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Paintings For Sale
Style: American Impressionist
"Carnations in Earthenware Jar , 1975" by American Artist Robert Kulike
Located in Rockport, MA
Kulicke hailed from Philadelphia, where he pursued formal education in advertising design at the Philadelphia College of Art, alongside his independent exploration of the art collect...
Category

20th Century American Impressionist Paintings

Materials

Oil

Nude by a Waterfall
Located in Washington, DC
Signed lower right Lillian Genth was an important American figurative painter. She studied in the U.S. and in Paris, under James McNeil Whistler. Genth ...
Category

Early 20th Century American Impressionist Paintings

Materials

Canvas, Oil

Red, Yellow And Blue
Located in New York, NY
Title: Red, Yellow And Blue Medium: Oil on canvas Size: 19.5"" x 19.5"" Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. ...
Category

21st Century and Contemporary American Impressionist Paintings

Materials

Oil

Close To The Nature
Located in New York, NY
Title: Close To The Nature Medium: Oil on canvas Size: 25"" x 34"" Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. Artis...
Category

21st Century and Contemporary American Impressionist Paintings

Materials

Oil

School Playground
Located in New York, NY
Title: School Playground Medium: Oil on canvas Size: 31"" x 39"" Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. Artist:...
Category

21st Century and Contemporary American Impressionist Paintings

Materials

Oil

Native Woman at the Well
Located in San Francisco, CA
This artwork "Native Woman at the Well" 1948 is a oil painting on canvas board by American artist Joseph Earl Schrack, 1890-1973. It is signed at the lower left corner by the artist. The artwork is 21 x 16.65 inches, framed size is 28.5 x 24 inches. Framed in original mahogany and gold frame, with light grey liner. It is in excellent condition. About the artist: Joseph Earl Schrack American (1890-1973) Born in Pottstown, PA on Feb. 26, 1890. Joseph Schrack studied at the AIC, Art Students League of NYC under Robert Henri. He later continued his studies at the John Herron Art Institute, Indianapolis, the University of Art, Milwaukee, Wisconsin, the Art Institute of Chicago, and courses with the Hans Hoffman School in Munich Germany. While he was in Europe in the early 1930's he also traveled to Capri, Italy. In 1934 he travelled to San Diego, CA and continued to paint at the Balboa University and Fine Arts Gallery, San Diego. His illustrations appeared in Liberty, McCalls, and Century magazines. He taught at the San Diego Fine Arts Gallery for many years before his demise there on July 16, 1973. Member: Men's Art Inst. (San Diego); San Diego FA Society; La Jola AA. Exh: AIC, 1913 (prize); Audubon Artists, 1944, 1945; Carlsbad (CA) AA, 1954. Murals: First Federal Savings Bank (San Diego); First Nat'l Bank (El Cajon); La Jolla Art...
Category

Mid-20th Century American Impressionist Paintings

Materials

Oil

Looking south
Located in Sag Harbor, NY
An oil painting on the cliffs off of Moss Beach, California. Painted en plein air, Altwer embraces the elements of wind, sunlight, at heat as he 'sight-size...
Category

21st Century and Contemporary American Impressionist Paintings

Materials

Oil, Panel

FutArism 3.2, 2011
Located in ATLANTA, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category

21st Century and Contemporary American Impressionist Paintings

Materials

Digital, C Print, Digital Pigment

FutArism 3.1, 2011
Located in ATLANTA, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category

21st Century and Contemporary American Impressionist Paintings

Materials

Digital, Digital Pigment, C Print

FutArism Marker 2.2, 2011
Located in ATLANTA, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category

21st Century and Contemporary American Impressionist Paintings

Materials

Mixed Media, Digital, Digital Pigment

FutArism Marker 1.2, 2011
Located in ATLANTA, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category

21st Century and Contemporary American Impressionist Paintings

Materials

Mixed Media, Digital, Digital Pigment

FutArism Marker 2.1, 2011
Located in ATLANTA, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category

21st Century and Contemporary American Impressionist Paintings

Materials

Mixed Media, Digital, Digital Pigment

FutArism Marker 1.1, 2011
Located in ATLANTA, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category

21st Century and Contemporary American Impressionist Paintings

Materials

Mixed Media, Digital, Digital Pigment

Lavish Contemptuousness #4
Located in ATLANTA, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category

21st Century and Contemporary American Impressionist Paintings

Materials

Mixed Media

Lavish Contemptuousness 3
Located in ATLANTA, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category

