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Amy Van Winkle
Kindly Calm Me Down

2019

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  • Drumbeat 14
    By Martha Rea Baker
    Located in Santa Fe, NM
    Red, Orange, Yellow, Pink, Gray, White, Teal encaustic, mixed media sides are wood veneer Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has succ...
    Category

    21st Century and Contemporary Abstract Abstract Paintings

    Materials

    Encaustic, Panel

  • Cherry Blossoms
    By Martha Rea Baker
    Located in Santa Fe, NM
    Red, Orange, Yellow, Pink, Gray, White encaustic, mixed media sides are wood veneer Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successful...
    Category

    21st Century and Contemporary Abstract Abstract Paintings

    Materials

    Encaustic, Panel

  • Listen to Silence
    By Amy Van Winkle
    Located in Santa Fe, NM
    Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...
    Category

    21st Century and Contemporary Abstract Abstract Paintings

    Materials

    Encaustic

  • Dreaming of Warmer Days
    By Amy Van Winkle
    Located in Santa Fe, NM
    Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...
    Category

    21st Century and Contemporary Abstract Abstract Paintings

    Materials

    Encaustic

  • Inner Peace 1
    By Amy Van Winkle
    Located in Santa Fe, NM
    Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...
    Category

    21st Century and Contemporary Abstract Abstract Paintings

    Materials

    Encaustic

  • Joyful Days
    By Amy Van Winkle
    Located in Santa Fe, NM
    Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...
    Category

