Diana Kurz

RO

1960

Oil on masonite Never afraid of trying new styles, curious and opinionated, constantly engaged with the world around him, Rolph Scarlett more than once proved to be at the artistic z...

Neuman's work assimilated a wide variety of influences, including Bay Area Abstraction, the New York School and European Art Informel. Not bad for a young man raised in the rural min...

Caradoc Ehrenhalt would often accompany his mother, the artist Amaranth Ehrenhalt, on her visits to the Louvre in Paris and the Metropolitan Museum of Art in New York. She enjoyed ta...

Joffe's career spans the post-World War II Abstract Expressionist movement to the present. She is known for her powerful images of women and horses, often intertwined, and representi...

Neuman's work assimilated a wide variety of influences, including Bay Area Abstraction, the New York School and European Art Informel. Not bad for a young man raised in the rural min...

Until his death three years ago at the age of 93, Athos Zacharias is a last living link, if not the last living link, to the first generation of Abstract Expressionist painters, man...

Part of a new collection of painted porcelain panels by Chinese artist Yuan Lin, “Daydreams” is a luminous meditation on the sun's rays. In this painting, Lin...

Mindy Weisel Not Everything is Black and White , 2017 oil on canvas 91 x 91 cm 36 x 36 in Exhibited Mindy Weisel "Meditations on Love", Rosenbach Conte...

Binyamin Basteker The sounds of flowers , 2020 oil on canvas 80 x 60 cm 31 x 24 in Exhibited: "Jerusalem Flowers", 2020 Rosenbach Contemporary, Jerusalem Binyamin Basteker was bo...

Binyamin Basteker First rain in Jerusalem , 2018 oil on canvas 100 x 120 cm 39 x 47 in As a student of the masterful colorists of India and the Israeli abstract masters of the 1970s, Basteker has developed a unique style of painting. He loves color, he loves abstract and he loves the holy city...

Binyamin Basteker The Mighty Waves, 2023 oil on canvas 60 x 80 cm 24 x 31 in Binyamin Basteker was born in Mumbai in 1953. Growing up in a family of artists, his unique talent was discovered at a very early age. He perfected the art of portraiture and color while still living in India. Following his immigration to Israel in 1969, he studied with the modern Israeli masters and was considered to be one of the promising young abstract artists of the 1980s. In the mid-1980s he became observant and ceased to exhibit his work. The artist’s inaugural solo exhibition of oil paintings entitled “Stones that Speak” set Basteker apart from the mainstream of “modern” Jewish, religious painters. Whereas in many instances the theme of the painting, whether it be the Kotel or Jerusalem or the wealth of themes available to the observant artist, becomes the goal of the artist, Basteker relates to the “theme” as the “excuse” for the painting. Basteker searches for balance and harmony in his life and translates this to color and texture and motion. Nothing is his work is arbitrary. Every stroke and splash, every line and curve contribute to the perfect composition. The artist’s selection of tools, a result of an immediate inspiration, greatly affects the application of the color and texture. His works are sophisticated and worthy of deep examination. Tremendous layers of thought and spirituality are engraved in each and every work. Yet to the casual viewer, the paintings are aesthetically pleasing on a very simplistic level. On first glance, we see a beautiful bouquet or garden. Yet as the viewer’s eye travels and dissects the composition, we might imagine a maestro conducting a symphony orchestra or a pianist’s graceful fingers dancing over the keyboard. “Jerusalem Flowers” are unique to the Holy City...

Binyamin Basteker Urban Landscape, 2022 oil on canvas 60 x 80 cm 24 x 31 in Binyamin Basteker was born in Mumbai in 1953. Growing up in a family of artists, his unique talent was discovered at a very early age. He perfected the art of portraiture and color while still living in India. Following his immigration to Israel in 1969, he studied with the modern Israeli masters and was considered to be one of the promising young abstract artists of the 1980s. In the mid-1980s he became observant and ceased to exhibit his work. The artist’s inaugural solo exhibition of oil paintings entitled “Stones that Speak” set Basteker apart from the mainstream of “modern” Jewish, religious painters. Whereas in many instances the theme of the painting, whether it be the Kotel or Jerusalem or the wealth of themes available to the observant artist, becomes the goal of the artist, Basteker relates to the “theme” as the “excuse” for the painting. Basteker searches for balance and harmony in his life and translates this to color and texture and motion. Nothing is his work is arbitrary. Every stroke and splash, every line and curve contribute to the perfect composition. The artist’s selection of tools, a result of an immediate inspiration, greatly affects the application of the color and texture. His works are sophisticated and worthy of deep examination. Tremendous layers of thought and spirituality are engraved in each and every work. Yet to the casual viewer, the paintings are aesthetically pleasing on a very simplistic level. On first glance, we see a beautiful bouquet or garden. Yet as the viewer’s eye travels and dissects the composition, we might imagine a maestro conducting a symphony orchestra or a pianist’s graceful fingers dancing over the keyboard. “Jerusalem Flowers” are unique to the Holy City...