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Julee Docking
“Wild Iris”

Circa 1975

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  • “Bowl of Fruit”
    By Jonas Lie
    Located in Southampton, NY
    The artwork is mainly oil pastel with several touches of gouache and is a still life of a bowl of fruit. The artwork is done on heavy archival paper. The artist is Jonas Lie...
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    1920s Post-Impressionist More Art

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  • “Arc de Triomphe Paris”
    By Henri Grenier
    Located in Southampton, NY
    Watercolor and gouache on archival paper by French artist, Henri Grenier. Signed lower right. Circa 1925. Condition is excellent. The artwork is housed in its original ornate carv...
    Category

    1920s Fauvist Landscape Drawings and Watercolors

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    Archival Paper, Watercolor, Oil Pastel

  • “Roses and Pansies”
    Located in Southampton, NY
    Very well executed watercolor and gouache on heavy card stock of a spring bouquet composed of mainly roses and pansies. Unsigned. Circa 1915. Original gold painted wood frame. Under...
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    1910s Post-Impressionist Still-life Drawings and Watercolors

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    Watercolor, Gouache, Cardboard

  • “Jester”
    By Rolph Scarlett
    Located in Southampton, NY
    Early mixed media painting composed of watercolor, gouache and oil pastel on card stock of a jester by the Canadian/American artist, Rolph Scarlett. Signed by the artist lower right ...
    Category

    1920s American Modern Mixed Media

    Materials

    Oil Pastel, Watercolor, Gouache

  • “Spring Thaw”
    Located in Southampton, NY
    Karl Gerber was born in 1912 and died in 1974. He specialized in scenes of the Swiss countryside, both in mixed media and oils. Mixed media of watercolor, gouache and oil pastel on...
    Category

    1950s Post-Modern Mixed Media

    Materials

    Paper, Oil Pastel, Watercolor, Gouache

  • “A Norman Peasant’s Home”
    Located in Southampton, NY
    "A Norman Peasant's Home," (Near Caudebec -en-Caux, Seine, France); and also identified as, "Peasant's Doorway." by Hezekiah Anthony Dyer. This area would be considered Normandy hence the title. Watercolor and gouache on archival paper. Signed lower left by the artist. Condition is very good. Included with the purchase is dated 1925 correspondence between the artist and purchaser of the painting with apologies from the artist for the painting not being shipped from Newport on time. Recently professionally custom double matted and framed under glass. Overall framed measurements are 19.25 by 15.5 inches. Provenance: Rhode Island collector. H. A. Dyer 1872 - 1943 Historical Rhode Island artist Hezekiah Anthony Dyer, son of Elisha and Nancy Anthony Dyer , was born into a prominent Rhode Island family, having both his grandfather and father serve as governor of the state. A descendent of the Hoppin family, known for their own artistic inclination, Dyer inherited both an interest in the arts as well as his father’s interest in public affairs. He fulfilled his destiny by becoming a notable figure in Rhode Island politics and public service as well as an accomplished artist. Dyer attended boarding school at St. Paul’s Church in Concord, New Hampshire and then went on to attend Brown University. Following his graduation from Brown in 1894, Dyer became serious about pursuing an art career and made the decision to travel abroad to Holland, Italy and France where he focused on refining his watercolor technique. Following his initial trip to Europe, Dyer returned to Providence and attended classes at the Rhode Island School of Design. By 1919 he received an Honorary Masters of Arts Degree from Brown University. Throughout his life, Dyer traveled to Europe for several months of each year to paint. He had a particular affinity for European seascapes and landscapes, as well as for picturesque scenes of old European villages. Dyer’s travels took him throughout the continent including Belgium, Brittany, Normandy, England and both the Swiss and Italian Alpine regions. Hezekiah was heavily influenced by the English School of painting, and in the early years of his career as a painter, worked exclusively in a deliberately realistic style. During this time, Dyer also began showcasing his paintings in exhibits that consisted of only his own work and which were very successful. As his painting progressed, Dyer allowed himself to experiment more in the field of watercolor. He developed a technique of painting on grey or tan paper and would paint everything lighter than the paper using an opaque gouache, and everything darker than the paper in transparent washes of color. This technique allowed Dyer to represent a great deal of detail not usually found in watercolor paintings. It also resulted in wonderfully vibrant colors that would not fade when dry. H. A. Dyer was a prominent member of both the art community and of Rhode Island public life. While he never held an office, Dyer became very involved in politics and from 1916 to 1919 was president of the Republican Club of Rhode Island. At the beginning of the First World War, Hezekiah was made chairman of the speaker’s bureau for the Food Administration of Rhode Island, and was later made chairman of the speaker’s bureau for the Council of Defense. Dyer also became a chairman for a philanthropic organization called Rhode Island of the Fatherless Children of France. In 1922, France presented both Hezekiah Dyer...
    Category

    1920s Post-Impressionist Landscape Drawings and Watercolors

    Materials

    Gouache, Archival Paper, Watercolor

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    Located in London, GB
    *UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Femme au bord de la rivière by Georges Manzana Pissarro (1871-1961) Gouache, pastel and silver paint on paper 29...
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  • Hachiya Persimmons & Fan, Modern Still Life with Red-Orange and Blue
    Located in Soquel, CA
    Hachiya Persimmons & Fan, Modern Still Life with Red-Orange and Blue Lovely modern still-life of a fan and persimmons by Santa Cruz, California artist Anita Heckman (American, b.20th Century). This 1987 mixed media work on paper depicts three vivid Hachiya persimmons on a windowsill beside an elegant paper fan with a tassel. A decorative window drape...
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  • 1964 San Francisco Construction Site Large Gouache and Pastel Landscape
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    Located in Arp, TX
    Gloria Dudfield Tractor at Work 6-10-64 Gouache and Oil Pastel on Paper 36"x32 1/2" Unframed Signed and dated lower right in crayon Very Good Condition - Minor wear consistent with ...
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  • 1960s "Yellow and Black Abstract" Gouache and Oil Pastel Female Artist
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    Gloria Dudfield Yellow and Black Abstract Gouache and Oil Pastel on paper 35 x 36 in c. 1960 Framed Size: 38.5 x 39.5 x 1.5 Good Condition - Wear consistent with age and history. Cr...
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    Mixed media on paper.
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