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Emmanuel Proweller
Mixed Media Abstract Collage

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  • Modernist Collage
    By Reginald Wilson
    Located in Surfside, FL
    Reginald Wilson was born in 1909 in the small town of Butler, Ohio. Determined from boyhood to be an artist, he arrived at the Art Students League of New York when he was twenty. He studied with John Stuart Currie, among others, meanwhile making a living with odd jobs like that of office boy or night watchman. He was an easel painter in the Federal Art Project and served for three years as an airplane mechanic in the US Army Air Force during World War II. He and the artist Carolyn Haeberlin were married in 1942, moving in 1945 to where they made their home in a 200-year-old farmhouse. Wilson’s paintings and works in other media were exhibited widely beginning in the 1940’s, in New York City and in major museums and universities across the country. In Woodstock he showed at a number of galleries including that of the Woodstock Artists Association where he won the 1973 Sally Jacobs-Phoebe Towbin Award. His mid-Twentieth century contemporaries included Karl Fortess...
    Category

    20th Century Modern Mixed Media

    Materials

    Mixed Media

  • Ternion III
    By Richard Hutter
    Located in Surfside, FL
    found paper collage, acrylic & charcoal on art paper From the artists statement: Floral still life has been the primary theme in my work since 1993. Instead of a representational...
    Category

    Early 2000s Modern Mixed Media

    Materials

    Mixed Media

  • Umbrella, Monotype with Hand Painting, Glitter, Asian American Art, Woman Artist
    By Helen Oji
    Located in Surfside, FL
    Mixed media monotype or monoprint works with hand painting, chine colle, applied glitter. From Cheryl Pelavin Editions NYC. Helen Oji (American, born 1950) Born in Sacremento, CA. Helen Oji was highlighted in the early 1980s New York City art scene as an artist with a distinctive vision. She has exhibited her paintings, works on paper and prints including mixed media monotype or monoprint works with hand painting, chine colle, applied glitter etc. in numerous exhibitions in New York, nationally and Europe. In addition to her artwork, she collaborated with a range of performers/writers in creating set designs that were presented in New York City, London, and across the US. and in various corporate and private collections. Awards and honors include: Creative Artists Public Service Program, Ariana Foundation for the Arts, Inc. Mixed Media Grant , The Jane Voorhees Zimmerli Art Museum Commission, Recieved Artists Space Materials Grant, New York, NY Visiting Artist Fellowship, Brandywine Workshop, Philadelphia, PA Lives and works in New York, NY Select Exhibitions 1986 Intar Gallery, New York, NY (solo) 1984 Real Art Ways, Hartford, CT (solo) 1982 Nelson Gallery/University of California, Davis, CA (solo) 1981 Monique Knowlton Gallery, New York, NY (solo) 1980 Fine Arts Center/Wake Forest University, Winston-Salem , NC (solo) 1978 Soho Center for the Visual Artists, New York, NY Select Public Collections Museum of Modern Art, MoMA New York, NY The Brooklyn Museum of Art The New Museum of Contemporary Art, New York, NY Jacksonville Art Museum, Jacksonville, FL Museum of South Texas, Corpus Christi, TX The Jane Voorhees Zimmerli Art Museum, Rutgers State University of New Jersey, New Brunswick Selected Group Exhibitions 2019 Surface 9, ARENA at BD, curator, Renée Riccardo, Brooklyn, NY (forthcoming Nov 22) Plus 2 pix from 122, PS122 Gallery, New York, NY 2018 Donald Alberti & Helen Oji, Estrada Fine Art 2017 The Bedroom, The Women Artist Team, Joyce Goldstein Gallery, Chatham, NY 2013 Silhouettes, The EFA Foundation, Blackburn, 20/20, curator, Bill Carroll, New York, NY 2011 Social Photography II Exhibition, Carriage Trade, New York, NY 1998 Urban Encounters, New Museum of Contemporary Art, NYC 1995 Made to Order, The Alternative Museum, New York, NY Ancestors, Asian American Arts Centre & Kenkeleba House, New York, NY 1994 Robert Beauchamp, William Kent, Helen Oji, Shari Urquhart, Monique Knowlton Gallery/Kent, Kent CTThe Return Of Cadavre Exquis...
    Category

