Paintings

Pastel on paper The German-born American Abstractionist Carl Robert Holty became known for his biomorphic abstract forms as well as his geometric abstractions that he painted with a ...

Elliot Seabrooke was well travelled and very much a follower of Cezanne initially and then later much interested in the pointillism of Seurat. Seabrooke studied at the Slade under t...

Anthony Thieme, Netherlands (1888-1954). Titled: 'Mackerel Fleet' oil on canvas, Circa 1930 Signed lower right A, Thieme and on verso Anthony Thieme / 1803B Mackerel Fleet. Mounted ...

FERNAND LEGER (1881–1955) Gouache paint on paper, signed with the artist's initials F.L and dated 1938.

Signed and dated "Vytlacil 32" lower right Provenance: Estate of the artist #1584; Martin Diamond Fine Art Exhibitions: 1990 Graham Gallery, NYC (label verso) About this artist: B...

Aaron Bohrod, 1907-1992 Barbecue Stand, circa 1935 Gouache on board Signed Lower left: “Aaron Bohrod” Inscribed and signed on verso Bohrod-1 Provenance: Private estate, Rhode Island...

Artist: Kyohei Inukai (aka Earle Goodenow), American (1913–1985) Title: Three Nudes Year: 1938 Medium: Oil on Canvas, signed l.l. Size: 14.5 x 10 inches Frame Size: 18 x 14 inches

Medium: Oil on Canvas Signature: Initialed Lower Left Cover Illustration for American Boy Magazine, May 1934. Includes copy of the magazine.

Jim’s of Lambertville is proud to offer this artwork by: Charles Hargens (1893 - 1997) Carversville, Bucks County, Pennsylvania artist and illustrator Charles was born in Hot Springs, South Dakota. As a young boy he loved to draw cowboys, Indians and ranch buildings. By age ten, he was “a commercial success” selling drawings of neighbors’ barns and houses for $25. When he grew older, his parents consented to enroll him at the Pennsylvania Academy (1913-20) where he studied with Daniel Garber, Hugh Breckenridge, Henry McCarter, and William Merritt Chase. At Garber’s invitation, Hargens occasionally came to visit his Lumberville studio to paint with him. A lifelong friendship resulted. In 1915, the Pennsylvania Academy awarded Hargens its Cresson Traveling Scholarship and he went to Paris to study at the Academie Julian and the Academie Colarossi. Hargens was a fellow of the Pennsylvania Academy and a member of the Society of Illustrators, the National Cowboy Hall of Fame and the Philadelphia Sketch Club. He exhibited at the Art Institute of Chicago (1923 awards) and at the Pennsylvania Academy of Fine Arts (1915 prize, 1917 prize, 1918 award). By the early 1920s, he began to produce illustrations for book jackets, books, magazines and advertisements. His career took off and soon his illustrations of cowboys, Indians, Western life, Revolutionary War action and boy scout themes appeared in, or adorned the covers of The Saturday Evening Post, Collier’s, Liberty, McCall’s, Boy’s Life and Gentlemen’s Quarterly. His work also appeared on billboards and advertisements for Stetson hats and Coca-cola. It was conditioned by Hargens that all of his original art was returned to him after being published. His entire body work remained in his studio until his death in 1997; this is largely the reason his paintings have not yet commanded the high prices of his contemporary Saturday Evening Post illustrators (i.e. Rockwell, Leyendecker and N.C. Wyeth). At first he and his wife worked from their studio in Philadelphia. In 1940, they purchased a property at the intersection of Aquetong and Sawmill roads in Carversville. They commuted to Philadelphia regularly and stayed in South Dakota every summer. Eventually, he set up a studio next to his Carversville home. After moving to Carversville, Hargens began a lifelong friendship with George Sotter. Hargens’ Carversville home was the subject of many of George Sotter’s paintings long before and during the time Hargens lived there. Hargens also studied with Henry Rand...

Date: 1932 Medium: Oil on Canvas Dimensions: 18.00" x 20.00" Signature: Signed Lower Right A New Year's themed cover painting by Leslie Thrasher for the January 9, 1932 edition of L...

