Gershon Benjamin
"Pinky"
1950

Name: "Pinky"
Brand: Gershon Benjamin
Price: 45625 USD
Availability: InStock

About the Item

Ashley John is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) Gershon Benjamin is a painter of portraits, landscapes, still lives, and the urban scene. He had a prolific career for over seven decades. Influenced by many European modernist, Benjamin used form and color to capture his emotional responses to the subjects by extracting the vast array of visual stimuli that he experienced into interesting reductive images. He viewed his art as a way of expressing delicate emotions as he sought to capture the universal truth of his subjects. Benjamin evolved a distinctive style by achieving a subtle balance between realism and abstraction. His works combined a lyrical chromaticism with simplified designs and two-dimensional shapes. Benjamin was content to simply be able to paint, supported by a day job in the Art Department of the New York Sun. Because of this perspective, he remained little known to the contemporary art audiences until the early 1980s, when a series of exhibitions at Drew University and the New Jersey Institute of Technology brought his works into the public’s attention. Nowadays, Benjamin is represented in many private and public collections including Berkeley Heights Public Library; Drew University; Griffiths Art Center, St. Lawrence University; the Pennsylvania Academy of the Fine Arts and Ulrich Museum of Art.

Creator:

Gershon Benjamin (1899, American)

Creation Year:

1950

Dimensions:

Height: 32 in (81.28 cm)Width: 28 in (71.12 cm)Depth: 3 in (7.62 cm)

Medium:

Canvas,Oil

Movement & Style:

Modern

Period:

20th Century

Condition:

Signed Lower Left.

Gallery Location:

Lambertville, NJ

Reference Number:

1stDibs: LU1573702152

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Shop All Gershon Benjamin

Gershon Benjamin

In a body of work that spans seven decades, obscure American modernist artist Gershon Benjamin explored a varied range of tone, style and subject matter in watercolor, oil and charcoal. Not one to resign himself to a single trademark theme, Benjamin focused on an eclectic array of subjects. His paintings included landscapes, portraits, still lifes and urban scenes.

Benjamin was born in Romania just before the turn of the 20th century. His family moved to Montreal in 1901 to escape ethnic persecution. At 10, Benjamin began studying art at the Canadian Council of Arts and Manufacturers, in Quebec. When he was 12, the Royal Canadian Academy admitted Benjamin.

In 1923, Benjamin moved to New York City, where he secured a night job in the art department of The Sun newspaper. He also enrolled in the Art Students League, where he learned engraving from the notable lithographer Joseph Pennell and drawing from illustrator John Sloan.

Benjamin found inspiration in the work of Pablo Picasso and Paul Cézanne. He depicted urban life in meditative Expressionist paintings that later drew comparisons to the Ashcan School — Benjamin painted scenes of New York City’s blocky skyline, elevated subway trains, empty streets at dawn and the Brooklyn Bridge as he saw them on his way home from his night shift at the newspaper.

In New York, Benjamin forged friendships with creative people who were as in love with art as he was and painted with them in Gloucester, Massachusetts, during the city’s hot summers. A number of his acquaintances found a fair amount of fame — including artists Mark Rothko, Raphael Soyer and Milton Avery — whereas Benjamin sought none. And when artists of the era in Manhattan and elsewhere began to work in the style that would become known as Abstract Expressionism, Benjamin continued to create representational art. He remained largely obscure throughout his career, declining to promote or market his still lifes, landscapes and portraiture.

Benjamin's works are held in a number of private and public collections including the Pennsylvania Academy of Fine Arts and the Ulrich Museum of Art.

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