21st Century and Contemporary American Impressionist Paintings

Materials

Mixed Media

Tolomezzo, Friuli, high key color offbeat Italian road trip theme mountain sign
Located in Brooklyn, NY
Latex acrylic
Category

2010s American Impressionist Paintings

Materials

Latex, Acrylic

Nature Woman Nude Figurative
Located in Soquel, CA
Wonderful abstracted nude, a watercolor painting by California artist Virginia Hughins (Virginia Brubaker DeWolf), (American, 1923-2004). Singed "V. Hughins" lower right. Unframed. I...
Category

1970s American Impressionist Paintings

Materials

Paper, Watercolor

Please
Located in East Hampton, NY
Please Erotic Nude Cubist Painting NOT framed Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint seascapes, catch fish, sing of Nature's beauty, put down roots, and, later, develop a style of painting all his own. The Boston native moved to New York after attending the School of Practical Art on the G.I. Bill, where he began his career in the art department of Lever Brothers. But he had bigger dreams, and soon established the Bonart Studio, a commercial art business. RCA Records, the Ideal and Transogram toy companies, and the Schrafft’s candy and chocolate company were among the studio’s clients. The business a success, he began to take vacations. He liked Montauk so much that he built a house in Hither Hills...
Category

1970s American Impressionist Paintings

Materials

Canvas, Acrylic

Rocky Formation Landscape
Located in Soquel, CA
Dramatic rocky formation landscape in this interesting painting by Trevor Lewis Andrews (American, 20th c.) Signed "Trevor Andrews 2012" on verso. Unframed. Image, 18"H x 18"L. Trev...
Category

Early 2000s American Impressionist Paintings

Materials

Oil, Canvas

Abstract ll
Located in East Hampton, NY
Abstract work COMES FRAMED simple wood, app 1.5" deep. Cubism Style Post Modern About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk fr...
Category

1970s American Impressionist Paintings

Materials

Cotton Canvas, Acrylic

Disrupted
Located in Denver, CO
Portrait interrupted by abstraction
Category

2010s American Impressionist Paintings

Materials

Oil, Panel

Garnet
Located in Denver, CO
Portrait with full hair
Category

2010s American Impressionist Paintings

Materials

Oil, Panel

Dreaming
Located in Denver, CO
Portrait in profile
Category

2010s American Impressionist Paintings

Materials

Oil, Panel

Dappled
Located in Denver, CO
portrait in profile
Category

2010s American Impressionist Paintings

Materials

Oil, Panel

Complements
Located in Denver, CO
Portrait in profile with abstraction
Category

2010s American Impressionist Paintings

Materials

Oil, Panel

Bundled
Located in Denver, CO
Woman with bangs and high collar
Category

2010s American Impressionist Paintings

Materials

Oil, Panel

The Wait 2
Located in Denver, CO
Tree at river's edge
Category

2010s American Impressionist Paintings

Materials

Oil

Exchanging
Located in Denver, CO
Tree branches
Category

2010s American Impressionist Paintings

Materials

Oil

Dusking
Located in Denver, CO
Cityscape of romantic city
Category

2010s American Impressionist Paintings

Materials

Oil

Warmth
Located in Denver, CO
Kitchen stove with pots and pans
Category

2010s American Impressionist Paintings

Materials

Oil

Sugar, Sugar
Located in Denver, CO
Sugar container on counter top
Category

2010s American Impressionist Paintings

Materials

Oil

Brooklyn Bridge 2, dark colors, urban night view of New York
Located in Brooklyn, NY
Oil on panel Dr. Rowland S. Russell PhD. writes about his experience directly witnessing Greg's practice as a “plein air” artist: Whether he’s portraying quiet scenes from Brooklyn’...
Category

Early 2000s American Impressionist Paintings

Materials

Oil, Panel

Monument Valley Landscape, Utah
Located in Soquel, CA
Vivid abstracted landscape of Monument Valley, Utah by N. Mallory (American, 20th Century), circa 1945. Signed lower left corner. Condition: Good: Some edge and corner wear consisten...
Category

1940s American Impressionist Paintings

Materials

Tempera, Masonite

Far Rockaway Seascape, Oil Painting by Vladimir German
Located in Long Island City, NY
Artist: Vladimir German, Russian/American (1940 - ) Title: Far Rockaway Seascape Year: 1988 - 89 Medium: Oil on Paper mounted on Board, signed verso Size: 18.5 in. x 26.25 in. (46.99...
Category

