Anita Loomis

Copper Plate

2015

"The Couple" by Anita Loomis is a quiet but rich 22 x 15 inch watercolor of a couple depicted in minimalist abstract form inspired by simple, elegant native...

Tatiana Flis’ “Ripple Idly” is an 8 x 10 inch graphite and gouache drawing on thick rag paper with a deckled edge. Rich blues and indigos shine with white and shimmering silver stars...

Sarah Alexander's illustrative 22 x 30 inch contemporary drawing is a yellow and earth tone grassy micro landscape with pops of green and turquoise. The crisp lines of ink contrastin...

In Sarah Alexander's contemporary drawing on watercolor paper "Elude", teal green and amber grasses gracefully flow around the unnatural screen-like forms. This drawing shows the con...

Sarah Alexander's 22 x 30 inch drawing "Brainstorm" is a weightless contemporary pen and ink drawing of floating disc-like shapes that resemble magnifying lenses. The crisp lines of ...

Sarah Alexander's walnut ink and watercolor illustrative botanical drawing in sepia tones shows a grassy form whimsically tossing an orange box full of spiky burrs or seedpods. The o...

With its extra-large dimension and joyful composition this painting by American artist Martha Holden is a rare piece. It is a contemporary abstract that ...

OSHEEN SIVA Osheen Siva pursued her Bachelor of Communication Design from the National Institute of Fashion Technology, Bangalore. She has pursued Diploma in International Baccalaureate at American International School Guangzhou, China. Osheen Siva is a multidisciplinary artist from Thiruvannamalai, currently based in Goa. Through the lens of surrealism, speculative fiction...

Yugal Kishor Sharma - Meghdootam-1 - 15 x 15 inches (unframed size) Gouache & Gold Leaf on Handmade Paper. About thwe Artist & his works : Born : Rajasthan in 1959. Education : Post Graduation (Painting) M.L.S. University, Udaipur Ph.D (Painting) M.L.S. University, Udaipur. Fellowship : 1989-1990 National Jr. Fellowship by M-HRD,GoI-New Delhi. Work Experience : 1970-80 : In traditional miniature painting of Nathdwara, School, Nathdwara 1982-83 : In graphics art, Lalit Kala Academy’s Artists Studios, Garhi, New Delhi. Participation : 1980-2001 9th International Exhibition of Art AIFACS. 5th International Biennial of Print Art-2001,Bhopal National Exhibition of Art, Lalit Kala Academy, New Delhi. Selected Exhibitions : 1992 & 94 : The Heritage, Chennai 1991, 2000 & 03 : Jehangir Art Gallery, Mumbai 2002 : Birla Academy of Art & Culture, Kolkata 2004 : Harmony Show by Tina Ambani, Mumbai 2005 : Exhibition at Kriti Gallery, Varanasi. Awards : 1980 : Maharana Raj Singh Award, Mewar Foundation, Udaipur 1983 & 2001 : State Award of Art, Rajasthan Lalit Kala Academy, Jaipur 1989 : All India Silver...

Yugal Kishor Sharma - Meghdootam-2 - 15 x 15 inches (unframed size) Gouache & Gold Leaf on Handmade Paper. About thwe Artist & his works : Born : Rajasthan in 1959. Education : Post Graduation (Painting) M.L.S. University, Udaipur Ph.D (Painting) M.L.S. University, Udaipur. Fellowship : 1989-1990 National Jr. Fellowship by M-HRD,GoI-New Delhi. Work Experience : 1970-80 : In traditional miniature painting of Nathdwara, School, Nathdwara 1982-83 : In graphics art, Lalit Kala Academy’s Artists Studios, Garhi, New Delhi. Participation : 1980-2001 9th International Exhibition of Art AIFACS. 5th International Biennial of Print Art-2001,Bhopal National Exhibition of Art, Lalit Kala Academy, New Delhi. Selected Exhibitions : 1992 & 94 : The Heritage, Chennai 1991, 2000 & 03 : Jehangir Art Gallery, Mumbai 2002 : Birla Academy of Art & Culture, Kolkata 2004 : Harmony Show by Tina Ambani, Mumbai 2005 : Exhibition at Kriti Gallery, Varanasi. Awards : 1980 : Maharana Raj Singh Award, Mewar Foundation, Udaipur 1983 & 2001 : State Award of Art, Rajasthan Lalit Kala Academy, Jaipur 1989 : All India Silver...

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years ...