Francis Bott

Francis Bott - Untitled - Signed Painting

1955

Maurice Estève (1904-2001) Torero, 1971 Oil and collage on paper signed and dated down to towards the center Dimensions: 65 x 50 cm Bibliography: Estève, collages 1965-1973, Claude B...

Horacio Garcia Rossi Couleur Lumière Décalée Oil on Canvas 50 x 50 cm Signed and dated 11/08 on the back Horacio Garcia Rossi, along Morellet and J.Le Parc - these works, though cre...

JIM SHAW (B. 1952) Stocks Painting signed and dated 'J Shaw 2007' (on the overlap) oil on canvas mounted on wooden board 82 x 121.5 cm. (32 ¼ x 47.7.8 in.) Executed in 2006. PROVENANCE Metro Pictures, New York Famous as a collector of American junk, including a trove of thrift store paintings once sought by art collector Charles Saatchi, Jim Shaw draws on his vast stores of pop cultural artifacts in his work. The My Mirage (1986–91) project comprises nearly 170 drawings, silkscreens, photographs, sculptures, films, and paintings based on a Shaw stand-in called Billy, who grows from childhood to psychosis to born-again Christianity. Billy exists amid a 1960s and ’70s visual overload of pulp novels, comic books, records, and psychedelic posters. The artist’s Oism project, initiated in the late 1990s, explores his fictional religion through media including video installations (recalling both Busby Berkeley musicals and 1980s aerobics videos) and found paintings in the “Oist style.” Shaw’s richly layered practice takes liberally from both art history (Art Brut, Vincent van Gogh, Salvador Dalí, Rene Magritte, Max Ernst) and America’s vernacular of coffeemakers and zombie films. 1952 born in Midland, MI, US Lives and works in Los Angeles, CA, US 1974 BFA, University of Michigan at Ann Arbor, MI, US 1978 MFA, California Institute of the Arts, CA, US One-person exhibitions: 2017 (Forthcoming) The Wig Museum, Marciano Art Foundation, Los Angeles, CA, US Massimo De Carlo, Milan, IT 2016 Rather Fear God, Praz-Delavallade, Paris, FR Rather Fear God, Praz-Delavallade & Vedovi, Brussels, BE 2015-2016 The End Is Here, New Museum, New York, NY, US Simon Lee Gallery, London, UK Entertaining Doubts, Mass MOCA - Museum of Contemporary Art, North Adams, MA, US 2014-2015 Jim Shaw. Oeuvres choisies : dessins – peintures – sculptures – vidéo, Galerie Guy Bärtschi, Geneva, CH 2014 The Hidden World. Jim Shaw / Didactic Art Collection, Centre Dürrenmatt, Neuchâtel, CH I Only Wanted You To Love Me, Metro Pictures, New York, NY, US 2013-2014 The Hidden World. Jim Shaw / Didactic Art Collection, Chalet Society, Paris, FR Simon Lee Gallery, Hong Kong, CN 2013 Blum & Poe, Los Angeles, CA, US Peter Saul, Jim Shaw: Drawings, Mary Boone Gallery, New York, NY, US Simon Lee Gallery, London, UK 2012-2013 The Rinse Cycle, Baltic Centre for Contemporary Art, Gateshead, UK 2012 Dreams, BFAS, Geneva, CH (in collaboration with Metro Pictures, New York) Metro Pictures, New York, NY, US 2011 Thrilling Stories from the Book of "O", Praz-Delavallade, Paris, FR Cakes, Men in Pain, White Rectangles, Devil in the Details, Patrick Painter Inc., Santa Monica, CA, US 2010 Left Behind, CAPC - Musée d’Art Contemporain de Bordeaux, Bordeaux, FR Bernier/Eliades, Athens, GR 2009 Wet Dreams, Erotic Dream Drawings by Jim Shaw, Praz-Delavallade (space II), Paris, FR The Whole: A Study in Oist Integrated Movement, Simon Lee Gallery, London, UK 2008 Extraordinary Rendition, Patrick Painter Inc., Santa Monica, CA, US Jim Shaw: New Arrivals, Metro Pictures, New York, NY, US 2007 Dr. Goldfoot and His Bikini Bombs, Metro Pictures, New York, NY, US 2012: Montezuma’s Revenge, Praz-Delavallade, Berlin, DE The Hole, Praz-Delavallade, Paris, FR The Donner Party, PS1 Contemporary Art Center, Long Island, NY, US Galleria Massimo de Carlo, Milan, IT Distorted Faces & Portraits 1978-2007, Blondeau Fine Art Services, Geneva, CH 2006 My Mirage 1986-1991, Skarstedt Gallery, New York, NY, US 