Betty Parsons

Untitled (7112)

1950s

LEAH DURNER Seabright 3, 2015 Gouache on seabright Fabriano Tiziano colored paper 39 x 27.5 inches

LEAH DURNER Billiard Green 2, 2011 Gouache on billiard Fabriano Tiziano colored paper 39 x 27.5 inches

LEAH DURNER Billiard Green 1, 2011 Gouache on billiard Fabriano Tiziano colored paper 39 x 27.5 inches

Fritz Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core prac...

Vincent Dion's painterly abstractions mimic various printed techniques which reconcile and affirm the introspective presence of the hand. Dion’s use of luminous color becomes his es...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...