Claude Venard

Les Filets

c. 1950s

Ken Anderson (20th century) was active/lived in United States. Ken Anderson is known for Abstract hanging sculpture. *See included images and video

Falling Man, Black on White Background by Ernest Tino Trova. 52.5" x 52.5" Known for his Falling Man series in abstract figural sculpture, he created ...

Edith Stone Philips (American 1900-1988) "Maelstrom" 1965 Oil on Canvas 30 x 40 inches Signed and Dated Lower Left EDITH STONE PHILIPS, 88 St. Louis Post-Dispatch (MO) - Sunday, Oc...

Ernest Tino Trova "Figurative Abstract" 1965 Oil on Canvas approx 17 x 12.5 inches Signed and Dated Lower Right Known for his Falling Man series in abstract figural sculpture, he cr...

Abstract Arthur Okamura (American, 1932-2009) Signed and Dated Lower Right 36 x 42 inches 37 x 43 inches with frame Arthur Okamura was born in Long Beach, California, February 24, 1932. He was interned at the Santa Anita Race Track "Assembly Center" soon after Pearl Harbor was bombed by Japan, on December 1, 1941. After 6 months, he and his family were transferred to Amache Relocation Center in Colorado, where they lived for three years. After the war ended in 1945, Arthur and his family relocated to Chicago, Illinois. There he attended grammar school, high school and the School of the Art Institute of Chicago. It was in Chicago that he got married and started off in his formative years as an artist. Arthur had always planned to be an artist and began working after school at a silkscreen poster studio when he was fifteen years old. He worked there for twelve years and became the main layout artist and stencil cutter. Upon graduating from the Art Insititute in 1945, he received the Edward L. Ryerson Foreign Travel Fellowship and went, with his wife, to Mallorca in the Balearic Islands to paint. It was in Mallorca that he first met Robert Creeley. Creeley became a close friend who offered him inspiration and influenced his work. Back again in Chicago in 1956, Arthur, his wife and his first child packed up their car and moved to San Francisco, at the suggestion of Arthur's Chicago art dealer, Charles Feingarten, who was opening a gallery in San Francisco. Subsequently, Feingarten opened other galleries in Carmel, Los Angeles and New York. For years Arthur Okamura painted and exhibited prodigiously. In 1959, now with four children, Arthur moved from San Francisco to Bolinas. He and his wife at that time divorced and have since remarried. In 1997 Arthur retired from teaching at the California College of Arts and Crafts in Oakland, California, where he taught for 31 years. Education: The Art Institute of Chicago, 1950-54 Yale University Summer Art Seminar, 1954 University of Chicago, 1951, 1953, 1957 Teaching: The School of the Art Institute of Chicago, 1957 Central YMCA College of Chicago, 1956, 1957 Evanston Art Center, Evanston, IL, 1956, 1957 North Shore Art League, Winnetka, IL, 1957 Academy of Art, San Francisco, CA, 1958 California College of Arts & Crafts, Professor of Fine Arts, 1958, 1959, 1966-1997 San Francisco Studio of Art, Director, 1958 Saugatuck Summer Art School, Saugatuck, MI, 1959, 1962 University of Utah, Guest Lecturer, 1964, 1972 Fort Wright College, Spokane, WA, 1976 University of California, Santa Cruz Humboldt State College, 1977 Watercolor Painting in Tahiti, 1987 Watercolor Painting in Bali (Sponsored by Wilderness Journeys/Art Trek & University of California, Santa Cruz), 1989, 1991 Professor Emeritus: California College of Arts & Crafts, 1997 Exhibitions: The Art Institute of Chicago Annuals, 1951-1954 Museum of Modern Art, NY, 1954 Downtown Gallery, NY Pennsylvania Academy of Fine Art University of Washington, Seattle, 1955 Ravinia Art Festival, Highland Park, IL American Exhibition, Art Institute of Chicago Contemporary Americans, LA County Museum Art In Asia and the West, San Francisco Museum Contemporary American Painting, Art Institute of Chicago Society of Contemporary Art, Art Institute of Chicago West Coast Painters, American Federation of Art San Francisco Annual, San Francisco Museum Contemporary Americans, University of Nebraska Recent Acquisitions, Denver Museum Drawings of California Artists, Sponsored