Judy Chicago

Vintage Judy Chicago Feminist Artist Mod Cloisonne Enamel Earrings Pop Art

20th Century

Worn like a bolo tie around the neck. This is new old stock vintage Jewelry from the legendary Acme Studio collection, which created many revolutionary jewelry items. It was handmad...

This is new old stock vintage Jewelry from the legendary Acme Studio collection, which created many revolutionary jewelry items. It was handmade in the 1980s using the intricate cloisonné process, an ancient technique for decorating metal; hence any imperfections within the colors are to be expected and inherent which makes it unique and one-of-a-kind. This piece is worn around the neck, like a bolo tie. The Memphis Designers for Acme collection debuted in 1986, at the opening of the Memphis/Milano exhibition at the Cooper-Hewitt Museum in New York City. The entire collection is in the permanent collection of the Groninger Collection in The Netherlands and is represented in other museum collections worldwide including the Metropolitan Museum in New york city. In 1981 Ettore Sottsass formed a design collaborative name Memphis Design. The Memphis Design Group drew inspiration from such movements as Art Deco and Pop Art producing jewelry, furniture, lighting and fabrics from 1981 to 1988. The rare designs by members including Nathalie du Pasquier, Andrea Branzi, Martine Bedin, Matteo Thun and Peter Shire are often characterized by zany colors and asymmetrical shapes. The group designed many postmodern furniture, fabrics, ceramics, glass, and metal objects until 1987. The name "Memphis" came from Bob Dylan's Stuck Inside of Mobile with the Memphis Blues Again, which was playing during the group's inaugural meeting. Inspired by art deco, art nouveau, and pop art, the group created many bold, colorful, geometric styles that departed from the rigid and dark trend during the 1970s. From 1985 to 1992, Acme founders Adrian Olabuenaga and Leslie Bailey produced more than 100 different earrings, brooches, and necklaces by design titans like Ettore Sottsass, Joanna Grawunder, Martine Bedin, Matteo Thun, Alessandro Mendini, and George Sowden, Nathalie Du Pasquier, Marco Zanini, as well as architects Alessandro Mendini, Stanley Tigerman...

Letters and numbers cut from a sheet of brushed steel. Hand signed and dated Brad Howe (born 1959) is an American sculptor from California. His work has been exhibited domestically and internationally. This is done in a bold and colorful Pop Art style reminiscent of the work of the Memphis Milano Group. Brad Howe was born in 1959 in Riverside, California. As a student of International Relations at Stanford University, Howe attended the University of São Paulo to specialize in Literature and Economic History. It was there that he discovered his passion for art and architecture that would eventually lead to his first exhibitions. He started his career as a sculptor in Brazil, using stainless steel, aluminum and polyurethane. He credits sculptor Alexander Calder as an early influence in his work. Since then, he has exhibited in over eighteen countries worldwide and his works have been placed in collections in more than 32 countries, including Brazil, Mexico, France, Germany, South Korea and United States. His work can also be found at various universities including Massachusetts Institute of Technology (MIT) in Boston, Temple University in Philadelphia, and UCLA. Monumental and Public Art have become a major focus of his career. Over the past ten years, he has completed over 30 public projects in 7 different countries. One of his sculptures can be seen in the city of Palo Alto, California. Moreover, as part of the Beverly Hills Centennial Arts of Palm Installation, he designed four sculptures outside the Beverly Hills City Hall, on North Santa Monica Boulevard in Beverly Hills, California. The Crocker Art Museum (Sacramento, California), the Honolulu Museum of Art, the Lancaster Museum of Art and History (Lancaster, California), and the Pasadena Museum of California Art (Pasadena, California) are among the museums holding work by Brad Howe. His work was included in the Arts of Palm exhibition in Beverly Hills, palm trees by prominent artists including Brad Howe, Michael McMillen, Mike Stilkey, Peter Shire, Peter Alexander and Ryan Schmidt...

Charles (Charlie) Hewitt American, b. 1946 Urban Rattle 5, 2012 Steel Hand signed and titled to underside Five abstract, painted and patinated figures raised on long stalks from the base at varying angles. A smaller color maquette of the New York Highline public sculpture. Provenance: Jim Kempner Fine Art, New York. Dimensions: 26 X 17 X 6 inches Charlie Hewitt (b.1946) is a nationally known Maine-born painter, printmaker, and sculptor. His work is stylistically rooted in expressionism and surrealism, and is both playful and serious, a quality he shares with artists Alexander Calder, Joan Miro, Paul Klee, and his mentor Philip Guston, who was a major postwar figure of the New York School. Hewitt grew up in a large working-class French Canadian family in the mill-working communities of Lewiston/Auburn and Brunswick, Maine. Hewitt’s work is in numerous private and public collections, including the Metropolitan Museum of Art, NY; Whitney Museum of American Art, NY; Museum of Modern Art, NY; Library of Congress, Washington, DC; and in Maine at the Portland Museum of Art, the Farnsworth Museum of Art, and in the art museums at Bates, Bowdoin, and Colby colleges. Charles Hewitt...

