Edie Nadelhaft

I <3 U (I Love You)

2019

ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues ...

Carmen Menza is an interdisciplinary artist creating fine art and technology-based installations utilizing light, painting, interactive software, music composition and sound design. Her work explores themes of time, space, color, perception, and human connection. Menza strives to create work that transforms through the passage of movement and time and that will form a quiet dialogue with viewer. Her work is activated and brought to life through light and materials that reflect and refract that light as you move across them. Many of her works create optical effects for the viewer as you change your angle of incidence, whereas her paintings contain thin layers of pigments utilizing light and reflective surfaces. Menza is located in Dallas, TX. She received her BFA in jazz guitar performance from the University of North Texas. She has created public and commercial art installations for the Dallas Symphony Orchestra, TX; Perot Museum of Nature and Science, TX; McKinney Avenue Contemporary Museum, TX; Dallas Aurora Light...

DOES IT LOOK EXPENSIVE by Rocky Dobey is a hand-inscribed copper sheet with cut glass, asphaltum and fired porcelain paint. It measures 24 x 36" and is fr...

May Wilson (1905–1986) was an American artist and figure in the 1960s New York City avant-garde art world. A pioneer of the feminist and mail art movement, she is best known for her Surrealist junk assemblages and her "Ridiculous Portrait" photo collages. Wilson was born in Baltimore, Maryland, into an underprivileged family. Her father died when she was young. She was reared by her Irish Catholic mother, who sewed piecework at home. Wilson left school after the ninth grade to become a stenographer/secretary to help support her family. When she turned 20, she married a young lawyer, William S. Wilson, Jr., and give birth to her first child. She continued to work until the birth of her second child, after which she devoted her energies primarily to mothering and homemaking. In 1942, the couple had prospered enough to move to Towson, Maryland, where she began to take correspondence courses in art and art history from several schools, including the University of Chicago. In 1948, after the marriage of their daughter, the couple moved to a gentleman's farm north of Towson, where she pursued painting and gave private art lessons to neighbors. She exhibited her paintings, scenes of everyday life painted in a flat, purposefully primitive manner in local galleries and restaurants. In 1952 and 1958, she won awards for work submitted to juried exhibitions at the Baltimore Museum of Art. In 1956, her son, the writer Williams S. Wilson, gave to Ray Johnson, the founder of the New York Correspondence School, his mother's address. This began a friendship and artistic collaboration between Johnson and Wilson, which would last the remainder of her life. Wilson became an integral part of Johnson's mail art circle and was initiated into the New York avant-garde through letters and small works that she exchanged with Robert Watts, George Brecht, Ad Reinhardt, Leonard Cohen, Arman, and many others. When her marriage dissolved, she moved to New York City in the spring of 1966, aged 61, taking up residence first in the Chelsea Hotel and then in a studio next door, where she threw legendary soirées and became known as the "Grandma Moses of the Underground". By the time she arrived, Wilson was already working with photomontage collage...

Michele Brody, America The Beautiful:For Amber Waves of Green, Handmade paper installation with Glass Tubes, 7'h x 5'w x 6'd, 2016 The essence of Michele Brody’s work thrives on th...

Michele Brody, Prarie Preserve: Recreation of Rolling Prairie in Medicine Bottles, 1997 The essence of Michele Brody’s work thrives on the interaction...