrists, palms, and fingers. Today, the series features dozens of works that are comprised of either hands tethered to the dried botanics, which sprout outward in wispy tendrils, or others over layed with thread and glass beads. Although the delicate pieces began as a simple trace, Hammond shares that she soon began to overlay the original drawing with pressed florals, creating encaustic assemblages that “echoed the body’s bones, veins, and circulatory systems.” She continued to experiment with the series by introducing various techniques, including printmaking, Xerox transfers, and finally Photoshop inversions, that distorted the original rendering...