Date: 1931 Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Right Liberty Magazine Cover, October 17, 1931

Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benjamin sustained an active career for over seven decades. D...

Daniel Content painted in the grand tradition of the Golden Age of Illustration, in the style of Dean Cornwell, N.C. Wyeth, J.C Leyendecker ...

Date: 1939 Medium: Oil on Canvas Dimensions: 33.00" x 27.00" Signature: Signed Lower Right Cover of Liberty Magazine, January 14, 1939

Beautifully rendered in Krolls signature academic style. Unframed - Signed lower right, unframed

Medium: Oil on Canvas Signature: Signed Twice and Dated Lower Left: Harvey / Dunn 1932 Harvey Dunn's Dawn, Dawn, Dawn is a truly exceptional illustration that captures a key moment of American History. In the present work, Dunn skillfully depicts colonial soldiers...

Medium: Oil on Canvas Signature: Signed Lower Right Revere F. Wistehuff was one of the central group of cover artists in the New Rochelle Art Colony in the 1920's, '30s, '40s which ...

Medium: Oil on Canvas Signature: Signed Lower Center August 8, 1931 Saturday Evening Post Cover

Medium: Oil on Canvas Signature: Signed Lower Right Cover Illustration for ''Motor'' Magazine, February 1931 Depicting a Duryea Automobile Driving by a Blacksmith Shop

Jim’s of Lambertville is proud to offer this artwork by: Arthur B. Carles (1882-1952) Born in Philadelphia, Pennsylvania, Arthur Carles was a painter whose work went through phases...

Medium: Oil on Board Signature: Unsigned Edmund F. Ward estate stamp on verso

Medium: Oil on Canvas Signature: Signed Lower Left

Medium: Oil on Canvas Signature: Signed, Dated, and Dedicated Lower Left

Medium: Oil Painting Signature: Signed Lower Left

Date: 1930 Medium: Oil on Canvasboard Dimensions: 27.00" x 21.00" Signature: Signed Lower Right Cover for Turf and Sport Digest, probably late 1930s

Medium: Oil on Board Dimensions: 27.00" x 21.50" Signature: Signed Lower Right Date: 1930s Probable magazine cover, 1930-1935.

Medium: Watercolor & Acrylic on Board Signature: Signed May 20, 1939 Saturday Evening Post Cover John LaGatta - Women on a Rainy Day Painting Original Art (c. 1940). LaGatta's work...

Medium: Oil on Canvas Laid on Panel Signature: Signed and Dated Lower Left: Chris. A. MacLellan - 34 Sight Size 30.00" x 24.80", Framed 37.00" x 32.00" The Saturday Evening Post cov...

Signature: Signed Lower Left: Monte / Crews Cover of The Saturday Evening Post, January 11th, 1936

Medium: Oil on Board Signature: Signed Lower Right Maclean's Magazine Cover, September 15th, 1930

Medium: Oil on Canvas Sight Size 12.00" x 10.00", Framed 20.00" x 18.00" Signature: Signed Lower Left June 1933 Cappers Farmer Magazine Cover.

Medium: Oil on Canvas Study for the November 22, 1930 cover illustration of The Saturday Evening Post.

Medium: Oil and Pencil on Canvas Laid Down on Board Study for the December 23rd, 1939 issue The Saturday Evening Post.

Date: May 31, 1934 Medium: Oil on Canvas Dimensions: 22.00" x 20.00" Signature: Signed Lower Right Cover of Rotarian Magazine, September 1934.

"The Great Man Comes to Take His Oath" Life Magazine Spread, July 4th, 1960, This epic narrative depicts the celebration of George Washington's inauguration, en route to Federal Hall...

Jim’s of Lambertville is proud to offer this artwork by: Bror Julius Olsson “B.J.O.” Nordfeldt (1878 – 1955) Bror Julius Olsson was born in Tullstrop, Sweden in 1878. He immigrated to the United States in 1891, later adopting his mother’s maiden name of Nordfeldt. Beginning his art studies at the Art Institute of Chicago where he was chosen to assist fellow artist, Albert Herter, with a large mural project for the McCormick Harvester Company. In 1900, he was sent to Paris by McCormick to help set up the completed mural at the Paris Exposition. While there, he studied briefly at the Academie Julian before traveling to England to study woodblock printmaking under F. Morley Fletcher. Returning to Chicago in 1903, Nordfeldt would spend the next ten years painting mainly figurative works in an academic style similar to that of the Old Masters. By the mid-teens he had developed a bold dramatic modernist style and divided his time between New York and Provincetown, Massachusetts. There, he invented the “Provincetown Print...

