Ananda Kesler

"Title Controversy, " an Abstract Oil on Wood signed by Ananda Kesler

2009

"The Days Of My Amorous Life" is an oil on canvas by Deirdre Schanen. Earth tones create a rocky outcropping. The light comes from the left creating shadows and highlighted areas. ...

This painting is an excellent example of the work of Daniel Klewer, coming from his series 'Botanical Abstractions.' His works in this series follow strict, self-imposed rules: Klewe...

"Even Before Anything Happens" is an oil on canvas by Deirdre Schanen. The blue expanse is calm. At the bottom right is a cream colored expanse with a line of red down it and some ch...

"One Syllable" is an oil on canvas by Deirdre Schanen. Fields of colors are created next to each other. A yellow sky is created in the top of the piece with accents of orange and whi...

This painting is a small and intimate example of the paintings of Daniel Klewer, coming from his series 'Linear Tactility.' The paintings in this series all share a consistent, linea...

This painting is an excellent example of the work of Daniel Klewer, coming from his series 'Botanical Abstractions.' His works in this series follow strict, self-imposed rules: Klewe...

Unique artwork. Oil on canvas, framed in waxed oak frame.

“The oval paintings give the feeling that somewhere in their essence, invisible to the human eye, there is a light source, which disperses the cleansed and superior light through the reflective whiteness of the wall into the space.” Dr. Nataša Smolič In this oval artwork color is present like the natural reflection of the painted canvas outside the painting surface at the paintings back. So, the source of colour isn′t any electric source. It happens naturally like a reflection on the wall. I′m researching this praenomen more than a two decades. A non-material reflection on the wall appears as a reflection of the painted object. And in daylight it changes all the time. You are kindly invited to see a video of that process on my homepage : video1 and video 2. On the back of the solid wood support panel there is intensive acrylic paint, which is only visible as a reflection of red color on the wall. I used oil paint for the front of the painting. The wooden panel of the picture was hand-shaped at the front into a slightly convex shape. . . . . . In the past tradition of painting, only the frontal parts of paintings were always the carriers of the content. I broke this millennial tradition and focused my attention on applying colour onto the edges and the back of the painting. These parts of my painting compositions are hidden from the viewer's eye and are visible only indirectly – as reflections of the paint reflecting onto the wall area, addressing the viewer with their immaterial presence. This creates coloured light...

David was inspired by the Anasazi petroglyphs with these shapes of the figures in this painting. It is an oil painting on Masonite. The frame is black wood- a shadow box concept. The...

Oil on wood

Oil on wood

Oil on wood