Charles Lutz

Laissez-Faire

2019

Charles Lutz received his BFA in painting and art history from Pratt Institute and studied human dissection and anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values.

Lutz's 2007 “Warhol Denied” series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Andy Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project being "Officially DENIED" "Warhol" paintings authored by Lutz.

Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former director of the Andy Warhol Museum, Eric Shiner, to create a site-specific installation representing the United States. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1,500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 feet tall. All 1,500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers.

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(Biography provided by Code of Honor)