Benjamin Edols & Kathy Elliott

Masterpiece Contemporary Australian Blown and Carved Glass Sculpture Vase

2001

Provenance: Part of an important collection that had work Both Benjamin Edols and Kathy Elliott were born in Sydney. The two began working together as recent graduates from the Canberra School of Art. Ben also studied at the Royal College of Arts in Sydney. The first exhibition of their collaborative work was in 1993. Since that time they have developed a body of work of blown and cold worked glass vessels and forms. Ben specialises in glassblowing and Kathy specialises in cold working techniques such as carving and engraving. In 2000 they built their own glassblowing and cold working studio in Sydney. In recent years, their work has been inspired by the botanical forms and patterns found in nature. One of the qualities of glass that they most appreciate is its ability to carry light. They have taught in Australia, America and Japan. Their work has been exhibited widely and is held in many public museums and private collections around the world including the Victoria and Albert Museum, the American Craft Museum, the National Gallery of Australia and the Auckland War Memorial Museum. Ben Edols & Kathy Elliott SELECTED SOLO EXHIBITIONS Tutti, Sabbia Gallery, Sydney, NSW Glance, Beaver Galleries, Canberra ACT Dwell, Collector Space, Jam Factory, Adelaide. SA Shelter, Sabbia Gallery, Sydney Benjamin Edols Kathy Elliott, Flame Run Gallery , Louisville KY Light Marks, William Traver Gallery, Seattle Studio Glass, Beaver Galleries, Canberra Benjamin Edols Kathy Elliott, Masterworks Gallery, Auckland Evolve, Sabbia Gallery, Sydney Edols & Elliott, Kirra Gallery, Melbourne, VIC Recent Work, deVera, New York, NY Cultivate II, Quadrivium , Sydney, NSW Botanicals, de Vera...

