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Authentic Vintage Wonder Bread Truck Side Panel, Framed

Born October 12, 1951 Jefferson County, Alabama Charlie Lucas exhibited overflowing creative and mechanical ability since he was a young child. When he ...

Code U44 is Mixed Media on Panel, acrylic, collage, gold tape, spray paint, epoxy resin. Size 48″X24″ Date of creation 2020. Signed, dated on the reverse. The piece is combinatio...

Code U43 is Mixed Media on Panel, acrylic, collage, gold tape, spray paint, epoxy resin. Size 48″X24″ Date of creation 2020. Signed, dated on the reverse. The piece is combinatio...

Code U43 is Mixed Media on Panel, acrylic, collage, gold tape, spray paint, epoxy resin. Size 48″X24″ Date of creation 2020. Signed, dated on the reverse. The piece is combinatio...

Code U40 is Mixed Media on Panel, acrylic, collage, spray paint, epoxy resin. Size 48″X24″ Date of creation 2020. Signed, dated on the reverse. The piece is combination of multip...

CHECKMATE by Rocky Dobey is a hand-inscribed copper sheet with black ink, acrylic paint, and asphaltum. It is framed in aluminum and measures 108 x 48”. It features some of the artist’s notable motifs – the number 13-1/2 (refers to 12 jurors, 1 judge, half a chance), a monstrous tower of brick with crenelated towers, inlaid with eyes, hooked daggers and barred windows, clouds with lightening bolts, tongues of flame drifting down... Though the swirl of black cloud near the top of the tower also rewards our attention – the engraving here suggesting floral as well as cosmic patterns, biological patterns. Checkmate also contains more subtle mark-making and ritualized ornamentation, such as the wheat sheafs across the expanse of copper, names of people are inscribed in the borders of the tower, vertical hash marks counting off months or years in bundles of five. For over 40 years, outsider artist Rocky Dobey has been producing intaglio prints, etched metal plaques, engraved copper sheets and site-specific public sculptures. Working anonymously for the first two decades, his work has drawn attention to social and political issues like prison and justice reform, neighborhood gentrification, globalization, indigenous sovereignty, drug rehabilitation and homelessness. With striking imagery of demonic towers toppled in flames, horrific machines and cryptic symbols of oppression, Rocky's work soon became a recognized and sought-after stamp of organized resistance. Several of his prints are held in collections, particularly the “Carnival Against Capitalism” poster he produced for the 2001 Quebec City protests against the Free Trade Area of the Americas. Rocky’s poster...