2006-2007 DO (I was in my Japenese gallery/museum in Japan...), Patrick Painter Inc., Santa Monica, CA, US Left Behind #8, 9, 10, Patrick Painter Inc., Santa Monica, CA, US 2006 Vise Head, Patrick Painter Inc., Santa Monica, CA, US Bernier/Eliades, Athens, GR Emily Tsingou Gallery, London, UK Vise Head, Patrick Painter Inc., Santa Monica, CA, US 2005 The Inky Depths/The Woman in the Wilderness, Metro Pictures, New York, NY, US Art & Public, Geneva, CH Praz-Delavallade, Paris, FR The Dream That Was No More A Dream, Patrick Painter Inc., Santa Monica, CA, US 2004 O, Kunsthaus Glarus, Glarus, CH Emily Tsingou Gallery, London, UK 2003 Kill Your Darlings, Patrick Painter Inc., Santa Monica, CA, US Kill Your Darlings, Bernier/Eliades, Athens, GR O, Le Magasin, Grenoble, FR Drawings, Metro Pictures, New York, NY, US Drawings, Studies, O-ism, Art & Public, Geneva, CH 2002 The Rite of the 360° Degree, Praz-Delavallade, Paris, FR The Goodman Image File and Study, Swiss Institute, New York, NY, US Oist Thrift Store Paintings, Metro Pictures, New York, NY, US Galleria Massimo De Carlo, Milan, IT 2001 The Artist’s World, Logan Galleries, CCAC Institute, San Francisco, CA, US Dreamt of Drawings, Emily Tsingou Gallery, London, UK Metro Pictures, New York, NY, US Praz-Delavallade, Paris, FR Galleria Massimo de Carlo, Milan, IT 2000 Thrift Store Paintings, ICA, London, UK Patrick Painter Inc., Santa Monica, CA, US Everything Must Go (curated by Sue Spaid), MAMCO, Geneva, CH; travels to The Contemporary Arts Center, Cincinnati, OH, US Johnen + Schottle, Köln, DE 1999 Metro Pictures, New York, NY, US Praz-Delavallade, Paris, FR Everything Must Go, Casino Luxembourg - Forum d'Art Contemporain, Luxembourg, LU (traveling retrospective) 1998 Drawings (curated by Peter Weiermair), Rupertinum - Musée d’art moderne et contemporain, Salzburg, AT Eccentric Drawing (curated by Peter Weiermair), Frankfurter Kunstverein, Frankfurt, DE 1997 The Deep, Tokyo, JP Bookbeat, Detroit, IL, US Rosamund Felsen Gallery, Santa Monica, CA, US Praz-Delavallade, Paris, FR 1996 Massimo de Carlo, Milan, IT The Sleep of Reason, Metro Pictures, New York, NY, US Dreams, Cabinet Gallery, London, UK 1995 I Dreamed I Was Performing in an Alternative Space in My Maidenform Bra, Rosamund Felsen Gallery, Santa Monica, CA, US Dreams, Galerie Andreas Brändström, Stockholm, SE What Exactly is a Dream and What Exactly is a Joke..., Donna Beam Fine Art Gallery, University of Nevada, Las Vegas, NV, US 1994 Dreams That Money Can Buy, Rena Bransten Gallery, San Francisco, CA, US 1993 Dreams That Money Can Buy, Metro Pictures, New York, NY, US Dreams That Money Can Buy, Linda Cathcart Gallery, Santa Monica, CA, US 1992 Life and Death, Texas Gallery, Houston, TX, US Metro Pictures, New York, NY, US Horror A Vacui (with Benjamin Weissman), Linda Cathcart Gallery, Santa Monica, CA, US Galleria Massimo de Carlo, Milan, IT 1991 Thrift Store Paintings, Metro Pictures, New York, NY, US New Works from My Mirage, Linda Cathcart Gallery, Santa Monica, CA, US 1990 My Mirage, Linda Cathcart Gallery, Santa Monica, CA, US My Mirage, Matrix Gallery, University Art Museum, University of California, Berkeley, CA; travels to St Louis Museum of Art, St Louis, MO; Feature Inc., New York, NY, US Thrift Store Paintings, Brand Library, Glendale, CA, US 1989 Dennis Anderson Gallery, Los Angeles, CA, US 1986 The Nuclear Family, EZTV, Los Angeles, CA, US 1981 Life and Death, Zero Zero Club, Los Angeles, CA, US Group exhibitions: 2017 I Love L.A., Praz-Delavallade, Los Angeles, CA, US 2016 Realisms, The State Hermitage Museum, St. Petersburg, RU Un autre monde (((Dans notre monde))), Galerie du Jour Agnès B., Maison de la poésie, Centre Wallonie-Bruxelles, Paris, FR Collection(s) et nouveaux ensembles monographiques, Mamco, Geneva, CH Physical: Sex and the Body in the 1980s, LACMA, Los Angeles, CA, US A History: Contemporary