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Aad Van Der Heyde
Te Vahine Moorea

1968

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    Located in Soquel, CA
    Abstract figure in pink by by San Francisco, California area artist Daniel David Fuentes (American, 1978-2016), (AKA, Xavier Lundt) (American, 20th Century). From a collection of hi...
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  • "Unfinished Story", Contemporary Expressionist Modern Self-Portrait
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    Evocative and expressive contemporary self portrait titled "Unfinished Story" by Alexander Gore (Russian, b. 1958), 2010. Signed upper left edge. Unframed. Image, 15"H x 11"W. Ale...
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  • Abstract Figure Woman Emerging
    By R Navarro
    Located in Soquel, CA
    Abstract expressionist figure by R. Navarro. Signed "R. Navarro" and dated "2000" lower right. Sand Francisco bay area find by undiscovered artist. Image, 30"H x 20"W.
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  • "Flower Monster" by Aromas Artist Frank Romero
    By Frank Thomas Romero
    Located in Soquel, CA
    Vibrant abstract composition by Aromas, California, Monterey Bay Area abstract expressionist artist Frank Thomas Romero (American, b-1985). Signed ...
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  • "The Visionary" - Abstract Expressionist Oil on Board
    By Hamilton Achille Wolf
    Located in Soquel, CA
    "The Visionary" - Oil on Board Abstract expressionist painting titled "The Visionary" by Hamilton Achilles Wolf (American, 1883- 1967). Shades of red consume the canvas, as a mans ...
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  • Bold Abstract Expressionist Figure
    By Daniel David Fuentes
    Located in Soquel, CA
    Bold figurative abstract in black, white, and red by Daniel David Fuentes (American, 1978-2016). From a collection of his works. Signed "Fuentes" and dated "07" bottom right. Unframe...
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  • "After Work"
    By Vaclav Vytlacil
    Located in Lambertville, NJ
    Jim’s of Lambertville is proud to offer this artwork. Signed lower right Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in C...
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  • “Woman in Black”
    By Vaclav Vytlacil
    Located in Lambertville, NJ
    Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
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  • ABSTRACT WOMEN
    Located in Three Oaks, MI
    Bookatz's artistic practice embodies a dynamic and multifaceted approach to creation. His canvases resonate with an improvisational interplay, a reflection reminiscent of the nuance...
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    1980s Abstract Expressionist Abstract Paintings

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  • Bright Vibrant Pop Art Enamel Oil Painting Flowers NYC Abstract Expressionist
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    Flowers in a Vase, intensely and seductively colored: almost in a Japonaise style. Swooning purples and reds, ecstatic lemon yellows, Jostling shapes, lyrical and soft-edged, refuse ...
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  • "Untitled, " Oil Painting
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    Dan McCaw's (US based) "Untitled" is an original, handmade oil painting that depicts an abstracted figure standing in a striped interior setting. Artist Statement: Born: 1942 A s...
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