Tracey Adams

The principle of not knowing

2016

Estuary 1 (Abstract Drawing) Graphite and acrylic on linen - Unframed This fluid abstract painting is intuitively made with a loaded brush graphite and acrylic on linen. The inter...

Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 4 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Notice-ing (Abstract painting) Oil and graphite on canvas. Unframed. This work is rooted in the human figure, but is abstracted. The forms could be construed as figures in space –s...

Graphite and acrylic on linen - Unframed This fluid abstract painting is intuitively made with a loaded brush graphite and acrylic on linen. The intersecting multi-layered forms cr...

On Being Noted (Abstract painting) Oil and graphite on canvas. Unframed. This work is part of McCagg “Portrait/Icon” series, an expansion of her current work depicting natural and ...

Balancing act 4 (Abstract Painting) Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 4 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

"Prana" is an abstract expressionist painting by Rebecca Sobin executed in oil, cold wax medium, and graphite on a cradled wood panel; measuring 36 x 36 inches. Titled "Prana" the ...

"It's Springtime Somewhere In the World" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder, and rice paper on a cradled wood panel; measuri...

Edward Avedisian ( 1936-2007 ) 7.5 X 5.75 Oil paint on wood panel This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert...

A fine modernist abstract oil painting by contemporary New Hampshire artist Christopher Myott (1982-). In 2005, Chris Myott received a BS in studi...

Kay Hartung’s “Cells Alive 3” is a imagined scene of cell activity which creates a sense of the energy involved in the process of growth. In a limited palette of black and white, cel...

Joan Scheibel works in layers, working from light to dark. She is often asked about her process which she feels is more than just a process but is a way of life. She sees people and things that move her in life, a shadow, a dance, a church or just everyday events. Scheibel takes these ideas and images and reimagines them on canvas. In her words, “Suddenly and finally, the image that grabbed me, is reconstituted to grab you. The universal eye.” Scheibel is a contemporary abstract painter currently living and working in Los Angeles. Scheibel received a full scholarship from the prestigious Otis/Parson College of Art and Design and would later study Illustration at Platt College of Design. Turning her attention inward for a more personal form of expression, Joan has pursued a fine art career for nearly a decade. "Maestro #4" Contemporary Abstract Art is an original work part of the "Maestro Series" incorporating acrylics and graphite on canvas...