Art from the Centre Pompidou, Haus der Kunst, Munich, DE DO IT, Hab Galerie, Nantes, FR (organised by Frac des Pays de la Loire) On verra bien, Galerie du Jour Agnès B., Paris, FR Nothing Compares to You (works from the collection of Martin & Rebecca Eisenberg), Riverview School, Cape Cod, MA, US 2015-2016 Drawing. The Bottom Line, S.M.A.K., Ghent, BE 2015 Free Admission, Praz-Delavallade, Paris, FR Better Than De Kooning, Villa Merkel, Esslingen am Neckar, DE Collecting Lines - Drawings from the Ringier Collection, Villa Flora, Winterthur, CH Magnificent Obsessions: The Artist as Collector, Barbican Centre, London, UK The Making of Personal Theory: Mysticism and Metaphysics in the Work of Sara Kathryn Arledge, Charles Irvin, and Jim Shaw, Armory Center for the Arts, Pasadena, CA, US Dominos, CIRCUIT, Lausanne, CH 2014-2015 What Nerve! Alternative Figures in American Art from 1960 to the Present (curated by Dan Nadel), RISD Museum, Providence, RI, US do it (homage), Utah Museum of Contemporary Art, Salt Lake City, UT, US; travels to Michaelis School of Fine Art, Capte Town, ZA; Garage Center for Contemporary Art, Moscow, RU Selections from The Permanent Collection, MOCA, Los Angeles, CA, US Onetorino: Shit and Die (organized by M. Cattelan, M. Ben Salah & M. Papini), Palazzo Cavour, Turin, IT (by invitation of Artissima) 2014 The Century of The Bed (curated by Vienna 2014), Galerie Steinek, Wien, AT As I Run And Run, Happiness Comes Closer (curated by Jérôme Sans), Emerige, Paris, FR The Crime Was Almost Perfect (curated by Cristina Ricupero), Witte de With, Rotterdam, NL Nothing Twice, Tadeusz Kantor Centre - Cricoteka, Krakow, PL Hearsay: Artists Reveal Urban Legends (curated by Wendy Sherman), California State University Fullerton Grand Central Art Center, Santa Ana, CA, US Grey Flags (curated by Timothée Chaillou), BackSlash Gallery, Paris, FR VEILS (curated by J. Dahl & A. Papademetropoulos), The Underground Museum, Los Angeles, CA, US The Crime Was Almost Perfect (curated by Cristina Ricupero), PAC - Padiglione d’Arte Contemporanea, Milan, IT My Little Boat of Sorrow, Rosamund Felsen Gallery, Santa Monica, CA, US 2013-2014 Donation Florence et Daniel Guerlain, MNAM - Centre Georges Pompidou, Paris, FR 2013 Oeuvres de la collection Philippe Cohen (curated by Ami Barak), Passage de Retz, Paris, FR The Universal Addressability of Dumb Things (curated by Mark Leckey), The Bluecoat, London, UK XXXL Painting (organized by the Museum Boijmans van Beuningen), Submarine Wharf, Rotterdam, NL Nuage, Musée Réattu, Arles, FR I'm Dreaming About A Reality, Galerie Chantal Crousel, Paris, FR Il Palazzo Enciclopedico / The Encyclopedic Palace (curated by Massimiliano Gioni) in The 55th Venice Biennale, The Arsenale, Venezia, IT More Young Americans (curated by Susanne Van Hagen), L'Enclos des Bernardins, Hôtel de Miramion, Paris, FR Coulisses, Frac Aquitaine, Bordeaux, FR Untitled. Works on Paper, Galerie Sophie Scheidecker, Paris, FR do it, Manchester Art Gallery, Manchester, UK 2012-2013 Faking It: Manipulated Photography Before Photoshop, Metropolitan Museum of Art, New York, NY, US LOST (in LA) (curated by Marc-Olivier Wahler, presented by FLAX), Los Angeles Municipal Art Gallery at Barnsdall Park, Los Angeles, CA, US 2012 Artists Merchandising Art (organized by René Luckhardt & Judith Rohrmoser), Wonderloch Kellerland, Berlin, DE / Los Angeles, CA, US Poule! (curated by Michel Blancsubé), Fundación/Colección Jumex, Ecatepec, MX Dogma (curated by Gianni Jetzer), Metro Pictures, New York, NY, US Panegyric, Forde, Geneva, CH For The Martian Chronicles, L&M Arts, Venice, CA, US 2011-2012 Destroy All Monsters: 1973-1976, Prism Gallery, Los Angeles, CA, US Incongru. Quand l'art fait rire, Musée cantonnal des Beaux-Arts de Lausanne, Lausanne, CH 2011 Interchange, Exchange LA, Los Angeles, CA, US All of the above (carte blanche à John Armleder...