    1980s American Modern Mixed Media

    Materials

    Paint, Glitter, Mixed Media, Monotype

  • Modernist Judaica "Les Valises" French Jewish Modernist Mixed media Oil Painting
    By Alain Kleinmann
    Located in Surfside, FL
    Painting measures 28 X 36 inches. There is a sulpture quality to the suitcase, it has texture to the piece. It subtly recalls the european Holocaust, travel and displacement. Provenance: Ginsburg collection; purchased from Galerie Art Temoin, Paris, France. Alain Kleinmann was born in Paris, France 1953. Known for his Paintings, sculptures and etchings. His very particular style uses collage, incrustations and cast bas relief. His mastery of glazing and varnishing techniques dominated by sepia colours have guaranteed him resounding success. Alain Kleinmann has already proven himself one of the most interesting European artists of his generation. He has carefully forged his own language of signs, a unique visual vocabulary in which Rembrandt and the artists of the European past fuse with the innovations of the post-war masters such as Francis Bacon, Larry Rivers and Robert Rauschenberg. His works have been exhibited at numerous international galleries and museums. He has received almost a dozen medals and is a member of eight different salons.In recent years, Kleinmann has assimilated the sepia-based tones of Rembrandt's paintings – archetypes within the European tradition of the quest for a soul in a surface of paint – to his own complex operations, creating a series of paintings he calls "Fragments of Memory." Whereas in his photo-realist close-ups all was revealed – his works treat questions of time and memory, of lives unknown in their intensity but alluded to by traces, gestures and fragments of images or words, all perceived like outdated documents through the patina of age. Kleinmann transcends the limits of static imagery in a picture frame by digging within the life of the materials at hand – notably paper, the prime purveyor of identity in the Information Age. Paper, after all, takes on a life of its own as it goes through time: the process of its deterioration. It starts out neutral and pristine and gains character as it vanishes. His background in semiotics stands Kleinmann in good stead as he manipulates a variety of visual languages: photos, drawings, rubber stamps, tickets, numbers, handwritten phrases or letters, pages from prayerbooks, personal correspondence and official documents. His textures come from materials that have lived and suffered, that have already received the imprint of human intervention: cardboard with its facing torn off, revealing its inner ribs and backing; paper that has been rumpled and then flattened again; paper with its skin scraped raw or mechanically imprinted with a meaningless pattern; paper that has buckled or wrinkled in the process of being adhered to another surface; and finally, photographs, hidden behind gauze or paraffin, recessed, partly revealed; they recede in time as they are obscured from view, as if their precision had been swallowed in the half-life of generational memory. All of these elements, so diverse and individualized, are harmonized in the final composition by the artist's hand. For him, there is no spirituality without specific individuals who cultivate their inner life. As he says, "The dimension of things is right here. For me, true spirituality comes in the act of embracing true materiality, and not by averting one's gaze." Museum of Contemporary art, Santiago de Chile, Chile Mid century modern Jewish art...
    Category

    20th Century Modern Figurative Paintings

    Materials

    Oil, Canvas, Mixed Media

  • Chicago Jewish Modernist Mixed Media Surrealist Painting WPA Artist Mosaic Tiles
    By Alexander Raymond Katz
    Located in Surfside, FL
    Alexander Raymond Katz (Hungarian-American, 1895-1974) initialed l.r. "A.R.K." inscribed verso "Prayer Tree", A Raymond Katz." Sight size: 39-3/4"h x 30"w Overall: 40-3/4"h x 30-3/4"w This is done in an Abstract Expressionist style with bold enamel like paint and applied ceramic or glass iridescent mosaic tiles. Alexander Raymond Katz, Hungarian / American (1895 – 1974) Alexander Raymond Katz was born in Kassa, Hungary, and came to the United States in 1909. He studied at the Art Institute of Chicago and the Chicago Academy of Fine Arts. In the late 1920s, he worked as a director of the Poster Department at Paramount Studios. He was appointed the Director of Posters for the Chicago Civic Opera in 1930. A WPA muralist, illustrator and modernist painter especially known for paintings with Jewish themes and narrative American scene works. Many notable Jewish artists worked for the WPA amongst them Ben Shahn, William Gropper, Aaron Bohrod and many more. During the Great Depression, notable architect Frank Lloyd Wright urged Katz to become a muralist. In 1933, he was commissioned to paint a mural for the Century of Progress exposition in Chicago. In 1936, he painted the mural History of the Immigrant for the Madison, Ill., post office. Katz’s works were included in various exhibitions and now are part of several museum collections, including those of the Art Institute of Chicago; Corcoran Gallery of Art, Washington, D.C.; and the Jewish Museum, New York. His murals, bas-reliefs and stained glass designs adorn more than 200 Jewish synagogues in the United States. Katz and other Jewish artists in Chicago who expressed Jewish and Biblical themes were inspired by the artist Abel Pann (1883-1963). Pann, who is regarded as the leading painter of the Land of Israel, exhibited in the Art Institute of Chicago in 1920. Early in his career, Katz began to explore the artistic possibilities inherent in the characters of the Hebrew alphabet. He developed aesthetic and philosophical interpretations of each letter and became the leading innovator and pioneer in the field of Hebraic art. Katz applies this concept in the woodcut Moses and the Burning Bush. Hebrew letters appears in Moses’ head, his cane and inside the flame. The initial of Moses’ name crowns his head. The letter in the flame is the first letter of the name of God. A combination of images and Hebrew letters appeared commonly in illustrations of the scene Moses and the Burning Bush in the Haggadah, the book of Passover. The symbolism of the burning bush corresponds to the motifs of A Gift to Biro-Bidjan. Among the fourteen participating artists were notable Chicago modernists Todros Geller, Mitchell Siporin, A. Raymond Katz, David Bekker...
    Category

