Carolina Alotus

Serendipity 1&2 (Abstract painting)

2020

Credibility (Abstract painting) Acrylic / Pastel / Pencil / Spray paint on Canvas - Unframed. This work is exclusive to IdeelArt This artwork will be shipped rolled in a dent-resistant tube. This method is especially safe for large works, and provides lower shipping costs as well. Rolled works can be easily stretched (for canvas works, i.e. placed onto wooden stretcher bars) and/or framed by a local framer upon arrival. The paintings of Swedish born, Cyprus-based abstract painter Carolina Alotus are luminous, fantastical arenas in which beauty and harmony negotiate fiercely with chaos. Her compositions are active and energetic, sparking visual tension from unexpected relationships between colors, forms and textures, and from the feverish juxtaposition of seemingly disparate mediums and techniques. Her idiosyncratic visual language blends the traditions of Gestural Abstraction, Street Art, Art Brut, Action Painting, and Pop Art. Alotus has exhibited throughout Europe and in the United States, including at Gallery Kim Anstensen, Sweden; the Royal College of Art, Kensington, UK; Schombiurg Gallery, Los Angeles, USA; and at the Cyprus International Art Exhibition, Nicosia, Cyprus. Her work is included in numerous private collections, and was featured The Rebel Collection, the first Saatchi Art...

Pretty little thing (Abstract Painting) Acrylic, Spray Paint, Marker, Pastel, Pencil on un-stretched canvas - Unframed. The edges are painted. The painting will be sent rolled in a tube, and needs to be stretched. This work is exclusive to IdeelArt The paintings of Swedish born, Cyprus-based abstract painter Carolina Alotus...

Finding bliss (Abstract painting) Acrylic, Spray Paint, Pastel, Fabric, Pencil on un-streched canvas - Unframed. The edges are painted off white. Sealed with a protective high quality varnish. The painting will be sent rolled in a tube and needs to be stretched. This work is exclusive to IdeelArt The paintings of Swedish born, Cyprus-based abstract painter Carolina Alotus...

Even if it doesn’t look like it (Abstract painting) Acrylic, oil, pastels, spraypaint on canvas - Unframed. This artwork is exclusive to IdeelArt. Knaut builds her compositions sl...

Finding bliss (Abstract painting) Acrylic, Spray Paint, Pastel, Fabric, Pencil on un-streched canvas - Unframed. The edges are painted off white. Sealed with a protective high qual...

Pretty little thing (Abstract Painting) Acrylic, Spray Paint, Marker, Pastel, Pencil on un-stretched canvas - Unframed. The edges are painted. The painting will be sent rolled in a...

Oil paint and mixed media on canvas. This work is the second painting in a series of trees from Parade St. Park.

Based in Cornwall, UK Brad creates expressive and abstract paintings with a graffiti influence that scale smaller mounted works to larger street art murals...

Sarah Svetlana's original abstract artworks offer a captivating glimpse into the intricacies of the human experience, drawing inspiration from a diverse range of sources and influenc...

Compelling vintage abstract titled "Bandage Affixiation" by Carmel, CA based artist "Stoney" DeGuire (American, 20th Century), 1973. Titled, signed an...

In this abstract painting, Pierre Morquin invites us to explore the world of the invisible. Vivid colors and flowing forms evoke a sense of movement and energy. Undulating lines and ...

Artist's statement: "Separate from the tar paintings I have been doing, I am creating a series of work in which I am channeling some of the things I have always loved about Cy Twombly along with qualities of a painting I saw in a local collection by a Cuban painter that I really admired and have thought about a lot since. Of course both share a graffiti quality; Twombly was the first to work with a sort of automatic drawing, beginning in the 1950s, and what he did opened up this new language for countless painters. You still see traces of it in so much contemporary art. Antoni Tapies has been a big influence on me as well, and you can see some of him in this work as well. I limited the color palette in this one as a sort of exercise in discipline, since it is easy to let color get away from you in a painting like this one. There are areas of three-dimensional paint that help flatten the picture plane and restrict the eye from reading depth into the painting; they function in the same way as Barnett Newman's 'zips' and Susan Rothenberg's lines across some of her horse images...