by U.S. Information Center, Berlin, Cologne, Germany, 1958-1959 New Talent, American Federation of Art, 1959 Dallas Museum of Art Fresh Paint, De Young Museum, San Francisco, 1958 Knoedler Gallery, NY, 1959 Winter Invitational, California Palace of the Legion of Honor 1959 Whitney Museum, NY, 1960 Sculpture and Drawing, San Francisco Museum of Art, 1961 Great by Greats, Time Life Building, NY, 1961 Whitney Annual, 1962,1963,1964 Forty Artists Under Forty, Whitney Museum, 1962 Bay Area Artists, San Francisco Museum, 1962 Recent Collections by Friends of the Whitney, Whitney Museum 1964 Ravinia Art Festival, Lake Forest, IL 1964 Corcoran Gallery, Washington, D.C. 1964 Pacific Heritage, LA County Museum 1965 SECA Exhibit, San Francisco Museum of Art, 1966 Crocker Art Museum, Sacramento, CA, 1966 Painters Behind Painters, California Palace of the Legion of Honor, 1967 Pittsburgh International Carnegie Institute, 1967 Takashima 1970 Exposition, Osaka/Tokyo, Japan, 1970 Bay Area Art Faculties, College of Marin, 1970 Asian Artists, Oakland Museum, 1971 Imaginary Painting from S.F. California State, University of San Jose, 1972 "A Sense of Place" Exhibit, Joslyn Nebraska Art Museum, 1973 Four from CCAC, Berkeley Art Center, 1974 Falkirk Connnunity Cultural Center, San Rafael, CA, 1975 Two-Person Show with Joan Rosenbaum, Walnut Creek Art Center, 1975 "Zen Gardens", San Jose State University, 1976 Tropical Visions, St. Mary's College, 1989 Tropic Exotic, TransAmerica Pyramid, SF, 1986 "On The Trail," Claudia Chaplin Gallery, Stinson Beach, CA, 1987 "Opening Show," Bolinas Museum, 1988 "Miniature Show," Bolinas Museum, 1990 "In The Garden," Bolinas Museum, 1991 "60 Plus: Older Artists of West Marin," Bolinas Museum, 1993 Gallery Route One, Pt. Reyes Station, CA, 1993 "Sea Fever," Transamerica Pyramid, 1993 "Cats," Bolinas Museum, 1993 "With New Eyes," San Francisco State University, 1995 "As Seen At The Beach," Bolinas Museum, 1997 "Miniature Show," Bolinas Museum, 1997 Solo Exhibitions: Frank Ryan Gallery, Chicago, IL, 1953 La Boutique, Chicago, IL, 1953,1954 Feingarten Galleries, Chicago, New York, San Francisco, LA, 1956-1976 Santa Barbara Museum of Art, 1958 California Palace of the Legion of Honor, 1961 Calhoun Gallery, Dallas, TX, 1962 University of Utah, 1964 M. Knoedler & Company, NY, 1965 Hanson Gallery, San Francisco, 1964-1968 College of Holy Names, Oakland, 1966 Drawings, San Francisco Museum of Art, 1968 Hanson Fuller Gallery, San Francisco, 1971 Govett Brewster Gallery, New Zealand, 1971 University of Southern Idaho, 1972 California College of Arts & Crafts, Oakland, 1972 Kent State University, Kent, OH, 1973 Honolulu Academy of Arts, 1973 Conunonweal, Bolinas, CA, 1980 Stinson Beach Art Center, 1983 Ruth Braunstein Gallery, SF, 1981, 1982, 1984, 1986, 1987, 1988, 1990, 1994 Retrospective: "Selections From a Lifetime of Art," 1995. Concurrently at the Bolinas Museum and at the Claudia Chaplin Gallery, Stinson Beach, CA "Early Paintings," Vorpal Gallery, San Francisco, CA, 1996 "Recent Bolinas Landscapes," Commonwealth - 20th Anniversary Celebration, Bolinas, CA, September 1996 Prizes: Religious Arts, University of Chicago, 1st Prize 1953 Contemporary American Paintings, Art Institute of Chicago, Martin Cahn Award, 1957 University of Illinois, Purchase Award 1957 79th Annual, San Francisco Museum, Schwabacher-Frey Award 1960 Whitney Museum of Art, Neysa McMein Purchase Award 1960 National Society of Arts & Letters, New York, $1,500 Purchase Award San Francisco Art Commission, Purchase Prize 1976 Public Collections: Rockefeller Chapel, University of Chicago Santa Barbara Museum Art Institute of Chicago Whitney Museum of Art San Francisco Museum of Art University of Illinois Borg Warner Collection, Chicago, IL Phoenix Art Museum Illinois State Normal Container Corporation of America National Society of Arts and Letters Johnson Wax Collection Joseph Hirschhorn Collection U.S. Steel Service Institute Corcoran Museum Whitney Museum Miles Laboratory Auchenbach Foundation California Palace of the Legion of Honor California College of Arts & Crafts Kalamazoo College National Collection of Fine Arts Smithsonian Institution Illinois Bell...

