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Francisco Larios
Untitled 27 and Untitled 26. From the Mexican Ryōan-ji Series.
2019

Name: Untitled 27 and Untitled 26. From the Mexican Ryōan-ji Series.
Brand: Francisco Larios
Price: 9000 USD
Availability: InStock

About the Item

Untitled 27 and Untitled 26, 2019 by Francisco Larios Lacquer, Acrylic, oil, and gold leaf on MDF Deep Individual Image Size: 23.6 in. H x 19.75 in. W Individual Frame Size: 25.6 in. H x 21.75 in. W x 1.5 in. D Overall Frame Size: 25.6 in. H x 43.5 in. W x 1.5 in. D One of a kind. From the Mexican Ryōan-ji Series. Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by hand with hundreds of layers of gold leaf. The artist’s goal is to allow the work to age along with the collector, which is why some works will appear unbalanced in color. Parts of the work will have different tones, burnish spots, or small, soft cracks. * Francisco Larios works with painting, open concept drawing and 3D modeling software. In this series of works, postmodern influences are recognized by simplified forms, lines and sacred geometry. works are done by hand with hundreds of layers of gold leaf. The artist’s goal is to allow the work to age along with the collector, which is why some works will appear unbalanced on the color. Parts of the work will have different tones, burnish spots, or small, soft cracks. Francisco Larios practices painting, open-concept drawing, and the use of software to create two and three-dimensional visual environments. In his imagination, the post-modern condition is achieved in terms that contemporary culture is the starting point for the elaboration of sceneries that manifest the return to sacred references, philosophical themes, and immemorial fabulations. In Larios' work landscape is treated conceptually, sometimes, as space where studies of the dreamlike, the bond between human beings and their surroundings, and the nature of objects develop; in other cases as the practice of graphic representation of mathematical, physical, and musical principles which part from the idea of the horizon as divisive line and as a limit. Larios's production is a poetic, ironic and reflexive exploration of the state of our relationship with faith, will, and destiny. ____________ Francisco Larios (Guaymas, 1960) lives and works in Monterrey, Nuevo León. He studied design and specialized in Art History by Universidad La Salle, Laguna. Larios participated at the XII Bienal “Rufino Tamayo” and Bienal FEMSA, Mexico City, Mexico; VII Bienal de Cuenca, Ecuador and was awarded the Prize for Painting Acquisition Reseña de la Plástica de Nuevo León. He is a fellow member of Sistema Nacional de Creadores FONCA. His work belongs to public and private collection such as: Museum of Contemporary Art de San Diego, California; Museum of Fine Arts de Houston, Texas; USA, Colección FEMSA, Museo de Arte Contemporáneo de Monterrey (MARCO), Monterrey, Mexico; Museo Rufino Tamayo, Museo Carrillo Gil and Museo de Arte Moderno, Mexico City, Mexico.

Creator:

Francisco Larios (1960, Mexican)

Creation Year:

2019

Dimensions:

Height: 25.6 in (65.03 cm)Width: 43.5 in (110.49 cm)Depth: 1.5 in (3.81 cm)

Medium:

Gold Leaf,Wood,Lacquer,Oil,Acrylic,Wood Panel

Movement & Style:

Abstract

Period:

2010-