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Leon Dolice
"Flatiron Building, New York"

Circa 1935

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  • “Plein-Aire Painter”
    Located in Southampton, NY
    Beautiful pastel on archival paper by the well known American pastelist, Gene Sparkman. In excellent condition and very nicely custom gallery frame. Signed lower right. Overall framed 23.75 by 32 inches. Gene Sparkman (1941-2010) Master pastelist, Gene Sparkman’s work is in many private, corporate and permanent public museum collections world-wide, such as, the Butler Institute of American Art, Franklin Library, The Smithsonian, et al. He was a director of the Pastel Society of America and elected Master Pastelist in 1984. Exhibitions and major awards include Salmagundi Club, NYC; Allied Artists of America, NYC; Pastel Society of America, NYC; Manchester Institute of the Arts, NH; Canton Art Institute, OH; Butler Institute of American Art, OH; New Britain Museum of American Art, CT; Society of Illustrators, NYC; Society of Illustrators, CA; Rameau Palais, Paris, France, etc.. Gene Sparkman studied with such formidable masters of their genre as California artists Joseph Henniger, Harry Carmean...
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    1970s Post-Impressionist Figurative Paintings

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    Oil Pastel, Archival Paper

  • "Reclining Nude"
    By Gabriel Mayorga
    Located in Southampton, NY
    Here is a pastel on paper work of art by the American artist, Gabriel Humberto Mayorga. Signed and dated lower left 1971. Wrinkling to paper and mild fading due to age. The piece ha...
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    1970s Post-Impressionist Nude Drawings and Watercolors

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    Paper, Oil Pastel

  • “Bowl of Fruit”
    By Jonas Lie
    Located in Southampton, NY
    The artwork is mainly oil pastel with several touches of gouache and is a still life of a bowl of fruit. The artwork is done on heavy archival paper. The artist is Jonas Lie...
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  • “Roses in a Porcelain Vase”
    By Marcel Vertès
    Located in Southampton, NY
    Here for your consideration is a very well executed oil pastel on archival paper by the well known French artist, Marcel Vertes. Signed lower right. Condition is excellent. Circa 1930. The artwork was done early in the artist’s career; most likely in Paris during his time studying at the Academie Julian. The artwork is housed in its original frame under glass. The ornate gold frame has been recently restored and is in good condition. Overall framed measurements are 31.5 by 26.5 inches. Provenance: A Pennsylvania estate. Marcel Vertès (born Marcell Vértes), was born on August 10, 1895 in Budapest, Hungary. His first commercially successful works of art were sketches of corpses, criminals and prostitutes he did for a sensationalist magazine in Budapest. He then did illustrations for many of the clandestinely printed publications opposing the Hapsburg monarchy at the end of WWI. After the war he moved from his native Hungary to Vienna, Austria and then to Paris, where he was a student at the Academy Julian, living and working in the famous Latin Quarter. Vertes quickly established himself as a regular in the Paris art scene and his work became lighter and more lyrical. In Paris he concentrated on illustration, painting and printmaking, especially lithography. In 1935 he made his first trip to New York to make contacts. Two years later he had his first one-man show in New York. At the end of WWII he returned to New York with his wife, escaping the Nazi invasion of Paris by two days. He then began to divide his time between New York and Paris. Ten years later, he returned to his beloved Paris and spent the remaining years of his life there. While in the United States he became a consultant to the Producers and Set Designers of the 1952 Award Winning film Moulin Rouge, about the life and times of artist Henri De Toulouse-Lautrec (1864-1901). He won two Academy Awards for ‘Best Art Direction’ and ‘Best Costume Design’. Interestingly, Marcel Vertès originally earned his tuition money for his European education by making forgeries of Lautrec's works. As such, his expertise was exhibited in the film when his hand is used as the hand of Toulouse Lautrec as he drew, and his images were accordingly used in the film and given appropriate credit in the trailer to the film. Vertes also appeared in the British production credits as Color Production Designer, and Costume Designer for the film, with Schiaparalli (the same of Paris, and Italy). They both jointly won the British Academy Film award in 1952 for Best Costume Design for Moulin Rouge. Vertès is also responsible for the original murals in the Café Carlyle in the Carlyle Hotel in New York City and for those in the Peacock Alley...
    Category

    1930s Post-Impressionist Still-life Drawings and Watercolors

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    Oil Pastel, Archival Paper

  • “Arc de Triomphe Paris”
    By Henri Grenier
    Located in Southampton, NY
    Watercolor and gouache on archival paper by French artist, Henri Grenier. Signed lower right. Circa 1925. Condition is excellent. The artwork is housed in its original ornate carv...
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    1920s Fauvist Landscape Drawings and Watercolors

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    Archival Paper, Watercolor, Oil Pastel

  • “The Pink Parasol”
    Located in Southampton, NY
    Very well executed oil pastel on archival paper done in the style of the French Impressionists. Circa 1985. Condition is excellent. Illegible signed lower left. Possibly the arti...
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    1980s Post-Impressionist Figurative Drawings and Watercolors

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    “The Pink Parasol”
    $1,280 Sale Price
    20% Off
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