This early 20th-century plein-air oil painting by Danish artist Julius Paulsen (1860-1940) depicts a Summer landscape with a vast cloud-covered sky. It’s painted quickly with a rhyth...

Signed oil on board still life circa 1937 by French post impressionist painter Henri Lebasque. The work depicts a basket of fruit filled with apples, grapes and oranges. Signature: ...

Abstract Cubist Construction Collage Mid 20th Century American Modernism Cubism Vaclav Vytacil (1892 - 1984) Abstract Construction #2 Caesin on board collage 11 x 13 1/2 th inches S...

Incredible 1932 American modernist landscape moonlit painting. Oil on board. Framed. Signed.

Work on canvas

This early to mid-20th-century self-portrait by Henri-Georges Bréard (1873-c.1939) depicts the artist deep in thought. He’s holding a pipe. Henri-Georges Bréard was an accomplished ...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a miniature watercolor and gouache vibrant, colorful bouquet of flowers in a vase. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

Beautiful portrait of a young girl by listed aritst artist Helen Mae Enoch Gleiforst (American,1903-1997). Signed "Gleiforst" lower left. Unframed. Image, 20"H x 16"W. Gleiforst wa...

Oil on canvas by Yves DIEY (1892-1984), France. The Nude. With frame : 99x54 cm - 39x21.25 inches ; without frame : 90x45 cm - 35.4x17.7 inches. Signed "Yves Dieÿ" lower right (see p...

A modernist landscape painting by American WPA artist Earle N. Sherm

3787 Antique folk art oil painting Image size 17x23.5" Folk art wood frame

Emile Albert Gruppe was a very well known Cape Ann, Massachusetts painter who founded his own Gruppe Summer School in 1942. He was born in Rochester, NY in 1896 and studied at the A...

This early 20th-century oil painting by German artist Paul Sannemann (1886-1943) depicts a vibrant still life with chrysanthemums. Sannemann had an eye for colour, never one to shy ...

One of the rarest paintings from American artist Ron Blumbergs New York series, "Tug Boats", has just arrived. Ron Blumberg was classically trained at La G...

This early to mid-20th-century oil painting by ‘Vincent Le Vaudois’ depicts a still life with an assortment of objects including jugs, bottle, bowl, fruit, tablecloth, basket and new...

This work is signed by the artist “Janco”, in the lower right corner. Condition: Good condition. Minor areas of craquelure, particularly along the edges of the canvas. Mild surface ...

Lucien-Victor Guirand de Scevola (1871-1950) A Bouquet of anemones Pastel on paper Signed upper left 44.5 x 36.5 cm Framed : 53.5 x 45.5 cm Lucien Victor Guirand de Scévola was ...

Ivory and Ebony: two girls friends in a landscape. Art Deco Circa 1930 - 1940. Medium-large format painting from the Art Deco period.   The two girl friends.   Painting signed lower ...

*Dimensions include the frame This French watercolor dating from around 1930 conveys a serene maritime scene that resonates with the aesthetic principles of the Impressionists. The ...

Pastel on paper The German-born American Abstractionist Carl Robert Holty became known for his biomorphic abstract forms as well as his geometric abstractions that he painted with a ...

Oil on canvas by Charles PICART LE DOUX (1881-1959), France, 1939. The Beautiful Girl. With frame: 85.5x72.5 cm - 33.7x28.5 inches ; without frame: 73x60cm - 28.75x23.6 inches. 20F f...

Jean-Marcel POUSSARD (1891-1972) Portrait of a woman in hunting attire in front of a vine H. 80 cm; L. 53 cm Oil on canvas Signed and dated lower right - 1932 Painter of portraits a...