William Quinn (American b. 1929) "The Boneheaded Cat Spies the Red Mouse Hole" Oil on Canvas approx 45 x 55 inches An artist who synthesized the element...

Dramatic abstract oil on canvas painting by Gladys Regier-Vaughan (American 1923-1987). Vaughan was a New York stage director who started painting in 1970. Signed and dated verso.

Giulio Turcato (Mantova, 16 marzo 1912 – Roma, 22 gennaio 1995) è stato un artista italiano, fra i principali esponenti dell'astrattismo informale italiano.

The Orchestra, 1950, oil on canvas, 21 ½ x 25 3/4 inches, signed and dated lower left, labeled verso “Brown University, Trustee, The Walter Feldman Trus...

This painting is part of our exhibition America Coast to Coast: Artists of the 1940s. Homage to Leger, 1941, oil on canvas, signed and dated lower right, 14 x 17 inches; inscribed ...

Amish Farmscape #3, 1984, oil on canvas, 40 x 30 inches, signed and dated lower right; signed, dated, and titled verso About the Painting Amish Farmscape #3 is part of a multi-painting series of barns completed in the early 1980s for an exhibition at New York’s prestigious Sid Deutsch Gallery. Lewandowski painted this work at an important point in his career. It was the first major project undertaken by Lewandowski after his retirement from serving as the Chairman of Winthrop University’s Art Department, the last academic position he held after teaching for nearly thirty years. Lewandowski had been inspired to work on the series by a visit to Lancaster County, Pennsylvania. Like his friend and mentor, Charles Sheeler, Lewandowski had always been fascinated by vernacular architecture and the Amish barns of Pennsylvania brought back memories of rural scenes Lewandowski had painted in the Midwest much earlier in his career. Amish Farmscape #3 is a strong example of Lewandowski’s late precisionist work. The complexity of the composition and Lewandowski’s technical acumen are on full display. Being relieved of the burdens of teaching and administering a university art department likely allowed Lewandowski greater freedom and most importantly more time to complete the Amish Farmscape series. Although Lewandowski’s brand of precisionism changed throughout the years, he never deviated from the core tenets of the Immaculate School artists. In this work, we see simplified and flattened forms, the use of ray-lines to define light and space, the elimination of extraneous details, a polished almost machine-like finish, and the complete lack of visible brushstrokes, all hallmarks of the precisionist painters. Lewandowski was the last of the 20th century precisionists and in Amish Farmscape #3, we see just how successfully he continued to work in this style until his death in 1998. About the Artist Edmund Lewandowski was among the best of the second-generation precisionist painters. He was born and raised in Milwaukee, Wisconsin and studied at the Layton School of Art with Garrett Sinclair. Lewandowski achieved early success when in 1936 two of his watercolors were shown at the Phillips Collection as part of a Federal Art Project exhibition. Then, in 1937, his work was first exhibited at Edith Halpert’s Downtown Gallery which represented Lewandowski into the 1950s. Under Halpert’s guidance, Lewandowski continued to explore watercolor as his main medium during the 1930s and 1940s, since the gallery already represented Charles Sheeler, who worked primarily in oils. Sheeler became Lewandowski’s major influence as the primary leader of the ill-defined, but very recognizable Immaculate School artists, which included other Downtown Gallery painters, Niles Spencer, George Ault, and Ralston Crawford, as well as Charles Demuth and Preston Dickinson, both of whom died at a young age and had been represented by the Charles Daniel Gallery. Sheeler is credited with giving Lewandowski technical advice on how to make his paintings more precise and tightly rendered and by all accounts, Sheeler was a fan of Lewandowski’s work. Through the Downtown Gallery, Lewandowski’s paintings were accepted into major national and international exhibitions and purchased by significant museums and collectors. Franklin and Eleanor Roosevelt and Nelson Rockefeller acquired works by Lewandowski. He was included in the Museum of Modern Art’s important 1943 exhibition, American Realists and Magic Realists as well as juried exhibitions at the Whitney Museum of American Art, the Pennsylvania Academy of Fine Arts, and the Art Institute of Chicago. Lewandowski also completed commissions for magazines during the 1940s and 1950s, including several covers for Fortune. Throughout his career, Lewandowski explored urban and rural architecture, industry, machinery, and nautical themes. Looking back on his career, Lewandowski wrote, “My overwhelming desire as an artist through the years has been to record the beauty of man-made objects and energy of American industry on canvas. For as far back as I can recall, the cityscapes, farms and depictions of industrial power and technological efficiency has had a great attraction for me. I try to treat these observations with personal honesty and distill these impressions to a visual order.” Lewandowski is credited with extending precisionism to the Midwest and successfully continuing the style into the 1990s, three decades after Sheeler’s death and six decades after Demuth’s passing. Late in his career, Lewandowski enjoyed a resurgence of popularity as he was represented during the 1980s by New York’s Sid Deutsch and Allison Galleries...

