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Charles Ragland Bunnell
1950s Abstract Expressionist Oil Painting, Framed Mid Century Modern, 16 x 20 in

1955

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  • 1950s Abstract Expressionist Composition, Mid Century Oil Painting, Blue Yellow
    By Charles Ragland Bunnell
    Located in Denver, CO
    Original 1958 mid-century modern oil painting by Charles Bunnell (1897-1968), abstract expressionist composition in colors of Yellow, Blue, Teal, Green, Gray, Orange, Red & White, signed and dated lower right. Presented in a vintage gold tone frame, outer dimensions measure 34 ¾ x 28 ¾ x 1 ½ inches. Image size is 29 ¾ x 23 ¾ inches. Painting is clean and in very good vintage condition - please contact us for a complete condition report. Provenance: Estate of Charles Ragland Bunnell Expedited and international shipping is available - please contact us for a quote. About the Artist: Charles Bunnell developed a love for art as a child in Kansas City, Missouri. Around 1915, Bunnell moved with his family to Colorado Springs, Colorado. He served in World War I and later used his GI Training to study at the Broadmoor Art Academy (later renamed the Colorado Springs Fine Arts Center) during 1922 and 1923. In 1922, he married fellow student, Laura Palmer...
    Category

    1950s Abstract Expressionist Abstract Paintings

    Materials

    Oil, Board

  • Fertility Goddesses, Abstract Nude Figures 1950s Oil Painting, Pink, Blue, Green
    By Edward Marecak
    Located in Denver, CO
    Fertility Goddesses, abstract painting, vintage 1950, figurative with three nude female figures by Denver modernist artist, Edward Marecak (1919-1993). Oil paint on board in vivid co...
    Category

    1950s Abstract Portrait Paintings

    Materials

    Oil, Board

  • Precipitation, 1960s Abstract Oil Painting of Floating Shapes, Purple White Gray
    By Emil James Bisttram
    Located in Denver, CO
    Original 1961 mid-century modern abstract painting by New Mexico Transcendentalist, Emil Bisttram (1895-1976). Abstract floating shapes painted in shades of purple, blue, gray, white and black. Presented in a custom frame, outer dimensions measure 33 x 37 x 1 ¾ inches. Image size is 32 ½ x 36 ¼ inches. Painting is clean and in very good vintage condition - please contact us for a complete condition report. Expedited and international shipping is available - please contact us for a quote. About the Artist: Emil Bisttram grew up in the tenements of New York City after his family emigrated from Hungary when he was a young boy. Bisttram studied at Cooper Union, the National Academy of Design, and at the New York School of Fine and Applied Art. During his training, Emil studied under Ivan Olinsky, Leon Kroll, Howard Giles, and Jay Hambidge. Bisttram later taught at the New York School of Fine and Applied Art, Parson's School of Design, and at the Master Institute of the Roerich Museum in New York. Bisttram opened the nation's first freelance advertising art agency by the age of twenty-one. However, he soon abandoned the business in pursuit of a career in Fine Art. In 1930, the artist made his first visit to Taos, New Mexico, where he reportedly found himself "blocked" by the open spaces, intense light, and color that define the region. In 1931, he traveled to Mexico where he studied mural painting with Diego Rivera on a Guggenheim Fellowship. While Emil was in Mexico, his wife lived in Taos where the couple established permanent residence upon his return. In Taos, Bisttram opened the area's first commercial art gallery, the Heptagon Gallery. He also founded the avante-garde Taos School of Art, later known as the Bisttram School of Fine Art. In 1934, Bisttram was among artists selected to paint murals for the Works Progress Administration (W.P.A.). While commissioned by the W.P.A., Bisttram worked on murals in the County Courthouse in Taos and he completed a mural in the Justice Department Building in Washington, D.C. Although he continued with representational painting, much of Bisttram's work in the late 1930's became increasingly abstract. Along with Raymond Jonson and seven other artists, Bisttram founded the Transcendental Painting Group...
    Category

    1960s Abstract Abstract Paintings

    Materials

    Oil, Board

  • Masks And Flowers, Semi Abstract Vintage 1984 Painting, Red Yellow Green Pink
    By Edward Marecak
    Located in Denver, CO
    Masks And Flowers, vintage original 1984 oil painting on board by Edward Marecak (1919-1993), semi abstract, cubist style painting of tribal mas...
    Category