Vase designed by Laura de Santillana in edition for Arcade, 2001. this is from a series of tropical fruit and plant form inspired vases with the same matte, hand engraved, finish: PAPAIA, made in three different shades of green. MANGO, made in dark red glass. PASSION, made in an orange red glass. MARACUIA, made in golden yellow glass COCCO, made in brown glass Produced by maestro Simone Cenedese in Murano Mouth-blown, hand-shaped, cut glass. Country of Manufacture Italy. Signed by maker and sticker label from Arcade. Hand-Crafted LAURA DE SANTILLANA After finishing her studies, she moved to New York, where she attended the School of Visual Arts 1975 – 1977 and works with Massimo Vignelli as a graphic designer. she returned to Italy and began her active collaboration with the Venini & C, where she came in contact with many Italian and foreign artists. During this period she used the techniques of Murano to create refined works with unusual colors, perfecting the “vetro mosaico” technique. Her glassworks have received many prizes and recognitions, and are held by the most important museums of the world. She collaborated with Venini between 1976 and 1985, during which she designed a range of articles. 1995 Starts collaboration with Simone Cenedese, which continues to this day. 2001-2002 Begins working in bronze and in wax sculpture at the Fonderia Brustolin, Verona SELECT SOLO EXHIBITIONS 2018: In This Light, Galleri Glas, Stockholm 2017: Ciel Terrestre, Galerie Pierre Marie Giraud, Bruxelles 2016:Laura Diaz de Santillana, Stefan Vogdt/Galerie der Moderne, Munich Sleeves, Caterina Tognon, Venezia I fedeli, Studio Museo F. Messina, Chiesa di S. Sisto, Milano 2015: Laura de Santillana, O cha dogu, Ippodo Gallery, Tokyo, Japan 2014: Tokyo-ga, Ippodo Gallery, Tokyo, Japan 2013: Big Flats, Galerie L’Arc en Seine, Paris, France 2012: Laura de Santillana Meteors, David Richard Gallery, Santa Fe, NM, USA 2011: Grands Transparents, Galerie L’Arc en Seine, Paris, France Liquid Glass, Traver Gallery, Seattle, WA, USA 2010:Laura de Santillana, Prague Festival, Istituto di Cultura Italiano, Prague, Czech 2008: Laura de Santillana, Istituto Italiano di Cultura, Los Angeles, CA, USA 2007: Khadi, Galleria Marina Barovier, Venice, Italy 2006: Bodhis, Galerie L’Arc en Seine, Paris, France Bodhis, Barry Friedman Gallery, New York, NY, USA 2005: New Work, Sanske Galerie, Zurich, Switzerland 2001Laura de Santillana Works, Museo Correr, Venice, Italy (catalog) Laura de Santillana Works, Barry Friedman Gallery, New York, NY, USA (catalog) Metals, Elliott Brown Gallery, Seattle, WA, USA SELECTED GROUP AND DUO EXHIBITIONS Design Basel, Galerie Pierre Marie Giraud Chromatique, MUDAC, Lausanne Living with Art_Albion Barn, Oxford UK Oltre Roma, Accademia d’Ungheria, Roma Fired up: women in glass, Toledo, Museum of Art_Charlotte, Mint Museum , USA Laura de Santillana and Alessandro Diaz de Santillana, YSP Trésors de sable et de feu. Verre et cristal aux Arts Decoratifs, XIV-XXI siècle, Musée des Arts Décoratifs, Paris, France Artissima Torino, Galleria Caterina Tognon Hourglass, Galleria Marignana, Venezia, Italy I Santillana, MAK, Austrian Museum for Applied Arts/Contemporary Art, Vienna, Austria Artissima Torino, Faggionato Gallery, London, UK Fire and Form: The Art of Contemporary Glass, The Norton Museum of Art, Palm Beach, Laura de Santillana, Fashion meets Art, Giorgio Armani, New York, NY, USA Translucency, Paul Hughes Fine Arts, London, UK Selected Museums Museo Vetrario di Murano, Venice, Italy The Corning Museum of Glass, New York, NY, USA Victoria and Albert Museum, London, UK Metropolitan Museum of Arts, New York, NY, USA Saint Louis Museum of Fine Arts, St Louis, MO, USA Cooper-Hewitt Museum, New York, NY, USA Seattle Art Museum, Seattle, WA, USA Denver Art Museum, Denver, CO, USA The Museum of Fine Arts, Houston, TX, USA Carnegie Museum of Art, Pittsburgh, PA, USA Los Angeles, Los Angeles County Museum of Art MUDAC, Lausanne, Switzerland MAD, Museum of Arts and Design, New York, NY, USA Museu de Arte de São Paulo, São Paulo, Brazil Musée des arts décoratifs, Paris, France Kunstmuseum im Ehrenhof, Düsseldorf, Germany Kunstsammlungen der Veste Coburg, Coburg, Germany Museum für Kunst und Gewerbe, Hamburg, Germany Neue Sammlung, Munich, Germany IMA, Indianapolis Museum of Art, Indianapolis, IN, USA Museum of Fine Arts, Boston, MA, USA Toledo Museum of Art, Toledo, OH, USA This came from an important Northern California collection that included a wonderful selection of Murano Glass. Aldo Nason, Peter Shire and Ettore Sottsass, Murano master Gigi Toso. A descendent of the legendary Venini dynasty of glassmakers, Laura Diaz de Santillana Incalmo Vases, Lino Tagliapietra, Yoichi Ohira...

