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Ed Ruscha
Ed Ruscha, He Up and Went Downtown, Porcelain Plate, 2020

2020

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  • Ed Ruscha, He Up and Went Downtown, Porcelain Plate, 2020
    By Ed Ruscha
    Located in London, GB
    Ed Ruscha, He Up and Went Downtown, Porcelain Plate, 2020 Porcelain plate From a limited edition of 175 10.5 × 10.5 in (26.7 × 26.7 cm) NOTES: The only edition to date from Ruscha...
    Category

    21st Century and Contemporary Contemporary More Art

    Materials

    Porcelain

  • Richard Prince, The Greeting Card Jokes #3: Canada Dry, Foil-Stamped Print, 2011
    By Richard Prince
    Located in London, GB
    Richard Prince, The Greeting Card Jokes #3: Canada Dry, Foil-Stamped Print, 2011 Foil-stamped print, on heavy wove paper, folded. As new condition, never f...
    Category

    21st Century and Contemporary Contemporary More Prints

    Materials

    Paper

  • Two of a Kind by The Connor Brothers
    By The Connor Brothers
    Located in London, GB
    Giclée print on archival Canson Mi-Teinte paper 18.90 x 12.99 in (48.0 x 33.0 cm) From a limited edition of 250. This work is numbered by the artist in pencil (on recto) and signe...
    Category

    2010s Contemporary Figurative Prints

    Materials

    Giclée

  • Anish Kapoor, Breathing Blue, Offset Lithograph, 2020
    By Anish Kapoor
    Located in London, GB
    Anish Kapoor, Breathing Blue, Digital Print, 2020 Offset lithograph on 350gsm paper From a limited edition of 100. Printed artist’s name and title and numbered in pencil on the reverse. Published by the Hospital Rooms, London. Excellent, 'as new' condition. 11.81 x 16.54 in (30.0 x 42.0 cm) Notes: A beautifully vibrant piece by Sir Anish Kapoor, and one which plays right into the 'classic Kapoor' motif the artist generates by operating on the boundaries of pigment, stone and metal. Kapoor's work has always blurred the boundaries between architecture and sculpture, and his pigment pieces such as this one this continue to do so. His larger works such as his 'Cloud Gate...
    Category

    21st Century and Contemporary Contemporary More Prints

    Materials

    Digital

  • Jonas Wood, Large Shelf Still Life, Poster, 2017
    By Jonas Wood
    Located in London, GB
    Jonas Wood, Large Shelf Still Life, Offset Lithograph, 2017 Offset lithograph. Excellent condition. The back of the print has the artist's name, title, date and exhibition on the reverse. 23 × 23 in (58.5 × 58.5 cm). Notes: Executed in 2017, this piece is from an edition of unknown size and is published on the occasion of Shio Kusaka...
    Category

    21st Century and Contemporary Contemporary More Prints

    Materials

    Lithograph, Offset

  • Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011
    By Richard Prince
    Located in London, GB
    Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011 Foil-stamped print, on heavy wove paper, folded. As new condition, never framed or displayed. Hand signed and numbered by the artist, verso. Private collection (UK). From a limited edition of 100. 6.25 x 8.5 in (15.9 x 21.6 cm) Notes: Text image from Richard Prince's iconic Jokes series. Signed and numbered by the artist in ink on interior of card. Incorporating jokes reflective of the “borscht belt” humor prevalent in the 1950's, Prince's Joke works tap into social preoccupations of the national subconscious. Prior to Prince's use of the jokes, many had infiltrated popular culture, gradually losing their original authors to become adopted by a largely oral tradition. Beginning in 1984, Richard Prince began assembling one-line gag cartoons and ‘borscht belt’ jokes from the 1950's which he redrew onto small pieces of paper. "Artists were casting sculptures in bronze, making huge paintings, talking about prices and clothes and cars and spending vast amounts of money. So I wrote jokes on little pieces of paper and sold them for $10 each". Following the hand-written jokes and subsequent works in which cartoon images were silk-screened onto canvas, in 1987 Prince adopted a more radical, formulaic strategy of mechanically reproducing classic one liners and gags onto a flat monochrome canvas. Richard Prince's work has been among the most innovative art produced in the United States during the past 30 years. His deceptively simple act in 1977 of rephotographing advertising images and presenting them as his own ushered in an entirely new, critical approach to art-making — one that questioned notions of originality and the privileged status of the unique aesthetic object. Prince's technique involves appropriation; he pilfers freely from the vast image bank of popular culture to create works that simultaneously embrace and critique a quintessentially American sensibility: the Marlboro Man...
    Category

    21st Century and Contemporary Contemporary More Prints

    Materials

    Archival Paper

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