Andy Warhol

Warhol John Lennon Vinyl Record Art

1986

Ryan McGinley Vinyl Record Art 2007: Ryan McGinley (American, b. 1977) is a photographer living in New York City. Longtime friends with fellow artists Dan Colen and the late Dash Sn...

Richard Avedon, "Who Has a Better Right to Oppose the War?," Vintage original protest poster, 1969 A famous 1969 Richard Avedon illustrated poster against the Vietnam War. Avedon's picture depicts a handsome soldier wearing a formal US Army uniform...

Set of 3 Takashi Murakami Skateboard Decks 2018: A standout triptych of Takashi Murakami skate decks produced as a limited series. A brilliant...

Keith Haring with LA2, Tony Shafrazi Gallery 1982: Rare original 1982 announcement card for an early exhibition of Keith Haring’s work at Tony Shafrazi Gallery, New York, October 9 –...

Keith Haring and William Burroughs 1990: Vintage original announcement card for “Keith Haring and William S. Burroughs, Apocalypse and the Valley at Charles Lucien Gallery.” Medium: Folded invitation, offset printed on card stock. 1990. Dimensions 8 x 5 ¼ inches. Very Good overall vintage condition. Unsigned from an edition of unknown. Photo: Tseng Kwong Chi. Further Background: When Keith Haring was diagnosed with AIDS in 1988, he collaborated with author, and close friend, William S. Burroughs on this Apocalypse series, which offers an insight into Haring’s personal struggle with the disease. In 1980, William S. Burroughs delivered a speech at the Planet Earth Conference titled ‘The Four Horsemen of the Apocalypse’. In this speech, Burroughs, following religious tradition, says that the four horsemen of the apocalypse are Famine, Plague, War, and Death and moves on to predict a more contemporaneous apocalypse. Related Categories Keith Haring Figurative Drawings. Keith Haring poster. Keith Haring and William Burroughs. Signed Haring. Keith Haring baby. Radiant baby. Keith haring Apocalypse...

Cindy Sherman Vinyl Record Art 2007: Off-set print on vinyl record. 12 x 12 inches. Excellent Condition. Published by Visionaire Fashion from a limited ed...

LeRoy Neiman Carnaval gift book in bespoke box (Hand Signed and Numbered), 1981 Hardback Monograph with Vinyl Dust Jacket. Hand Signed by Artist on Colophon on Vellum parchment pape...

Ed Ruscha New Mexico (Limited Edition monograph, hand signed and numbered by Ed Ruscha), 2020 Hardback monograph (Signed and numbered by Ed Ruscha) Boldly signed and numbered 21/25 b...

Ed Ruscha, Billy Al Bengston Business Cards (hand signed by Ed Ruscha and Billy Al Bengston), 1968 Mixed Media Artist's Book: Softback monograph with a latigo leather thong, silver g...

Makes a unique and memorable gift - a truly one of a kind piece of Pop Art history! Takashi Murakami, Jeff Koons, Richard Prince, Piotr Uklański, Ashley Bickerton, Gavin Turk, Maurizio Cattelan, Cosey Fanni Tutti, Sturtevant, Tracey Emin Pop Life Art in a Material World (hand signed, inscribed by all 10 artist, some with drawings) to former Tate Curator Sheena Wagstaff, 2009 Unique Ink drawings and signatures inside of softback book, all dedicated to renowned Tate Gallery curator Hand signed, inscribed and drawings by 10 artists 10 9/10 × 8 7/10 inches First -- yes, that Murakami Absolut ink drawing is absolutely unique - and that alone is worth the price of the whole lot. This one-of-a-kind historic Pop Art monograph ,was published by the Tate Gallery on the occasion of the exhibition Pop Life: Art in a Material World at Tate Modern, London, October 1, 2009 - January 17, 2010; Hamburger Kunsthalle, Hamburg, February 15 - May 9, 2010; The National Gallery of Canada, Ottawa, June 11 - September 19, 2010. (At the bottom is a detailed description of this historic survey, from the Tate Gallery press release): This softback catalogue bears unique, original drawings, signatures and ink inscriptions by these artists: Takashi Murakami, Tracey Emin, Jeff Koons, Sturtevant, Richard Prince, Piotr Uklanski, Ashley Bickerton, Gavin Turk, Maurizio Cattelan and Cosey Fanni Tutti. The following artists created drawings near or on the pages featuring their respective artworks: Jeff Koons -signed Antiquity drawing, done in ink Takashi Murakami - drew his own Absolut Vodka interpretation (unique signed ink drawing) on the same page as Andy Warhol and Keith Haring's Absolute Vodka designs Cosey Fanni Tutti - legs drawing The following artists wrote inscriptions: Jeff Koons: Thank you for the opportunity to show at the Tate! Great Show! Love Jeff Tracey Emin: For Sheena, with love, Tracey Emin XO Sturtevant: For Sheena, my favorite digital girl Piotr Uklanski: With best wishes Ashley Bickerton Provenance: This book of artists drawings was acquired from the collection of the world renowned curator Sheena Wagstaff who was Chief Curator of Tate Modern from 2001-2012. She then left the Tate and London to become the Leonard A Lauder...