"Follow me / Like me" Oil painting 79" x 59" inch by Patricio Gonzalez oil and silver leaves on canvas From "Looking for Happiness" series LOOKING FOR HAPPINESS Like "el dorado", a cultural construction, a myth, the Looking for happiness series talks about the illusion of happiness. Using coordinates between different geographical points and world views, seeking to generate a dialogue between stories. In this way, places speak to tell us about degraded utopias, religious crusades, martyrs and oppressors, wars, victories, and defeats. All searches for what cannot be found. The infinite existing possibilities, in this continuous present and its accumulation, to be history. The utopian idea of achieving completeness or completeness. The transformation of the fabric into jewelry, the transmutation that moves from the sacred to the economic. The "object of desire" is the engine of life and its different permutations. Curriculum vitae Born on February 14, 1974, Santiago, Chile. Study at the School of Fine Arts of t he University of Chile and the University Complutense Hotels guest, Spain. He also attended workshops in painting, drawing and engraving the Circulo de Bellas Artes in Madrid. Work in the study of Guillermo Muñoz Vera, Madrid. SOLO EXHIBITIONS 2018 Kadoshiro Art Gallery “Looking for Happiness” Eduardo Lira Art Gallery “IT ́s not here” 2017 Off the wall / serie Golden Bitches/Beaches>(march 9) Galeria Artium-Miami,Usa 2016 ”Razones para la venganza” Galeria Artium-Miami,Usa. 2015 "Out Doors", Gallery Latam Santiago-Chile. 2013 "Coming down like flies" Latam Gallery Santiago, Chile. 2012 "Coto de Caza" Artium Gallery, Santiago, Chile. 2010 "Reasons for permanecia" Praxis Gallery, Santiago, Chile. 2009 "Fissure postcard" fifhy one Dot Gallery, Miami USA. 2008 "Connotations Sinister Galeria Trece, Santiago-Chile. 2007 "From the periphery to the center" Gallery 000 ", Santiago-Chile. 2005 "Lost Time" Gallery Forest, Consepcion- Chile. 2006 "Permanent Revolution" Artium Gallery, Santiago-Chile. 2005 Providencia Santiago Chile-Cultural Center, “Carrera” 2004 "personal mythologies", Praxis Gallery, Santiago-Chile GROUP EXHIBITIONS 2019 West palm Beach Art...