Deirdre Schanen

"Everyone Has Gone, " an Abstract Oil on Canvas signed by Deidre Schanen

2004

"Waiting to Catch Up" is an original oil painting on canvas signed on the verso by the artist Deidre Schanen. It depicts a field of yellow and a field of blue separated by a green li...

"Changing Memories 2" is an abstract acrylic on canvas by Deirdre Schanen, signed on verso. Layers of browns, pinks, golds, and purples fill the canvas, reflecting a style reminiscen...

In this composition, Sylvia Spiczza works in the manner of color field artists like Mark Rothko and Helen Frankenthaler, presenting a gradation of colors shifting from yellow to red ...

"Princess Diana" is an original oil painting created by Alayna Rose. This piece was created shortly after the death of Princess Diana in 1997. The painting effectively captures the distance and sadness surrounding the event. Alayna Rose did not set out to make a tribute painting...

"Shaped Canvas" is an abstract oil painting created by Peg Fritsch. Fritsch shaped the canvas itself with an abstraction of geometric shapes. There is some damage to the lower right ...

"Taming Space" is an abstract oil on canvas by Alayna Rose. 12" x 12" canvas Alayna Rose is a painter, jewelry designer and former illustrator. Alayna paints with watercolor, oil, ...

Oil on canvas. Signed, titled, and dated verso. 40.25 x 34 in. 41.5 x 35.5 in. (framed) Custom framed in a solid maple floater, with a matte white finish. Provenance The Betty Par...

Oil on canvas. Signed, titled, dated verso. 40 x 44 in. 41.5 x 45.5 in. (framed) Custom framed in a natural cherry floater. Provenance Knoedler Contemporary, New York Ludwig Sand...

Blue colorfield painting on canvas on beveled stretchers

Russinof uses large brushes to create highly energized gestures that intimate various patterns and forms in architecture such as frames, cornices and baroque ceiling vaults. The paint-ings are process-based in the sense that one is aware of drips and the accretion of layers, and also flirt with their role as objects by virtue of the gesture’s relation to the painting edge. Color serves to create a window onto natural space and light, even as the forms themselves acknowledge their own framing. She often thinks in these works of Renaissance portraits where the sitter’s forearm rests on the very edge of the frame, inviting intimacy, with a tiny landscape...

Russinof uses large brushes to create highly energized gestures that intimate various patterns and forms in architecture such as frames, cornices and baroque ceiling vaults. The paint-ings are process-based in the sense that one is aware of drips and the accretion of layers, and also flirt with their role as objects by virtue of the gesture’s relation to the painting edge. Color serves to create a window onto natural space and light, even as the forms themselves acknowledge their own framing. She often thinks in these works of Renaissance portraits where the sitter’s forearm rests on the very edge of the frame, inviting intimacy, with a tiny landscape...

oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the...