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Jim Rose
Cabinet and Case of Drawers - hot-rolled and found painted steel furniture

2016

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    A found object is a natural or man-made item, or fragment of an item that is found by an artist and kept because of some intrinsic interest the artist sees in it. Beginning with Picasso, who incorporated newspapers and matchboxes into his cubist collages and constructions, this idea has been carried forward. It was popular with the Dada and Surrealist movements and with such great artists as Damien...
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    Located in Chicago, IL
    A found object is a natural or man-made item, or fragment of an item that is found by an artist and kept because of some intrinsic interest the artist sees in it. Beginning with Picasso, who incorporated newspapers and matchboxes into his cubist collages and constructions, this idea has been carried forward. It was popular with the Dada and Surrealist movements and with such great artists as Damien Hurst and Henry Moore. Here, artist Rick Farrell...
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    2010s Contemporary Abstract Sculptures

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  • Prone to Wonder - Found Object Abstract Sculpture, Bent Metal Rods
    By Rick Farrell
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    A found object is a natural or man-made item, or fragment of an item that is found by an artist and kept because of some intrinsic interest the artist sees in it. Beginning with Picasso, who incorporated newspapers and matchboxes into his cubist collages and constructions, this idea has been carried forward. It was popular with the Dada and Surrealist movements and with such great artists as Damien Hurst and Henry Moore. Here, artist Rick Farrell...
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  • Order of the Ages - Found Object Sculpture with Heavy Bristle Brush & Figure
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    A found object is a natural or man-made item, or fragment of an item that is found by an artist and kept because of some intrinsic interest the artist sees in it. Beginning with Picasso, who incorporated newspapers and matchboxes into his cubist collages and constructions, this idea has been carried forward. It was popular with the Dada and Surrealist movements and with such great artists as Damien Hurst and Henry Moore. Here, artist Rick Farrell...
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  • Bear and the Fight, Sculpture with Found Object and Drift Wood
    By Rick Farrell
    Located in Chicago, IL
    A found object is a natural or man-made item, or fragment of an item that is found by an artist and kept because of some intrinsic interest the artist sees in it. Beginning with Picasso, who incorporated newspapers and matchboxes into his cubist collages and constructions, this idea has been carried forward. It was popular with the Dada and Surrealist movements and with such great artists as Damien...
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    2010s Contemporary Abstract Sculptures

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  • It Is What It Is - Found Object Sculpture, Wedding Cake Couple, Cheese Grater
    By Rick Farrell
    Located in Chicago, IL
    A found object is a natural or man-made item, or fragment of an item that is found by an artist and kept because of some intrinsic interest the artist sees in it. Beginning with Picasso, who incorporated newspapers and matchboxes into his cubist collages and constructions, this idea has been carried forward. It was popular with the Dada and Surrealist movements and with such great artists as Damien Hurst and Henry Moore. Here, artist Rick Farrell...
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    2010s Contemporary Abstract Sculptures

    Materials

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    This stunning kinetic sculpture is made of welded, powdercoated, and painted steel in white and gradient shades of metallic pink, spiraling at the top of a tall pole. The colorful top section is counterbalanced by a brake drum and concrete cone that moves inside of a steel cage over an embedded base made of cast iron antique man-hole covers. It catches even the slightest breeze for near-constant movement! Please watch the video to see the incredible wind-powered kinetic in action. Jeff Glode...
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  • Jo Yarrington, Mute-Ability_Composition 3, 2019_acrylic, steel, player piano rol
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    By Jo Yarrington
    Located in Darien, CT
    Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
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