1980s American Impressionist Paintings

Materials

Oil

Two Girls on the Beach - Figurative Landscape
By Gladys Hart
Located in Soquel, CA
"Two Girls on the Beach" figurative landscape by Santa Cruz, California artist Gladys Hart (American, 1933-2017). Signed "Hart" lower right. Titled, ...
Category

1990s American Impressionist Paintings

Materials

Canvas, Oil

Short Beach, February
By Laura Grenning
Located in Sag Harbor, NY
Before Laura Grenning opened her own gallery in 1997, she enrolled in courses at the Florence Academy of Art, under the guidance of our gallery artists including Nelson H. White, and...
Category

21st Century and Contemporary American Impressionist Paintings

Mid Century California Lake House Landscape
Located in Soquel, CA
Lovely landscape oil painting of quaint lake houses along the water front with vibrant gold and green hills in the background by J. A. Dockeray (American, 2...
Category

Mid-20th Century American Impressionist Paintings

Materials

Canvas, Oil

Man in a Rowboat
Located in Burlingame, CA
“Mary Robertson’s joyous and meditative paintings are are colorful simulations of contentment and sacred play.” Wayne Thiebaud. Steeped in the Bay Area figurative movement, Mary ...
Category

21st Century and Contemporary American Impressionist Paintings

Materials

Canvas, Oil

"Lazy Day in the Country" - Mid Century Pastoral Farm Landscape w Barn
By Shirley Gilman
Located in Soquel, CA
"Lazy Day in the Country" - Mid Century Pastoral Farm Landscape with Barn Pastoral mid-century landscape of a farm with an old barn by Shirley Gilman (American, 1924-2008), circa 19...
Category

1960s American Impressionist Paintings

Materials

Canvas, Oil

"Bond"
Located in VÉNISSIEUX, FR
I seek harmony in my interpersonal relationships. The sense of harmony gives me a feeling of well-being and peace. For me a harmonious relationship is life-changing and mutually nurt...
Category

2010s American Impressionist Paintings

Materials

Oil, Acrylic, Oil Crayon

Early 20th Century Young Girl With Pink Bow Portrait
Located in Soquel, CA
Beautiful portrait of a young girl by listed aritst artist Helen Mae Enoch Gleiforst (American,1903-1997). Signed "Gleiforst" lower left. Unframed. Image, 20"H x 16"W. Gleiforst wa...
Category

1930s American Impressionist Paintings

Materials

Board, Oil

Antique Historical Painting - First Thanksgiving, Plymouth - Jennie Brownscombe
Located in Baltimore, MD
Jennie Augusta Brownscombe was born in a log cabin in Honesdale, Pa in 1850. She went past her modest roots to attend Cooper Union and the National Academy in New York. By 1890, ...
Category

1910s American Impressionist Paintings

Materials

Oil

The Harbor at Camden, Maine oil painting by Wilson Henry Irvine
Located in Hudson, NY
The Harbor at Camden, Maine (c.1907) Oil on canvas 24" x 27" 32 ½" x 35 ½" x 3 ½" framed Signed "Irvine" lower right. Provenance: Private collection, Beverly Hills California until 1944 Private collection, Glendale, California 1944-1987 By descent About this artist: American Impressionist painter Wilson Henry Irvine was born just outside of Byron, Illinois in 1869. Though raised in the Midwest, Irvine was captivated by the scenic coast and landscape of New England and spent most of his adult life there. Painting in the American Barbizon tradition, modeled after the nineteenth century French Barbizon School, Irvine sketched and painted directly from nature preferring to work en plein air. His impressionistic style and choice of subjects are often compared to painters of the American Barbizon School, particularly Irvine’s contemporary, Childe Hassam. Irvine stands out from other American Impressionists of his time, for his willingness to push the traditional techniques of impressionism with his aquaprints and prismatic paintings of the late 1920s. Shortly after graduating from Rockford’s Central High School, Irvine moved from the suburbs to Chicago in order to attend business school. He worked at the Chicago Portrait Company starting in 1893, and began evening classes at The Art Institute of Chicago two years later. Irvine continued taking courses at the Art Institute for eight years. His classes included life drawing and illustration with a heavy focus on human anatomy. In 1895, Irvine founded the Palette and Chisel Club of Chicago with his classmates, and served as both treasurer and president. It was with this group that he began exploring landscape painting, and soon he began showing his landscapes at group shows at The Art Institute of Chicago. Initially Irvine’s work is reminiscent of early impressionism, with the artist’s use of lively, visible brush strokes and his emphasis on the contrasts of color and texture to create a sense of depth in his paintings. Though he spent a brief amount of time sketching in Brown County with Indiana based “Hoosier” school...
Category

