Casper Brindle

Portal-Glyph V

2020

Working within the constraints of unyielding ninety-degree angles, Brindle applies color with a Fauvist abandon, creating works with an otherworldly presence.

Working within the constraints of unyielding ninety-degree angles, Brindle applies color with a Fauvist abandon, creating works with an otherworldly presence.

Working within the constraints of unyielding ninety-degree angles, Brindle applies color with a Fauvist abandon, creating works with an otherworldly presence.

A graduate from Art Center College of Design and The Claremont Graduate School, Couwenberg worked under the guidance of Karl Benjamin, one of the leading figures in the Southern Cali...

A graduate from Art Center College of Design and The Claremont Graduate School, Couwenberg worked under the guidance of Karl Benjamin, one of the leading figures in the Southern Cali...

A graduate from Art Center College of Design and The Claremont Graduate School, Couwenberg worked under the guidance of Karl Benjamin, one of the leading figures in the Southern Cali...

Mars Base, 2020 Signed, titled and dated 2020 Bishkek, Kyrgyzstan Acrylic oil enamel and oil on linen 52 x 52 in

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

This is one in a series of Vibrational Abstractions in which the shape and color palette are integral to the atmospheric feeling and structure of the paintings. The painting is built...

This is one of a series of Vibrational Abstractions in which the shape and color palette are integral to the atmospheric feeling and structure of the paintings. The painting is built...

“Whole” is a series of formal painting explorations with geometry and color as central themes. “Whole” takes its name from the general believe in contemporary society that we all lac...

“Whole” is a series of formal painting explorations with geometry and color as central themes. “Whole” takes its name from the general believe in contemporary society that we all lac...