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Ken Weathersby
Ken Weathersby, 225, 2015, Mixed Media

2015

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  • Ellen Hackl Fagan, ColorSoundGrammar_3 2010, Abstraction, Meditative
    By Ellen Hackl Fagan
    Located in Darien, CT
    Inviting the accidental while painting, the artist's materials continue to reveal limitless possibilities for improvisation, like jazz music. Influenced by scientific theories-both real and imagined, kitsch, music, decorative art and indigenous textiles, Fagan's abstract paintings and interactive performance build connections between color and surface to sound. This exploration has led to creating a series of interactive games with viewers, the most recent being The Alphabet Game. To play, viewers select, from colored squares, the color(s) that best represent each note in the familiar ABC Song melody. Through these playful interventions their thoughts about color and music are explored in-depth. Documenting their responses in the form of photographs and notes in journals, Fagan has compiled the results of fifteen artists who played the Alphabet Game during a lecture on color where the artist was the guest presenter in order to create this particular painting. Fagan distilled the data gathered and painted this visualization of a color/sound alphabet based on the colors selected by this artist's group. These alphabet paintings introduce a wonderful completion to this pseudo-scientific investigation and celebrate painting...
    Category

    2010s Conceptual Abstract Paintings

    Materials

    Enamel

  • Ellen Hackl Fagan, ColorSoundGrammar_ASOG, 2010, Enamel, Latex, Ink, Graphite
    By Ellen Hackl Fagan
    Located in Darien, CT
    Inviting the accidental while painting, the artist's materials continue to reveal limitless possibilities for improvisation, like jazz music. Influenced by scientific theories-both real and imagined, kitsch, music, decorative art and indigenous textiles, Fagan's abstract paintings and interactive performance build connections between color and surface to sound. This exploration has led to creating a series of interactive games with viewers, the most recent being The Alphabet Game. To play, viewers select, from colored squares, the color(s) that best represent each note in the familiar ABC Song melody. Through these playful interventions their thoughts about color and music are explored in-depth. Documenting their responses in the form of photographs and notes in journals, Fagan has compiled the results of fifteen artists who played the Alphabet Game during a lecture on color where the artist was the guest presenter in order to create this particular painting. Fagan distilled the data gathered and painted this visualization of a color/sound alphabet based on the colors selected by this artist's group. These alphabet paintings introduce a wonderful completion to this pseudo-scientific investigation and celebrate painting...
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    2010s Conceptual Abstract Paintings

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  • Linda Cunningham, 'Edge of Change III', 2015, Pastel, Acrylic Paint
    By Linda Cunningham
    Located in Darien, CT
    Unexpected materials, found and manufactured, perch precariously on torn edges and bifurcated sheets of large paper. Here, fluid calligraphic lines are posed against the veracity of ...
    Category

    21st Century and Contemporary Conceptual Landscape Drawings and Watercolors

    Materials

    Wood, Charcoal, Pastel, Cotton Canvas, Acrylic, Found Objects

  • Diane Englander, Red and Buff on Orange 4, 2017, Mixed Media
    By Diane Englander
    Located in Darien, CT
    A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...
    Category

    2010s Mixed Media

    Materials

    Acrylic, Cardboard, Graphite, Mixed Media

  • Katherine Jackson, Suspension of Disbelief II, 2015, Graphite, Paper, Framed
    By Katherine Jackson
    Located in Darien, CT
    Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...
    Category

    2010s Conceptual Still-life Sculptures

    Materials

    Graphite, Glass

  • Katherine Jackson, Suspension of Disbelief, 2015, Graphite, Paper, Framed
    By Katherine Jackson
    Located in Darien, CT
    Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...
    Category

    2010s Conceptual Still-life Sculptures

    Materials

    Glass, Graphite

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  • Minimalist Dapper
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  • Arewà
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    Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Michael Adetula...
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  • I Need Some Love 2
    Located in Ibadan, Oyo
    The focal point of the artwork, the man's free-flowing dreadlocks, serves as a potent symbol of individuality and cultural diversity. In many cultures, dreadlocks have deep-rooted historical and spiritual significance, representing a unique connection to heritage, self-expression, and identity. By emphasizing the man's hair in the portrait, Adetula calls attention to the fact that discrimination often arises from superficial judgments based on appearance, whether it be hairstyles, clothing choices, or language differences. The artwork's title, "I Need Some Love," conveys a heartfelt plea for compassion and understanding. It reminds us that discrimination and prejudice have no place in a harmonious and inclusive society. Adetula's creation urges us to break free from these harmful mindsets and cultivate a culture of empathy and acceptance toward one another. The message of the artwork resonates strongly with the call to let love prevail, irrespective of one's origin or outward appearance. Discrimination, whether conscious or unconscious, hinders our collective progress as a society. It erects barriers between individuals and communities, fostering mistrust and animosity. Adetula's artwork encourages us to dismantle these barriers and build bridges instead. Embracing diversity enriches our lives, broadens our perspectives, and fosters a climate of respect and unity. The man's free-flowing dreadlocks symbolize the beauty of embracing cultural differences and recognizing the uniqueness that each individual brings to the table. Moreover, "I Need Some Love" emphasizes the power of love as a transformative force. The artwork reminds us that by approaching others with love, compassion, and understanding, we can create an environment where everyone feels valued, respected, and heard. Correcting people with love, rather than judgment or hostility, allows us to foster meaningful connections and open up constructive dialogues, thereby nurturing a culture of growth and understanding. The man depicted in the artwork is a poignant reminder that every person deserves happiness and love, irrespective of their appearance, background, or language. Embracing diversity not only enhances our interpersonal relationships but also contributes to the betterment of society as a whole. When we treat one another with kindness and empathy, we foster a sense of belonging and acceptance that empowers individuals to thrive and contribute positively to their communities. In conclusion, "I Need Some Love" by Michael Adetula...
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