    1980s Abstract Abstract Paintings

    Materials

    Board, Oil

  • New York City Abstract Skyline, Semi Abstract Night Scene Cityscape Oil Painting
    By Charles Ragland Bunnell
    Located in Denver, CO
    Oil on board painting of abstracted New York City skyline by Charles Ragland Bunnell from 1951. Nocturne cityscape painted in colors of black, shades of blue, and yellow. Presented in a custom black frame, outer dimensions measure 30 ¼ x 12 ¼ x ¾ inches. Image size is 30 x 12 ¼ inches. Painting is in good vintage condition - please contact us for detailed condition report. Provenance: Estate of Charles Ragland Bunnell Expedited and international shipping is available - please contact us for a quote. About the Artist: Charles Bunnell developed a love for art at a very young age. As a child in Kansas City, Missouri, he spent much of his time drawing. When he was unable to find paper he drew on walls and in the margins of textbooks for which he was often fined. Around 1915, Bunnell moved with his family to Colorado Springs, Colorado. He served in World War I and later used his GI Training to study at the Broadmoor Art Academy (later renamed the Colorado Springs Fine Arts Center) during 1922 and 1923. In 1922, he married fellow student, Laura Palmer...
    Category

    1950s Abstract Abstract Paintings

    Materials

    Oil, Board

  • American Modernist Abstract Still Life Painting with Zinnia Flowers, Red Orange
    Located in Denver, CO
    Oil on board painting by Paul Kauvar Smith (1893-1977) of a still life of flowers on a table in an interior scene with a mirror in the background. American Modernist still life painting with zinnias and abstract paintings in an artists studio. Presented framed, outer dimensions measure 27 ⅝ x 31 ¾ x 1 ⅛ inches. Image size is 19 ½ x 23 ½ inches. Painting is clean and in very good vintage condition - please contact us for a detailed condition report. Provenance: Private collection, Denver, Colorado Expedited and international shipping is available - please contact us for a quote. About the Artist: In 1915, Paul Kauver Smith studied commercial art and design at the St. Louis School of Fine Art for two years. His studies were interrupted by World War I during which he served as a corporal in the U.S. Army. After the war he returned to the School of Fine Art and also studied at the Washington University School of Fine Arts in St. Louis with Fred G. Carpenter, himself a student of Jean-Paul Laurens at the Colarossi Academy in Paris. Carpenter was known as a marvelous colorist who "thought every inch of a painting should be fascinating…and should be as interesting close up as from a distance." His approach is reflected in many of Smith’s paintings, both representational and abstract in style, done later in Colorado. In 1921, Smith relocated to Denver where he studied for two years at the Denver Academy of Fine and Applied Arts, formerly located in Brinton Terrace on 18th Street in Denver’s Capitol Hill neighborhood. His teacher was John E. Thompson, another important influence as a pioneer of modernism in Denver. The Academy hired Smith as an instructor in 1923 and that same year the Denver Art Museum included his work for the first time in its 29th annual juried exhibition. He later had two solo shows at the museum, which added his work to its Anne Evans Collection. In 1959 the museum reproduced Houses at Victor, for its Western Heritage Exhibition catalog. During the year of 1928 he witnessed the Articles of Incorporation of the Denver Artists Guild, comprising most of the city’s professional artists. He also belonged to the American Artists Professional League, also organized in 1928 by fifteen members of the Salmagundi Club in New York to protect artists’ interest and promote traditional American art. He was one of some two dozen Colorado artists designated to participate in the Public Works of Art Program (PWAP, 1933-34), the first federally-sponsored program for artists during the Great Depression. Around 1928 Smith became the "Hermit of Stuart Street," and remained a life-long bachelor. One painting, View from My Window, depicts his immediate neighborhood. Living for more than thirty years at 1039 Stuart Street in West Denver, he gave up creature comforts that most people take for granted to have the freedom to devote his life to the pursuit of art. In the first twenty-five years of his career, his paintings focused on the Colorado landscape and its mining towns with their decaying buildings as relics of the past. His piece, Miner’s House at Victor, Colorado illustrates the description of his work in this genre as described by Denver artist and art writer, Arneill Downs, "The jewel-like shapes and colors the artist uses gives the most decrepit objects style. The decaying buildings of ghost towns, grouped together on canvas, glow like a patchwork quilt." Smith described his technique as "I start lean and finish fat." He worked first with turpentine as a medium and ended up with pure pigment put on with a palette knife. In addition to Colorado scenes...
    Category

    20th Century Abstract Still-life Paintings

    Materials

    Oil, Board

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