Early 20th Century American Impressionist Paintings

Materials

Canvas, Oil

Bridge Nocturne oil painting by Johann Berthelsen
Located in Hudson, NY
One of Johann Berthelsen's iconic nocturne views of New York City across the Hudson River. Bridge Nocturne (c.1945) Oil on canvas, 22" x 28" 29 ½" x 36" x 2" framed Signed "Johann ...
Category

1940s American Impressionist Paintings

Materials

Canvas, Oil

Mid-Century Black Eyed Susan Floral Still Life
Located in Soquel, CA
Large scale mid-century floral still-life of black-eyed susan (Rudbeckia) by listed El Paso, Texas artist Lois Coleman Denton (American, 1897-1980). Signed "Lois Denton...
Category

1960s American Impressionist Paintings

Materials

Canvas, Oil, Cardboard

On Broadway, Santa Cruz, Southern California, 1950s Landscape Oil Painting
Located in Denver, CO
Oil on canvas board painting by Jon Blanchette (1908-1987) titled "On Broadway, Santa Cruz (California)" from circa 1955. Painting portrays a white house perched on a hill top with a...
Category

1950s American Impressionist Paintings

Materials

Oil, Board

Early 20th Century Pebble Beach Surf Seascape by Abel Warshawsky
Located in Soquel, CA
Early 20th Century Pebble Beach Surf Seascape by Abel Warshawsky Significant and period early 20th century Plein Air seascape painting of crashing surf at Pebble Beach by listed Ca...
Category

1920s American Impressionist Paintings

Materials

Oil, Masonite

"Autumn in New England, " Aldro Thompson Hibbard, Impressionist Marsh Landscape
Located in New York, NY
Aldro Thompson Hibbard (1886 - 1972) Autumn in New England Oil on canvasboard 18 x 25 inches Signed lower right; estate stamped on the reverse Born in Falmouth, Massachusetts, Aldro Hibbard was an Impressionist landscape painter much concerned with light and shadow. He was one of the founders of the Rockport Art Colony, and the Rockport Art Association now occupies his former studio. Hibbard grew up in Dorchester and Boston and spent much time in the summers in Boston and Cape Cod. He showed early artistic talent, an interest he shared with a life-long love of baseball, which led to his becoming a professional baseball player. For his art training, he graduated from the Massachusetts Normal School and studied at the Boston Museum School with Edmund Tarbell...
Category

Mid-20th Century American Impressionist Paintings

Materials

Oil, Board

Native American Nature Village Community Western 1970's Animals Seasons Signed
Located in Milwaukee, WI
"Teepee/Indian Village" is an original oil painting on wood panel by Charles Damrow. The artist signed and dated the piece in the lower left. This paint...
Category

1970s American Impressionist Paintings

Materials

Oil, Wood Panel

"Rugged" Oil Painting
Located in Denver, CO
Chris Charlebois' (US based) "Rugged" is an original, handmade oil painting that depicts an impressionistic landscape blanketed with snow as sunlight slips through barren trees.
Category

2010s American Impressionist Paintings

Materials

Oil

Spring in the Park Landscape
Located in Soquel, CA
A serene park captured in full blooming color in this landscape by Pauline Merlotti (American, 1909-1997). Signed "P. Merlotti" lower right. Displayed in a wood frame. Image, 12"H x ...
Category

1960s American Impressionist Paintings

Materials

Canvas, Oil

Early 20th Century Carmel Point Lobos and Monastery Beach Seascape
Located in Soquel, CA
Gorgeous, vibrant early 20th century seascape painting of Point Lobos looking toward Monastery Beach, Carmel by Rinaldo Cuneo (American, 1877-1939). Signed "Cuneo" lower right. Presented in a giltwood frame. Image, 11"H x 12"W. Dubbed “The Painter of San Francisco." Well received at the Panama Pacific International Exhibition in 1915. Born in San Francisco, California and raised in the North Beach area, Rinaldo Cuneo was a painter of landscape, still lifes, city views and muralist who, commissioned by the Federal Art Project adminstrators, painted murals in Coit Tower in San Francisco in 1934. His studio and cottage in San Francisco, later in his career, had a panoramic view of the bay from Telegraph Hill. His family were painters including two of his brothers, Cyrus and Egisto Cuneo, and several family members were founders of the Tivoli Opera Company in San Francisco. He served in the Spanish-American War and then studied at the Mark Hopkins Institute of Art with Arthur Mathews and Gottardo...
Category

