Ant Pearce

Cathexis #3 #1a

2015

Oil on board Image 16" x 20" Well framed in contemporary black wood frame

Previously Exhibited in the Royal Academy of Arts Summer Exhibition of 2004 this is a fine drawing by this artist. RA label verso Image 26" x 19" Well framed and in good condition.

Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...

Large oil on paper by this well collected British artist. Signed and dated 1980 lower left. Superb example of this artists work. Behind glass in excellent condition, new mount origin...

Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...

Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...

Fear NOT framed Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint seascapes, catch fish, sing of Nature's beauty, put down roots, and, later, develop a style of painting all his own. The Boston native moved to New York after attending the School of Practical Art on the G.I. Bill, where he began his career in the art department of Lever Brothers. But he had bigger dreams, and soon established the Bonart Studio, a commercial art business. RCA Records, the Ideal and Transogram toy companies, and the Schrafft’s candy and chocolate company were among the studio’s clients. The business a success, he began to take vacations. He liked Montauk so much that he built a house in Hither Hills...

An original oil on canvas painting from the estate of George North Morris from the artist's "Lovers" series. This piece comes in its original wood frame presentation. George North Morris - painter, writer, teacher Born May 13, 1915 in East Liberty, PA Died Oct. 1, 1996 in Hudson, NY Studio locations over the years: varied from Hyannis (MA), Providence (RI), Oglethorp (GA), Montpelier (VT), Yonkers & Westchester Co. (NY) to the later years in Germantown (NY). Subject matter consisted mainly of seascapes and landscapes but in the 60's and 70's he experienced his abstract era. The later years, in fact most of his life was spent in New England and N.Y. state. Most of his more valuable paintings where along the Hudson River and Westchester County. His most frequent methods were oils and water colors, and in the 1940' his artistic expression was through the use of clay. Most of his pottery was made from local Cape Cod (Barnstable) clay which he and his family dug, washed and prepared. He wrote a part of the foreward, called "The Tradition", for a book "A Century and a Half of American Art 1825-1975". Published in 1975 by the "National Academy of Design". He was also an art critic and reporter for the Worcester Telegram and the Provincetown New Beacon. He was a person that felt time was by far better spent talking about and hearing ideas and thoughts. The following are some of his. George Morris's life was that of art and art critic as well as educator. "It was the two summers, 1938 and 1939" recalled Morris, "that I really learned how to paint". Though much of his work showed a strong Edward Hopper influence, at the same time it took many roads. It was, over the years, much too varied to categorize. He started with collage, moved to abstraction, and then to a period during the late 1960s and '70s when he completed what he called his "Lovers Series" - erotic paintings filled with large orchestrated flat color - that show him moving away from abstraction. Upon becoming bored with the concept of abstract painting, he looked for new challenges in pastels, acrylics and water colors, painting once again what he called "the world as it is recognizable by others". George firmly believed that all the best artists are good hucksters, too. Solo exhibitions as a painter were as follows: Columbia-Greene Community College - 1985 Barrett House - 1985 Smith Gallery - 1980, '81, '82 Swansborough Gallery, Wellfleet - 1983 Hopper House, Nyack, NY - 1981 Hudson River Museum, Yonkers Shepherd Gallery...

As is generally the case with my paintings, this work proceeded from a place of unknowing. The specificity of imagery and technique belie the non-specific character of the ideas and ...

Acquiring a contemporary English abstract figure painting inspired by Henri Matisse in Pink and White from me is an invitation to bring a vibrant and modern expression of artistic e...

Two Nude Female Models in Acrylic on Paper San Francisco Abstract Expressionist Colorful painting of two models by acclaimed bluegrass musician and San Francisco artist Katherine "K...

Brunette Nude Figurative - Acrylic Abstract Expressionist on Paper Abstract expressionist acrylic painting depicting a brunette woman by acclaimed bluegrass musician and San Francis...