Large painted metal wall hanging sculpture by Yuval Mahler (Israeli, b. 1951). Hand signed "Y. Mahler" recto. (it is not numbered or editioned and might be unique). it is done in a glossy enamel paint on metal. The Big Apple, NYC, with gangsters, jazz musicians, Statue of Liberty, architectural skyscrapers, dancing couples, taxi drivers, bicycle riders...

Brad Howe (born 1959) is an American sculptor from California. His work has been exhibited domestically and internationally. This is done in a bold and colorful Pop Art style reminiscent of the work of the Memphis Milano Group. Brad Howe was born in 1959 in Riverside, California. As a student of International Relations at Stanford University, Howe attended the University of São Paulo to specialize in Literature and Economic History. It was there that he discovered his passion for art and architecture that would eventually lead to his first exhibitions. He started his career as a sculptor in Brazil, using stainless steel, aluminum and polyurethane. He credits sculptor Alexander Calder as an early influence in his work. Since then, he has exhibited in over eighteen countries worldwide and his works have been placed in collections in more than 32 countries, including Brazil, Mexico, France, Germany, South Korea and United States. His work can also be found at various universities including Massachusetts Institute of Technology (MIT) in Boston, Temple University in Philadelphia, and UCLA. Monumental and Public Art have become a major focus of his career. Over the past ten years, he has completed over 30 public projects in 7 different countries. One of his sculptures can be seen in the city of Palo Alto, California. Moreover, as part of the Beverly Hills Centennial Arts of Palm Installation, he designed four sculptures outside the Beverly Hills City Hall, on North Santa Monica Boulevard in Beverly Hills, California. The Crocker Art Museum (Sacramento, California), the Honolulu Museum of Art, the Lancaster Museum of Art and History (Lancaster, California), and the Pasadena Museum of California Art (Pasadena, California) are among the museums holding work by Brad Howe. His work was included in the Arts of Palm exhibition in Beverly Hills, palm trees by prominent artists including Brad Howe, Michael McMillen, Mike Stilkey, Peter Shire, Peter Alexander and Ryan Schmidt. His studio is actively completing site-specific commissions and installations for cities, universities, museums, and private corporations. Brad Howe also actively participates in group gallery shows with smaller works that serve as models, or maquettes, for his large-scale pieces. SELECT GROUP EXHIBITS: On The Road: American Abstraction, David Klein Gallery, Detroit, Michigan Properties of Light, George Billis Gallery, Los Angeles, California Blur the Lines, Brad Howe and Takashi Murakami, Asian Art Works, Busan, Korea Brad Howe, Zachary Thornton, Lopez-Herrera, Thomas Punzmann Fine Arts, Frankfurt, Germany Gary Komarin and Brad Howe, Galerie Proarta, Zurich, Switzerland Color Balance, Marco Casentini and Brad Howe, Melissa Morgan...

David Hockney Rake's Progress Bedlam Cufflinks, 2020 Hand painted using special enamel paints and finished with 18ct gold plate for a luxury finish in bespoke box 1 in diameter Original David Hockney designs from the 1975 production of opera The Rake's Progress. Makes a superb gift! Inspired by an original recording conducted by Igor Stravinsky and William Hogarth's series of eight paintings and engravings of the same name, Hockney began designing the set and costumes production of The Rake's Progress. Through his designs and the use of his now iconic cross-hatched etchings, he wanted to create a 20th century response to the opera and to Hogarth's 18th century idea. These cufflinks are based upon those Hockney etchings...

Publisher GKM. Enamel on steel. Unframed. Edition: 8 ex + 4 EA Signed by the artist. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art....

Publisher GKM. Enamel on steel. Unframed. Edition of 8 ex + 4 EA. Signed, titled and dated on the verso. Free shipment worldwide. “I paint because painting is a private Utopia,” E...

Publisher GKM. Enamel on steel. Unframed. Edition: 8 ex + 4 EA Signed by the artist. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art....

Publisher GKM. Enamel on steel. Unframed. Edition of 8 ex + 4 EA. Signed, titled and dated on the verso. Free shipment worldwide. “I paint because painting is a private Utopia,” E...

Publisher GKM. Enamel on steel. Unframed. Edition: 8 ex + 4 EA Signed by the artist. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art....