Allie William Skelton

Abstract Expressionist Floral Explosion

circa 1980

Whimsical abstracted textural still life with three daises and other objects floating through an ambiguous orange space by Daniel David Fuentes (American, 1978-2016). From a collecti...

Abstract Floral painting with geometric vase by Stephanie Marrott (American, 20th Century). Original acrylic on artists board. Signed lower right "Stephanie Workman Marrott" in pen. ...

Bold floral abstract expressionist still life by Allie Bill Skelton (American, 1942-1986). Unsigned but was acquired with a collection of other Skelton pieces. Unframed. 30"H x 24"W. Allie William “Bill” Skelton (American, 1942-1986) was a painter and sculptor active in San Francisco who was involved in the gay art scene of the 1960s and 1970s. "Transition" Bronze sculpture, 1984, on permanent display at Grower's Square, Downtown, Walnut Creek...

Elegant mid-century modern floral abstract in blues and earth tones with impasto paint application by Rawlins (American, 20th century). Signed and date...

Bold and dynamic abstracted bird of paradise by well known California artist Delmer Imhof (American, 1938-1997). Created with streaks of paint, an abstracted bird of paradise flower ...

Vibrant still life by Ilana Ingber (American, b. 1984). Initialed "igi" on verso. No frame, but the edges are painted for a frame-less display Canvas si...

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe. The WPA commissioned Carton to paint major murals at the Helen Fleischer Vocational School for Girls in Philadelphia, the Officers’ Club at Camp Meade Army Base in Maryland, and in the city of Hidalgo, Mexico. Throughout the 1940s, Carton exhibited and won prizes for his semi-abstract Expressionist and Surrealist paintings. He socialized with and was inspired by Émile Gauguin and Fernand Leger. During World War II, Carton was a naval structural designer and draftsman at the Cramps...

An original mid century modern abstract expressionist painting by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) Yovanovich was a painter/printmaker whose work i...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Real dried flowers are secured into this composition by resin—which also gives Yektai's paintings their signature depth, as he paints below and on t...

A rare small painting from contemporary Abstract Expressionist, Darius Yektai. Although titled "pink flowers" the hue of the painting is really more peach, or a light orange. A patte...

Dimensions: 32"h, 25"w canvas; 38.5"h, 32"with frame Work is titled "Two Lillies" Elsie Stevenson (1890–1965) was an American painter and printmaker. Beulah Stevenson, (1875-1965) American painter and printmaker. Born in Brooklyn Heights, Beulah (Elsie Sloan) Stevenson lived there her entire life. In New York she studied at the Pratt Institute and the Art Students League, where her instructors included Ashcan artist John Sloan; in Provincetown, she worked and studied with Abstract Expressionist artist Hans Hofmann (an influential teacher whose students included many notable artists including Lee Krasner, Helen Frankenthaler, Irene Rice Pereira, Gerome Kamrowski, Fritz Bultman, Wolf Kahn, Marisol Escobar and Beulah Stevenson), a long-time curator at the Brooklyn Museum, was also among his pupils. Her work appeared in many group shows, and she won a number of awards. She was a curator at the Brooklyn Museum for many years, and that museum owns a number of examples of her work, as do the Library of Congress and the New York Public Library. Stevenson maintained many professional associations during her career; she was president of the New York Society of Women Artists, a board member of the National Association of Women Artists, and a vice-president of the Brooklyn Society of Artists, Art Institute of Chicago, International Graphic Society Inc., Philadelphia Print Club, Provincetown Art Association and the Creative Artist's Association. She also belonged to the American Artists' Congress which promoted social-realist style of American scene painting, she left to join the Federation of Modern Painters and Sculptors established To Promote Avant-Garde Art. Stevenson was said by a friend to have destroyed many of her papers prior to her death, but a collection was donated to the Archives of American Art at the Smithsonian Institution. Select Group Exhibitions Art Institute of Chicago; , Library of Congress, Washington, D.C.; Print Club of Philadelphia; National Arts Club, New York; Metropolitan Museum; Whitney Museum; Brooklyn Museum; Chicago Art Institute; Pennsylvania Academy Of Fine Arts; Rochester Memorial Museum; St. Paul Museum; M. H. De Young Memorial Museum Of Art; Houston Museum Of Art; William R. Nelson Museum Of Art; Columbus Museum Of Art; American Institute Of Graphic Arts; Provincetown Art Association; Columbia Museum Of Art; Schenectady Museum Of Fine Art; Portland Museum, ME; Royal Society, London; Gallery O...