Vase designed by Laura de Santillana in edition for Arcade, 2001. this is from a series of tropical fruit and plant form inspired vases with the same matte, hand engraved, finish: PAPAIA, made in three different shades of green. MANGO, made in dark red glass. PASSION, made in an orange red glass. MARACUIA, made in golden yellow glass COCCO, made in brown glass Produced by maestro Simone Cenedese in Murano Mouth-blown, hand-shaped, cut glass. Country of Manufacture Italy. Signed by maker and sticker label from Arcade. Hand-Crafted LAURA DE SANTILLANA After finishing her studies, she moved to New York, where she attended the School of Visual Arts 1975 – 1977 and works with Massimo Vignelli as a graphic designer. she returned to Italy and began her active collaboration with the Venini & C, where she came in contact with many Italian and foreign artists. During this period she used the techniques of Murano to create refined works with unusual colors, perfecting the “vetro mosaico” technique. Her glassworks have received many prizes and recognitions, and are held by the most important museums of the world. She collaborated with Venini between 1976 and 1985, during which she designed a range of articles. 1995 Starts collaboration with Simone Cenedese, which continues to this day. 2001-2002 Begins working in bronze and in wax sculpture at the Fonderia Brustolin, Verona SELECT SOLO EXHIBITIONS 2018: In This Light, Galleri Glas, Stockholm 2017: Ciel Terrestre, Galerie Pierre Marie Giraud, Bruxelles 2016:Laura Diaz de Santillana, Stefan Vogdt/Galerie der Moderne, Munich Sleeves, Caterina Tognon, Venezia I fedeli, Studio Museo F. Messina, Chiesa di S. Sisto, Milano 2015: Laura de Santillana, O cha dogu, Ippodo Gallery, Tokyo, Japan 2014: Tokyo-ga, Ippodo Gallery, Tokyo, Japan 2013: Big Flats, Galerie L’Arc en Seine, Paris, France 2012: Laura de Santillana Meteors, David Richard Gallery, Santa Fe, NM, USA 2011: Grands Transparents, Galerie L’Arc en Seine, Paris, France Liquid Glass, Traver Gallery, Seattle, WA, USA 2010:Laura de Santillana, Prague Festival, Istituto di Cultura Italiano, Prague, Czech 2008: Laura de Santillana, Istituto Italiano di Cultura, Los Angeles, CA, USA 2007: Khadi, Galleria Marina Barovier, Venice, Italy 2006: Bodhis, Galerie L’Arc en Seine, Paris, France Bodhis, Barry Friedman Gallery, New York, NY, USA 2005: New Work, Sanske Galerie, Zurich, Switzerland 2001Laura de Santillana Works, Museo Correr, Venice, Italy (catalog) Laura de Santillana Works, Barry Friedman Gallery, New York, NY, USA (catalog) Metals, Elliott...

Edgar Tafur (Colombian, 1929 - 2007) Chrome Over Bronze Sculpture Undated, signed on side near bottom, abstract sculpture Dimensions: Height: 12 3/4 inches, Width: 4 inches, Depth: 3 3/4 inches Mod Space Age Chrome over Bronze Abstract Architectural Totem Cast Sculpture Edgar Alonso Tafur, Latin American artist born and raised in Cali. Colombia, was first trained as an architect at the University of the Andes, but shortly thereafter switched his focus to sculpture. It is this work which brought Tafur to the United States, first to study at the University of Florida and then to Oklahoma where he was featured in a solo exhibition at the Oklahoma Art Center in 1966. Alluding his architectural roots, Tafurs sculptures possess a marked structural form, drawing on themes of positive and negative space. In addition to his work as a sculptor, Tafur was well known for his modernist concept designs, consisting of fountains and architectural murals commissioned by fellow architects. “Each of his works is an understatement of the principles of architecture, which is itself sculptural. Tafur’s sensitivity towards the play of light and shadow on the surfaces, his relationship of positive and negative spaces, and his fluid play of rhythms all lend themselves dramatically to an exciting visual statement. His simplicity and modernism evokes the opinion of the renowned architect, Mies Van der Rohe: ‘less is more.'” Patric Shannon, Director, Oklahoma Art Center While some of his work has a brutalist quality to it it is generally more abstract geometric, masculine with polished chrome surfaces, enamel and some with great, strong colors. This has an abstract flora, cactus like shape to it. He is from the generation of Colombian artists who rose to prominence in the mid 20th century which included Fernando Botero, Doris Salcedo, Oscar Murillo, Antonio Caro...

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