    Mid-20th Century Modern Abstract Paintings

    Materials

    Mixed Media, Alkyd, Board

  • Umbrella, Monotype with Hand Painting, Glitter, Asian American Art, Woman Artist
    By Helen Oji
    Located in Surfside, FL
    Mixed media monotype or monoprint works with hand painting, chine colle, applied glitter. From Cheryl Pelavin Editions NYC. Helen Oji (American, born 1950) Born in Sacremento, CA. Helen Oji was highlighted in the early 1980s New York City art scene as an artist with a distinctive vision. She has exhibited her paintings, works on paper and prints including mixed media monotype or monoprint works with hand painting, chine colle, applied glitter etc. in numerous exhibitions in New York, nationally and Europe. In addition to her artwork, she collaborated with a range of performers/writers in creating set designs that were presented in New York City, London, and across the US. and in various corporate and private collections. Awards and honors include: Creative Artists Public Service Program, Ariana Foundation for the Arts, Inc. Mixed Media Grant , The Jane Voorhees Zimmerli Art Museum Commission, Recieved Artists Space Materials Grant, New York, NY Visiting Artist Fellowship, Brandywine Workshop, Philadelphia, PA Lives and works in New York, NY Select Exhibitions 1986 Intar Gallery, New York, NY (solo) 1984 Real Art Ways, Hartford, CT (solo) 1982 Nelson Gallery/University of California, Davis, CA (solo) 1981 Monique Knowlton Gallery, New York, NY (solo) 1980 Fine Arts Center/Wake Forest University, Winston-Salem , NC (solo) 1978 Soho Center for the Visual Artists, New York, NY Select Public Collections Museum of Modern Art, MoMA New York, NY The Brooklyn Museum of Art The New Museum of Contemporary Art, New York, NY Jacksonville Art Museum, Jacksonville, FL Museum of South Texas, Corpus Christi, TX The Jane Voorhees Zimmerli Art Museum, Rutgers State University of New Jersey, New Brunswick Selected Group Exhibitions 2019 Surface 9, ARENA at BD, curator, Renée Riccardo, Brooklyn, NY (forthcoming Nov 22) Plus 2 pix from 122, PS122 Gallery, New York, NY 2018 Donald Alberti & Helen Oji, Estrada Fine Art 2017 The Bedroom, The Women Artist Team, Joyce Goldstein Gallery, Chatham, NY 2013 Silhouettes, The EFA Foundation, Blackburn, 20/20, curator, Bill Carroll, New York, NY 2011 Social Photography II Exhibition, Carriage Trade, New York, NY 1998 Urban Encounters, New Museum of Contemporary Art, NYC 1995 Made to Order, The Alternative Museum, New York, NY Ancestors, Asian American Arts Centre & Kenkeleba House, New York, NY 1994 Robert Beauchamp, William Kent, Helen Oji, Shari Urquhart, Monique Knowlton Gallery/Kent, Kent CTThe Return Of Cadavre Exquis...
    Category

    1980s American Modern Mixed Media

    Materials

    Paint, Mixed Media, Monotype, Glitter

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  • Separated Spear Woman in Snake Headress
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    Mixed Media

  • Vous serez consolés dans Jérusalem by Theo Tobiasse - Mixed media
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