Jeff Koons Original Flower Drawing (signed twice), 2016 Original, hand signed drawing inscribed to Nadine, done with silver sharpie, and held in hardback monograph with dust jacket, ...

Takashi Murakami Unique flower drawing, created for the Modern Art Museum, Ft. Worth, Texas, 2018 Original drawing done in marker, bound in monograph title page Signed by Murakami directly underneath the drawing 11 × 9 1/2 inches This original hand signed drawing by international Pop superstar Takashi Murakami was acquired directly from the Modern Art Museum in Ft. Worth Texas. It was had drawn by the artist - one of a limited number of original drawings done b the artist in the museum's monographs, exclusively for the museum during his major 2018 retrospective - which is especially desirable since he mostly uses assistants to paint his works. The drawing was done on the title page of the dazzling, illustrated hardback coffee table monograph with dust jacket "The Octopus Eats its Own Leg". It remains bound in the monograph, and can be removed and separated for framing - or kept intact and given as a unique and memorable gift or displayed in a shadow box. The possibilities are numerous. Book information: Publisher ‏ : ‎ Skira Rizzoli; Illustrated edition (May 30, 2017) Hardcover ‏ : ‎ 288 pages with color illustrations Publisher's blurb: The first major U.S. monograph in ten years on Murakami is the definitive survey of the paintings of one of today’s most influential artists. Takashi Murakami (b. 1962), one of contemporary art’s most widely recognized exponents, receives a long-awaited critical consideration in this important volume. Accompanying the first retrospective exhibition devoted solely to Murakami’s paintings, this book traces Murakami’s career from his earliest training to his current studio practice. Where other books address the commercial aspects of Murakami’s work, this is the first serious survey of his work as a painter. Through essays and illustrations— many previously unpublished—it explores the artist’s relationship to the tradition of Japanese painting and his facility in straddling high and low, ancient and modern, Eastern and Western, commercial and high art. New texts address Murakami’s output in the context of postwar Japan, situating the artist in relation to folklore, traditional Japanese painting, the Tokyo art scene in the 1980s and 1990s, and the threat of nuclear annihilation. This richly illustrated volume also includes a detailed biography and exhibition history. Takashi Murakami is a true essential for collectors and fans alike. About Takashi Murakami: We want to see the newest things. That is because we want to see the future, even if only momentarily. It is the moment in which, even if we don’t completely understand what we have glimpsed, we are nonetheless touched by it. This is what we have come to call art. —Takashi Murakami Drawing from traditional Japanese painting, sci-fi, anime, and the global art market, Takashi Murakami creates paintings, sculptures, and films populated by repeated motifs and mutating characters of his own creation. His wide-ranging work embodies an intersection of pop culture, history, and fine art. Murakami earned a BA, MFA, and PhD from Tokyo University of the Arts, where he studied nihonga (traditional Japanese painting). In 1996 he established the Hiropon Factory, a studio/workshop that in subsequent years grew into an art production and artist management company, now known as Kaikai Kiki Co. Ltd. Since the early 1990s Murakami has invented characters that combine aspects of popular cartoons from Japan, Europe, and the US—from his first Mr. DOB, who sometimes serves as a stand-in for the artist himself, to various anime characters and smiling flowers, bears, and lions. These figures act as icons and symbols—hosts for more complex themes of violence, technology, and fantasy. In 2000 Murakami curated Superflat, an exhibition featuring works by artists whose techniques and mediums synthesize various aspects of Japanese visual culture, from ukiyo-e (woodblock prints of the Edo period) to anime and kawaii (a particular cuteness in cartoons, handwriting, products, and more). With this exhibition, Murakami advanced his Superflat theory of art, which highlights the “flatness” of Japanese visual culture from traditional painting to contemporary subcultures in the context of World War II and its aftermath. Murakami’s work extends to mass-produced items such as toys, key chains, and t-shirts. In 2002 he began a multiyear collaboration with Marc Jacobs on the redesign of the Louis Vuitton monogram. Murakami then took the radical step of directly incorporating the Vuitton monograms and patterns into his paintings and sculptures. While Murakami’s imagery may appear to present unprecedented characters and forms, many contain explicit art historical references, and some are even direct contemporary updates on traditional Japanese works. In 2009 Murakami and the esteemed art historian Nobuo Tsuji began a creative dialogue centered on a group of Japanese artists known as the Edo eccentrics. This collaboration led to an exhibition at the Museum of Fine Arts in Boston in 2017, for which Murakami and Tsuji selected Japanese works from the museum’s collection and showed them alongside works by Murakami. The latter included Dragon in Clouds—Red Mutation: The version I painted myself in annoyance after Professor Nobuo Tsuji told me, “Why don’t you paint something yourself for once?” (2010), a red monochrome version of the famous eighteenth-century painting Dragon and Clouds by Soga Shōhaku...