Diana Kurz

BGG

1960

Wonderful mid-century Wilhem de Kooning style abstract figurative by North Carolina artist Charles Chapin (American, 20th Century), 1967. Signed lower right (Chapin '67). Titled on verso on stretcher cross brace "In Town on An Icycle Bycicle(sic). Condition: Very Good. Image size: 48"H x 34"W. Presented in painted white slat rustic frame. Framed size: 49"H x 35"W x 1". Charles Chapin received his BA from North Carolina and was associated with the Chapel Hill...

Hawaii "The Journey - Anti-matter" - Mid Century Abstract Hawaiian Mythology Symbolistic and romantic 1940s figurative of pasteled figures journeying down path titled "Journey - Anti...

Grey & Tan Abstract Expressionist Textural Mid-Century Abstract by Peter Witwer Heavily textured, expressive composition by Peter Witwer (American, 1928-1968). Over the top of a heavy base layer of plaster, Witwer has added various layers of oil paint, creating a massive amount of depth and texture. Sections of red peek out from underneath various shades of tan, grey, and black. Spots of blue and purple are used sparingly, hidden in the composition. Presented in a wood frame. Canvas size: 20"H x 40"W Frame size: 26.63"H x 46.63"W Unsigned, but was acquired with a collection of the artist's work. Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Born George Peter...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers, and people...

In this affecting composition, Yektai combines the dynamism of the abstract expressionist style with the soft, meditative qualities of Monet's waterlilies. Yektai first paints the canvas with loose strokes of rich deep greens. A pinkish red abstract form takes center stage - ang highlights of yellow flank the edges. Then he pours a clear-grade liquid resin onto the painted canvas and lets it harden into a glassy surface. Finally, he uses linear brushstrokes connecting colors into forms, in the typical impressionist style. Yektai varies the volume in which he applies paint, from thin and dry to sopping wet and thick. This process allows for a more three-dimensional experience of the painting. One can see through layers which build-up to create the flurry of brushstrokes. The reflective surface makes space for the viewer to see themselves in the painting, looking back at them. A contemporary notion. Framed dimensions: 29 x 23 inches Artist Bio Darius Yektai was born in Southampton NY, in 1973. He lives and works out of his home and studio in Sag Harbor. He grew up in a cultural home of art and artists, with his Greek-American Mother, and his Father, Manoucher Yektai...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...