Antonio Carreno

Moonlight #2

2017

'Puff' 2019 by Seattle based abstract painter, Liz Tran. Mixed media on panel, 18 x 18 in. Tran's puffs and clouds are her attempt to turn depressing weather into something more joyf...

'Bouquet Ten' 2014 by Seattle based abstract painter, Liz Tran. Mixed media on panel, 48 x 36 in. The painting features Tran's version of a traditional still life with an abstract tw...

'Perseid II' 2018 by Seattle based abstract painter, Liz Tran. Mixed media on panel, 40 x 30 in. Tran's 'Perseid' series is inspired by meteor showers observed in eastern Washington....

Available at Madelyn Jordon Fine Art. 'The Front' by Eugene Healy, 2023. Fabric collage and oil on canvas, 14 x 12.5 in. / Frame 25.25 x 21.25 ...

'Flare' by Antonio Carreno, 2017. Oil on canvas, 36 x 52 inches. This dynamic abstract painting is part of the artist's new series of action paintings, entitled 'Instinct' which feat...

'Montargis' by New York City based, French artist Sandrine Kern. 2018. Oil and wax on canvas, 54 x 54 in. This abstracted landscape painting features a woodland scene in colors of v...

Alexis Portilla obtained his Masters of Fine Arts at Columbia University in 1990. His bold linear lines, use of symbols, pictographs and strong colors create atmospheric abstracts. ...

Honey Cream Violet Ink (Abstract Painting) Oil on Panel - Unframed The dimension of the entire piece (the way it is shown hanging) is approximately 17”X19""""/43.2x48.3cm Dimension...

Honey Cream Violet Ink (Abstract Painting) Oil on Panel - Unframed The dimension of the entire piece (the way it is shown hanging) is approximately 17X19/43.2x48.3cm Dimensions of ...

Edward Avedisian ( 1936-2007 ) 7 X 13 Oil paint on wood panel with pink, red and green abstract. This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert Burnette Roberts (1932-2021) Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell...

"Once in a Blue Moon Shell" is an abstract expressionist painting by Rebecca Sobin executed in oil, cold wax medium on a cradled wood panel; measuring 12 x ...

"Sea Breeze" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 12 x 12 inches....