Early 1900s American Impressionist Paintings

Materials

Board, Oil

Mid Century Blue Floral Still Life
By Catherine Ristori
Located in Soquel, CA
Gorgeous mid century still life painting of a white vase with blue daisies by Catherine Ristori (American, 20th Century). Signed "C. Ristori" bottom right. Presented in light carved ...
Category

1960s American Impressionist Paintings

Materials

Canvas, Oil

Reclining Nude Figure
Located in Soquel, CA
This original painting is a beautifully depicted nude figure study in a cozy interior space with southwest elements by San Jose, California artist David D....
Category

1990s American Impressionist Paintings

Materials

Oil, Linen

Mid Century River Birches Landscape Watercolor
Located in Soquel, CA
Mid Century River Birches Landscape Watercolor Gorgeous vibrant mid century watercolor on paper painting of river birch trees by artist Eva Collins Marks (American, 20th century),19...
Category

1950s American Impressionist Paintings

Materials

Paper, Watercolor

Early 20th Century Figurative -- The Paper Boy and His Comics
Located in Soquel, CA
Wonderful 1940s figurative of paper boy reading the comics by Louise Miller Clark (American, 20th Century). Signed "Louise Miller" lower right. Unframed. Im...
Category

1940s American Impressionist Paintings

Materials

Cardboard, Canvas, Oil

Fishing Boats in St Ives Harbor, Cornwall. Luggers. Pilchards. Mackerel.Pilchard
Located in Sutton Poyntz, Dorset
Grant Tyson Reynard. American ( b.1887-1968 ). Fishing Boats in St Ives Harbor, Cornwall Oil on Canvas Board. Signed lower left. Image size 11 inches x 15.6 inches ( 28cm x 39.5cm )....
Category

Early 20th Century American Impressionist Paintings

Materials

Canvas, Oil

Oil Pastel and Pencil Still Life of Wine and Spirits Bottles
Located in Soquel, CA
Oil Pastel and Pencil Liquor Still Life Oil pastel and pencil still life depicting a line up of Dutch liquor bottles and drinking glasses by Erin Pearce (American, 20th C). Liquor ...
Category

1980s American Impressionist Paintings

Materials

Paper, Oil Pastel, Pencil

Shop Abstract, Landscape, Figurative and Still-Life Paintings

Painting is an art form that has spanned innumerable cultures, with artists using the medium to tell stories, explore and communicate ideas and express themselves. To bring abstract, landscape and still-life paintings into your home is to celebrate and share in the long tradition of this discipline.

When we look at paintings, particularly those that originated in the past, we learn about history, other cultures and countries of the world. Like every other work of art, paintings — whether they are contemporary creations or works that were made during the 19th century — can often help us clearly see and understand the world around us in a meaningful and interesting way.

Cave walls were the canvases for what were arguably the world’s first landscape paintings, which depict natural scenery through art. Portrait paintings and drawings, which, along with sculpture, were how someone’s appearance was recorded prior to the advent of photography, are at least as old as Ancient Egypt. In the Netherlands, landscapes were a major theme for painters as early as the 1500s. Later, artists in Greece, Rome and elsewhere created vast wall paintings to decorate stately homes, churches and tombs. Today, creating a wall of art is a wonderful way to enhance your space, showcase beautiful pieces and tie an interior design together.

No matter your preference, whether you favor Post-Impressionist paintings, animal paintings, Surrealism, Pop art or another movement or specific period, arranging art on a blank wall allows you to evoke emotions in a room while also showing off your tastes and interests. A symmetrical wall arrangement may comprise a grid of four to six pieces or, for an odd number of works, a horizontal row. Asymmetrical arrangements, which may be small clusters of art or large, salon-style gallery walls, have a more collected and eclectic feel. Download the 1stDibs app, which includes a handy “View on Wall” feature that allows you to see how a particular artwork will look on a particular wall, and read about how to arrange wall art. And if you’re searching for the perfect palette for your interior design project, what better place to turn than to the art world’s masters of color?

On 1stDibs, you’ll find an expansive collection of paintings and other fine art for your home or office. Browse abstract paintings, portrait paintings, paintings by popular artists and more today.

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