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Nek Chand
"Untitled", Standing Figure, Mixed Media, Outsider Art

1980

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    Located in Detroit, MI
    SALE ONE WEEK ONLY During the 1960s America’s storytelling sculptor, Michael Garman, lived a vagabond lifestyle on the cheap and in the run-down neighb...
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    Mid-20th Century Folk Art Still-life Sculptures

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    Mixed Media

  • "El Tren" Ceramic, Glaze, Colors, Mexican Folk Art, Four Sections
    Located in Detroit, MI
    SALE ONE WEEK ONLY "El Tren" is a whimsical and playful rendition of a train. It is beautifully glazed in various colors. This particular ceramic was from the collection of Jane and Richard Knight’s Estate. Jane Knight was a famous fiber and textile artist. Richard was a photographer who worked for Eliel Saarinen and Alexander Girard. The Knights and Girard became close friends and it was Girard who gifted “Santa Cruz De Las Huertas Jalisco” to the Knights. Alexander Girard left his personal collection to the Museum of International Folk Art, Santa Fe, NM. The Girards eventually amassed a collection of more than 106,000 objects from across the globe. Their 1978 gift of this collection to the Museum of International Folk art quintupled the size of their collection and prompted the construction of a new wing, which opened in 1982 and houses a mere 10% of the Girard Collection in the permanent exhibition Multiple Visions: A Common Bond, which was designed by Alexander Girard himself. This collection includes numerous multiples and is notable for its great breadth, including traditional arts, popular arts, and paper ephemera. “I believe we should preserve this evidence of the past, not as a pattern for sentimental imitation,” Girard once said, “but as nourishment for the creative spirit of the present.” Indeed, folk art was an important inspiration for Girard’s design work. The renowned Candelario Medrano...
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    1950s Folk Art Still-life Sculptures

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  • “Santa Cruz de las Huertas Jalisco”, Ceramic, Glaze, Colors, Mexican Folkart
    Located in Detroit, MI
    SALE ONE WEEK ONLY “Santa Cruz de las Huertas Jalisco” is a whimsical, charming and colorfully ceramic rendition painted blue and red of a local bus that traversed the town where the artist Candelario Medrano...
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    Mid-20th Century Folk Art Figurative Sculptures

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  • Melanie Boone "Untitled Collage", Mixed Media Collage
    Located in Detroit, MI
    SALE ONE WEEK ONLY This mixed media collage by Melanie Boone is a delightful and strikingly layered composition that evokes the wonder of a medieval tap...
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  • "#24-80D Color Climb", Mixed Media Stencil Casting, Pencil Signed and Numbered
    Located in Detroit, MI
    "#24-80D Color Climb" is an exemplary work of Paul E. Maxwell's "stencil casting" works. This abstract but grid-like work employs a thickly textured and layered surface that has also...
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    1980s Abstract Mixed Media

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  • Adja Yunkers "Cameroon III" Mixed Media
    By Adja Yunkers
    Located in Detroit, MI
    SALE ONE WEEK ONLY "Cameroon III" is an abstract acrylic collage and mixed media on canvas by the 20th century artist Adja Yunkers. This work is part of his "Cameroon" collage serie...
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  • Road Trip
    Located in Wareham, GB
    Road Trip by Juliane Hundertmark is a very good example of the artists grotesque, mixed media, political paintings. This picture was painted for Art Miami in...
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  • The Odd Couple, Original Painting
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  • Medusa, outsider artist etches copper, paint, cut diamonds, ink, aluminum frame
    Located in Toronto, Ontario
    MEDUSA by Rocky Dobey is a hand-inscribed copper sheet with cut diamonds, blue machinist ink and fired porcelain paint. It measures 36 x 48", and framed in aluminum it measures 37 x 49”. It features some of the artist’s notable motifs – a monstrous brick wall with crenelated and flaming towers, inlaid with sparkles of diamond and glass, sword-like flames. New for the artist are the twisting, turning bodies of which there are at least eight. The deep blue background of machinist ink coating the copper provides a momentous, mythological night sky. For over 40 years, outsider artist Rocky Dobey has been producing intaglio prints, etched metal plaques, engraved copper sheets and site-specific public sculptures. Working anonymously for the first two decades, his work has drawn attention to social and political issues like prison and justice reform, neighborhood gentrification, globalization, indigenous sovereignty, drug rehabilitation and homelessness. With striking imagery of demonic towers toppled in flames, horrific machines and cryptic symbols of oppression, Rocky's work soon became a recognized and sought-after stamp of organized resistance. Several of his prints are held in collections, particularly the “Carnival Against Capitalism” poster he produced for the 2001 Quebec City protests against the Free Trade Area of the Americas. Rocky’s poster...
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