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Pablo Picasso
"Face" Cupel by Madoura

1955

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    HENRI CROS (1840-1907) Female Relief Plaque, polychrome enameled stoneware, c. 1895; signed in black ink verso: “H. Cros”, and a scrap of paper from A.A. Hebrard, Paris attached verso; measuring h: 11.25 x w: 9.38 inches. The symbolist bust in relief of a nude young woman with strawberry blonde hair is a depiction of pensive reverie. With lips slightly pursed, she is lost in thought, looking inward. The female visage hovering just over the nude’s shoulder, perhaps an allusion to a fountain, is by contrast flat and lifeless. With lips parted to reveal a watery blue orifice and wavy tresses of hair blending into a watery expanse, the purely decorative nature of the fountain’s face...
    Category

    1890s Art Nouveau Figurative Sculptures

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  • Bohemian Flux Vase
    Located in Chicago, IL
    BOHEMIAN FLUX: A VASE, kuk Fachschule für Keramik und Verwandte Kunstgewerbe, Turn-Teplitz, c. 1905; the ceramic vase with a dark underglaze ground has a matte orange peel overglaze in ochre, apricot, lapis and celadon; the shape of the vase resembles a Japanese Saki bottle...
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    Early 1900s Art Nouveau More Art

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  • Reverie Charger by Lucien Levy-Dhurmer for Clement Massier
    By Lucien Levy-Dhurmer
    Located in Chicago, IL
    Known today as a Symbolist painter, Lucien Lévy-Dhurmer made an unforgettable impact on France's ceramic revolution through his work with Clément Massier in Golfe-Juan between 1887 a...
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    Early 1900s Art Nouveau More Art

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    Earthenware, Luster

  • Devotion
    By Eric Serritella
    Located in Chicago, IL
    The work of Eric Serritella is a paean to nature, offered in clay. His trompe l’oeil ceramic sculptures are effigies of nature burned by man. His forms echo natural organisms so per...
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    2010s Contemporary Still-life Sculptures

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    Stoneware

  • Oishii Teapot
    By Eric Serritella
    Located in Chicago, IL
    The work of Eric Serritella is a paean to nature, offered in clay. His trompe l’oeil ceramic sculptures are effigies of nature burned by man. His forms echo natural organisms so per...
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    2010s Contemporary Still-life Sculptures

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  • Spirited (teapot)
    By Eric Serritella
    Located in Chicago, IL
    The work of Eric Serritella is a paean to nature, offered in clay. His trompe l’oeil ceramic sculptures are effigies of nature burned by man. His forms echo natural organisms so per...
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    2010s Contemporary Still-life Sculptures

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    'Bright Owl' is an original Edition Picasso Madoura ceramic bowl from the height of Pablo Picasso's ceramic output. In the bowl's center is an owl surrounded by stars. Owls are a sub...
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  • Monumental Covered Jar #2
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    Title : Covered Jar Materials : Terracotta, white gold luster Date : 2016 Dimensions : 18.5 x 8.5 x 8.5 inches Description : wheel thrown and altered terracotta, cone 04 oxidation, glazes and luster COA provided Mariko Brown Harkin about her work: "My fascination with pottery comes from my desire to make art and to produce something that is not only functional but visually appealing. Porcelain allows me stretch and shape the clay in any way I choose and offers a blank canvas for my floral imagery and luscious, rich glazes to blend. The forms I create are tight and precise with a sense of restricted volume. I use bands around the form to constrict specific areas of each piece, while at the same time creating space for the volume and fullness to escape. The bands create registers to frame my drawings and paintings of floral imagery. The way I combine surface and form is inspired by Ming Dynasty porcelain...
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  • Monumental Covered Jar #1
    By Mariko Brown Harkin
    Located in Kansas City, MO
    Materials : Terracotta, white gold luster Date : 2016 Dimensions : 16 x 8.5 x 8.5 inches Description : wheel thrown and altered terracotta, cone 04 oxidation, glazes and luster COA provided Mariko Brown Harkin about her work: "My fascination with pottery comes from my desire to make art and to produce something that is not only functional but visually appealing. Porcelain allows me stretch and shape the clay in any way I choose and offers a blank canvas for my floral imagery and luscious, rich glazes to blend. The forms I create are tight and precise with a sense of restricted volume. I use bands around the form to constrict specific areas of each piece, while at the same time creating space for the volume and fullness to escape. The bands create registers to frame my drawings and paintings of floral imagery. The way I combine surface and form is inspired by Ming Dynasty porcelain...
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  • Decorative Porcelain Plate I
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  • Decorative Porcelain Plate II
    By Melanie Sherman
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