James Spencer Russell

Untitled (The Number with Rainbow lines)

c. 1960

Untitled Collage of small oil on canvas fragments, c. 2006 Unsigned Provenance: Estate of the artist Image size: 15 x 9 7/16 inches Sheet size:: 17 x 14 inches Peter Marks (1935 -2...

Ragtime Piano Collage, 1969 Signed and dated '69 lower right Address stamp verso Provenance: Acquired from the artist Joseph M. Erdelac, friend and patron of the artist Stephen Longstreet (1907-2002) The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton (1891-1931). Facts that can be documented are that he was art editor for Golfer and Sportsman magazines, and was a contributor to various other magazines including The New Yorker, Saturday Evening Post, Colliers, Life, and Hooey, among others. He wrote sketches for NBC radio and the Rudy Vallee Show. In the 1930s, Longstreet worked and wrote under the names Thomas Burton, David Ormsbee, and Paul Haggard before settling on the name Stephen Longstreet in 1939. He wrote 12 novels under this name as well as numerous screen plays, most notably The Jolson Story, The Greatest Show on Earth, and The Helen Morgan Story. Longstreet claimed to have been introduced to ragtime and jazz by no less a legend than singer Paul Robeson while Robeson was an All-American football player at Rutgers University. However it happened, the world of jazz was a constant theme throughout Longstreet’s life. He drew and painted such notables as Count Basie, Sarah Vaughan...

Jazz Artist Signed, dated, and titled by the artist, verso (See photos) Mixed media 3 dimensional collage Dimensions: 37 1/8 x 19 1/4 x 5 inches Although ...

Mixed media on handmade paper Signed and dated by the artist lower right Archival framing with Conversation Glass Regarding the artist: Select Exhibition: 1991 Franz Bader Gallery, ...

Untitled Printed paper collage elements on cardboard, 1960 Signed in pencil lower right Condition: Excellent Board size: 13 3/8 x 15 1/2 inches Provenance: Estate of the Artist ...

Untitled Collage made of foil, golf leaf and marbled book papers, c. 2004 Unsigned, from the Estate of the artist. Image size: 8 5/8 x 10 inches Sheet size: 14 x 17 inches Peter Marks (1935 -2010) Peter Marks was born in New York City on January 18, 1935. A lifetime New Yorker, Marks graduated from the High School of Music and Art in 1952 and Amherst College in 1956. After a brief stint as a graphic designer in publishing, Marks became a private art dealer and opened his gallery Peter Marks Works of Art, Inc. in 1960. During this time he specialized in the sale of Southeast Asian and Islamic antiquities and made many contributions to the field both as a dealer and an advocate of his profession. Above all, Marks was motivated by a strong desire to find great art and make it available to large audiences. After retiring from art dealing in 2002, Marks transformed his Manhattan gallery space into a studio where he drew prolifically and painted large non-objective canvasses. This time in his studio was a happy one for Marks, who viewed this period of his life not as retirement, but rather fulfillment, a fact that is confirmed by passionate artistic output in the years leading up to his passing in 2010. In 2012, Thomas French...

Exceptional painting by Maryanne Pollock titled "Transmitter". Work is signed and dated 2021 on reverse. Painting measures 48" x 48" and is mixed media on canvas. Artists Robert ...

Exploding with emotion, energy and color Stephanie Visser's mixed media paintings on paper are framed in a simple and clean white wood frame with thick acid free matting and UV plexi...

Exploding with emotion, energy and color Stephanie Visser's mixed media paintings on paper are framed in a simple and clean white wood frame with thick 4-ply acid free matting and UV...

Exploding with emotion, energy and color Stephanie Visser's mixed media paintings on paper are framed in a simple and clean white wood frame with thick 4-ply acid free matting and UV...

Exploding with emotion, energy and color Stephanie Visser's mixed media paintings on paper are framed in a simple and clean white wood frame with 4" thick acid free matting and UV pl...

West Industrial, 2018, by Liberty Blake. 48 x 46 inches (wood cradle, no frame), assemblage and mixed media. Artist Statement: I would describe myself as an abstract collage artis...