Huguette ARTHUR-BERTRAND Title: Kablonn - Powanu Technique: Oil on Canvas Dimensions: 92 x 73 cm Date: 1959 Signed Huguette Arthur-Bertrand was the leading female membe...

Composition 1955 Oil on panel Signed and Dated 61 x 50 cm The painting is framed. This beautiful painting is representative of David Lan Bar's 1950's compositions. David...

Léon Zack Lyrical Abstract Composition Signed Oil on Canvas 50 x 61 cm Léon Zack (1892-1980) Léon Zack was a Russian émigré who became a leading exp...

Fritz Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core prac...

Raymond Saá’s process-oriented work deconstructs and reconstructs natural elements, generating motifs that reference the artist’s Cuban roots, and connect natural forms with an archi...

Fritz Bultman (1919-1985) was an American Abstract Expressionist painter, sculptor, and collagist and a member of the New York School of artists. He was born in New Orleans, Louisiana and moved to Germany to join the Bauhaus at the age of 16. There, he was acquainted with Maria Hofmann, the wife of Hans Hofmann, which initiated a move to New York to study under his guidance. Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core practice. In 1950, Fritz Bultman and 27 other distinguished artists signed a letter protesting the conservative nature of the work selected for a forthcoming national exhibition at the Metropolitan Museum of Art. The signees of this historic letter were identified as, the “Irascibles,” resulting in the majority achieving international acclaim as Abstract Expressionist artists including Willem de Kooning, Robert Motherwell, Jackson Pollock, and Mark Rothko, among others. Throughout his life Fritz Bultman received several awards including Fulbright and Guggenheim Fellowships and was a founding member of the Long Point...

Fritz Bultman (1919-1985) was an American Abstract Expressionist painter, sculptor, and collagist and a member of the New York School of artists. He was born in New Orleans, Louisiana and moved to Germany to join the Bauhaus at the age of 16. There, he was acquainted with Maria Hofmann, the wife of Hans Hofmann, which initiated a move to New York to study under his guidance. Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core practice. In 1950, Fritz Bultman and 27 other distinguished artists signed a letter protesting the conservative nature of the work selected for a forthcoming national exhibition at the Metropolitan Museum of Art. The signees of this historic letter were identified as, the “Irascibles,” resulting in the majority achieving international acclaim as Abstract Expressionist artists including Willem de Kooning, Robert Motherwell, Jackson Pollock, and Mark Rothko, among others. Throughout his life Fritz Bultman received several awards including Fulbright and Guggenheim Fellowships and was a founding member of the Long Point...

Fritz Bultman (1919-1985) was an American Abstract Expressionist painter, sculptor, and collagist and a member of the New York School of artists. He was born in New Orleans, Louisiana and moved to Germany to join the Bauhaus at the age of 16. There, he was acquainted with Maria Hofmann, the wife of Hans Hofmann, which initiated a move to New York to study under his guidance. Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core practice. In 1950, Fritz Bultman and 27 other distinguished artists signed a letter protesting the conservative nature of the work selected for a forthcoming national exhibition at the Metropolitan Museum of Art. The signees of this historic letter were identified as, the “Irascibles,” resulting in the majority achieving international acclaim as Abstract Expressionist artists including Willem de Kooning, Robert Motherwell, Jackson Pollock, and Mark Rothko, among others. Throughout his life Fritz Bultman received several awards including Fulbright and Guggenheim Fellowships and was a founding member of the Long Point...

Fritz Bultman (1919-1985) was an American Abstract Expressionist painter, sculptor, and collagist and a member of the New York School of artists. He was born in New Orleans, Louisiana and moved to Germany to join the Bauhaus at the age of 16. There, he was acquainted with Maria Hofmann, the wife of Hans Hofmann, which initiated a move to New York to study under his guidance. Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core practice. In 1950, Fritz Bultman and 27 other distinguished artists signed a letter protesting the conservative nature of the work selected for a forthcoming national exhibition at the Metropolitan Museum of Art. The signees of this historic letter were identified as, the “Irascibles,” resulting in the majority achieving international acclaim as Abstract Expressionist artists including Willem de Kooning, Robert Motherwell, Jackson Pollock, and Mark Rothko, among others. Throughout his life Fritz Bultman received several awards including Fulbright and Guggenheim Fellowships and was a founding member of the Long Point...