    21st Century and Contemporary Abstract Abstract Paintings

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    Encaustic

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  • Large Michael David Abstract Expressionist Encaustic Painting Museum Exhibited
    By Michael David
    Located in Surfside, FL
    Michael David (b. 1954) Billie's Tree Signed, Titled, and Dated 1982 Verso. Provenance: Museum of Contemporary Art, Chicago (bears label en verso) where it had been exhibited for nearly two decades. It was also Exhibited at the Museum of Modern Art (MoMA NYC) just after he won the National Guggenheim Award. The Piece Measures approximately 70" x 71" x 8" Deep. Michael David Singer; born 1954, is an American painter. Born in Reno, Nevada, David's family relocated to Brooklyn, New York, where he was raised. He attended SUNY Fredonia for one year and in 1976 received a B.F.A. from Parson's School of Design. Michael David is classified as an abstract painter, best known for his use of the encaustic technique, a was pigmentation technique which incorporates pigment with heated beeswax. He is also known for his works in mixed-media figure painting, photography and environmental sculpture. He often incorporates religious iconography and symbolism, art historical themes such as the nude, and contemporary politics into his paintings resulting in a critical dialogue between the layered abstraction of the surface and the integrated representational imagery. His work is included in the permanent public collections of the Metropolitan Museum of Art, the Guggenheim Museum, the Jewish Museum in New York, the Museum of Contemporary Art in Los Angeles, and the Los Angeles County Museum of Art, among others. In 1976 David, erotic photographer Roy Stuart and Fredonia friend Richie Stotts formed a band called The Numbers, with David on bass. The group was a fixture in New York's early punk rock music scene, playing in clubs alongside punk pioneers Television, Blondie and the Ramones. David also played bass with punk innovators Jerry Nolan of The New York Dolls, Cheetah Chrome of The Dead Boys, Marky Ramone, Peter Gordon, David Van Tieghem and the free-improvisation noise music group Borbetomagus. In 1977, The Numbers were approached by impresario Rod Swenson, who was seeking musicians to form a backing band for singer Wendy O. Williams, whose radical persona he sought to exploit as punk music and performance art. The Numbers became The Plasmatics but the attention David began to gain as an important voice in the art world caused him to leave the band to pursue his burgeoning painting career. David's first one-man show was in 1981 at the historic Sidney Janis Gallery. That year he was awarded a Guggenheim Fellowship, at the time the youngest artist ever to do so, and in 1982 was awarded an American Academy of Arts and Letters prize. He went on to exhibit at galleries worldwide and was represented by Knoedler & Co. for the next 25 years. David is best known for using the encaustic technique of painting, which uses pigment combined with heated beeswax. David built his early career on abstraction and religious iconography, which formed the bulk of his output until 1999. Since then he has also experimented with representational painting and traditional photography. In 2000, he developed the "Chortens" and "Populations" series, about which prominent art historian and critic Donald Kuspit writes: "They are enigmatic works, all the more so because of the way their innumerable details form singularly monumental, intimidating wholes. Dense yet delicate, awesome yet intimate, they convey the fragility as well as grandeur of sheer being. Layer upon layer of paint piles up like layer upon layer of coral, but the textural result is more epic, not to say startling, than any coral island, and virtually any other existing abstract expressionist painting (upon which they are stylistically founded)." In 2001, David developed bi-lateral neuropathy due to being poisoned by gases released by overheated beeswax used in the encaustic process. The disease left him with partial paralysis of his legs, slowing the production of his painting for a number of years. That year, David began painting one of his best-known series, the "fallen Toreadors", inspired by 19th century French Realist painter Édouard Manet's "The Dead Toreador" of 1864. In 1993, David experimented at the "20x24" Polaroid studio in Manhattan, which resulted in a series of portraits of playwright Edward Albee and of friend Jackie Gross, which would become the ongoing "Jackie" series of mixed-media works. When neuropathy rendered him unable to paint during 2003, he returned to the 20x24 camera and shot large-format Polaroids inspired by Caravaggio; nude men and women dressed as Toreadors, and religious imagery. In 2002, David began to develop The Greenhouse Project, an evolving "architectural construct" based on historical American Antebellum greenhouses built using the actual glass negatives sold to starving farmers in the post-American Civil War South. David has indicated that each greenhouse will, through the display of photography and use of social networking, create a forum and exhibit for ideas and artifacts related to civil and human rights; the specifications of each greenhouse particular to the community in which each is built. David's work was reviewed in Artforum and Art in America, and is considered one of the last links to the New York School of painting. David may be the most innovative master of immediate surface since the abstract expressionists. He has acknowledged his debt to Abstract Expressionism, but he has transformed it. Where the abstract expressionist paintings of the forties and fifties seem like modern cave paintings, as their crude, unfocused, often meandering, turbulent painterliness suggests, and as such to reinstate prehistory, David seems to turn the cave into a temple, as his more considered, concentrated, indeed, dense, contemplative painterliness indicates, so that his paintings have the aura of post history. SELECT GROUP EXHIBITIONS 2023 Radiate, Garvey Simon, New York, New York 2021 Selections from NYFA - Courtesy of the Martin Z. Margulies Foundation, New York, New York 2020 Bill Lowe Gallery Presents: Masterworks from the Gallery 2016 The Golem, The Jewish Museum of Berlin, Berlin, Germany In a Post-World: Post-Punk Art Now, The Invisible Dog Art Center, Brooklyn, New York 2014 Gallery Artists, Bentley Gallery, Pheonix, Arizona 2011 Post Mammalian Tension: Michael David & Scott Browning, Bill Lowe Gallery, Atlanta, Georgia 1999 Waxing Poetic: Encaustic Art in America, Montclair Art Museum, (Jasper Johns, Jackson Pollock, Robert Rauschenberg etc) Forty Years of American Drawings, Raab Galerie, Berlin, Germany Germany Summertime, Knoedler & Company, New York, New York 1997 Michael David and James Hyde...
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  • "Bio Flow 4", encaustic, pastel, abstract, microscopic, cells, pink, green, grey
    By Kay Hartung
    Located in Boston, MA
    Kay Hartung’s “Bio Flow 4” is composed of microscopic images multiplying and connecting. In colors of pink, green and gray, the painting simulates a fusion of cells. Painted with enc...
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  • Backyard Pool (Square Abstract Encaustic Painting on Wood Panel in Earth Tones)
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  • Easter Monday (Abstract Encaustic Work on Panel in Blue & Peach Pastel Tones)
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    Abstract wood construction painting by Hudson Valley based artist, James O'Shea. Encaustic on wood panel 12 x 12 x 1.5 inches James O'Shea has been praised for years for his work a...
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  • Buy Me a Bicycle (Small Blue & Green Gestural Abstract Painting on Wood Panel)
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    Abstract painting in green & blue tones encaustic on wood panel 12 x 12 x 2.5 inches James O'Shea has been praised for years for his work as a colorist, producing layer upon layer o...
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  • Brigadier (Square Abstract Encaustic Painting on Wood Panel in Green & Blue)
    By James O'Shea
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    Abstract encaustic painting on wood panel in green and blue earth ones. 12 x 12 x 1.5 inches James O'Shea has been praised for years for his work as a colorist, producing layer upo...
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