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Edward Goldman
Bull's-eye (Red & Green)

1974

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  • Black on Black Mobile Acrylic Painting 3-D Shaped Canvas, Hanging Mobile
    By Angelo Di Benedetto
    Located in Denver, CO
    Mid-century modern abstract 3-D painting by Denver modernist Angelo Di Benedetto (1913-1992), circa 1950, the shaped 3-dimensional canvas is painted with black on black with acrylic paint. Created to be hung as a mobile, the work is finished on both sides. Measures 22 3⁄4 inches in diameter x 9 inches in depth. About the Artist: Born New Jersey 1913 Died Central City, CO 1992 The son of Italian immigrants from the Salerno province in southern Italy, as a teenager Di Benedetto worked to study at the Cooper Union Art School in New York City (1930-34) from which he graduated with a certificate in freehand drawing. He won a scholarship to the Boston Museum Art School where he studied for three years, beginning in 1934. In 1937, he entered his first juried exhibition at the Montclair Museum in New Jersey, winning first prize and first honorable mention. In December 1938, the Royal Netherlands Steamship Line sent him on a two-month ethnological study trip to Haiti, his first exposure to a different environment outside the United States. In 1940, his Haitian paintings were exhibited at the Montross Gallery in New York – his first solo show. Before World War II, Di Benedetto traveled extensively around the United States doing regional paintings. During the war in 1941, Di Benedetto volunteered for a secret mission based in Eritrea, Africa before the Allied invasion. Following Africa, he served as an orientation officer and aerial photographic officer in the District of Columbia. In 1945 he was assigned to a mapping unit at Buckley Airfield in Denver where he served until his discharge in 1946. Like many other servicemen stationed at the time in Colorado, Di Benedetto chose to remain in Colorado, impressed by the state’s physical grandeur and healthful climate. He settled in the old mining town of Central City in 1947. In 1949 Di Benedetto and his wife, ceramist Lee Porzio, opened the Benpro Art School in his studio where he conducted summer art classes. In 1950, Di Benedetto teamed up with Frank Vavra...
    Category

    Mid-20th Century Abstract Abstract Paintings

    Materials

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  • X Marks the Spot, 1960s Mid Century Modern Mixed Media Abstract Painting
    By Edward Marecak
    Located in Denver, CO
    'X Marks the Spot' is an acrylic and pastel on paper by Denver artist Edward Marecak from the 1960s. Abstract mixed media painting painted in colors of black, white, and purple. Pres...
    Category

    1960s Abstract Mixed Media

    Materials

    Pastel, Acrylic

  • Fabric Shop, Abstract Painting Collage: Pink, Blue, Green, Black, Orange, Green
    By Margo Hoff
    Located in Denver, CO
    Fabric Shop is a vintage painting by Margo Hoff (1910-2008). Painted in hues of pink, coral, orange, green, blue, black, green and yellow with canvas collage on canvas. Presented in a vintage/original frame, outer dimensions measure 16 ¼ x 16 ¼ x 1 ½ inches. Image size is 15 x 15 inches. Provenance: Estate of the Artist, Margo Hoff A prolific artist, Margo Hoff’s exquisite style evolved throughout her career yet was always rooted in the events, people, and places in her life. The human experience was her sole focus, expressed through her eyes alone. Born in 1910 in Tulsa, Oklahoma, Hoff began creating white-clay animals at a young age, giving them to her friends and family. At eleven she contracted typhoid fever and was bedridden for a summer. During her convalescence, she drew and made cutouts, and it was during this time that her bold, artistic imagination came alive. She began formal art training in high school and continued her education at the University of Oklahoma, Tulsa. In 1933 she moved to Chicago and attended the National Academy of Art and the School of the Art Institute of Chicago. Between 1933 and 1960—her Chicago years—Hoff’s works was deeply rooted in a figurative, regionalist style. She often used elements of magical realism, and many of her paintings have dreamlike qualities. As a child she learned about color by grinding down rocks, plants, and berries. Her color pallet during the Chicago years is indicative of her early-life color experimentation as she consistently used warm, earth tones in her work. Hoff was a born adventurer and traveled extensively. She lived, worked, taught, and painted in Europe, Mexico, Lebanon, Uganda, Brazil, and China. She also showed at the Denver Art Museum’s Annual Western Exhibitions in 1952-54, 56, and 57. In 1957 she showed along side Colorado modernist Vance Kirkland at the Denver Art Museum’s exhibition, Man's Conquest of Space. What was once a focus on the representational, her work began to change after 1957 when she saw Sputnik in its orbit around Earth. At that moment, feet firmly placed on the ground, she was able to imagine herself in space, looking down from the cosmos, and what she saw was an abstracted world. She then had the opportunity to peer into an electron microscope where once again she was looking down into what seemed to be a realm of pure abstraction. These two events profoundly changed her perspective and she began to move from figural painting to abstract, geometric collage. In 1960, Hoff moved to New York City and she began creating collages. Placing the canvas on the ground, and working from all sides, she used strips of painted paper and tissue—and later painted pieces of canvas—glued onto the canvas surface, building layer upon layer, shape against shape, “action of color next to stillness of color.” She believed these simplified, abstracted forms held the spirit of the subject in the same way poetry reduces words to their essence. These pieces range from aerial cityscapes, to dancers in motions, to flora...
    Category

    1980s Abstract Abstract Paintings

    Materials

    Canvas, Mixed Media, Acrylic

  • Still Life and Round Lace Table, 1960s Abstract Still Life, Acrylic and Pastel
    By Edward Marecak
    Located in Denver, CO
    "Still Life and Round Lace Table" is an original acrylic and pastel on paper by Edward Marecak (1919-1993) circa 1960s. Signed by the artist in the lower right corner. Abstracted sti...
    Category

    1960s Abstract Mixed Media

    Materials

    Pastel, Acrylic

  • Light Street, Geometric Abstract Collage of a Street Lamps at Night
    By Margo Hoff
    Located in Denver, CO
    Canvas collage, acrylic and crayon on canvas by 20th Century artist Margo Hoff (1910-2008) titled 'Lighted Street' depicting and abstract image of a street at night with glowing stre...
    Category

    1980s Abstract Geometric Mixed Media

    Materials

    Canvas, Crayon, Acrylic

  • Yellow Sun, 1970s Geometric Abstract Acrylic Painting, Yellow, Blue, White
    By Beatrice Mandelman
    Located in Denver, CO
    Yellow Sun, vintage circa 1970s abstract painting in Yellow, Blue, White & Black by 20th century New Mexico woman artist, Beatrice Mandelman (1912-1998). Acrylic on canvas, signed by the artist lower right. Presented in a custom blonde wood frame, outer dimensions measure 33 ½ x 25 ½ x 2 inches. Image size is 32 x 24 inches. Expedited and international shipping is available - please contact us for a quote. About the Artist: Beatrice Mandelman Studied at the Arts Student League and soon established herself in the New York art scene. In 1944 she and her husband, Louis Ribak arrived in New Mexico. The two of them founded the Taos Valley Art School and helped create the Taos Art Association. Mandelman’s kaleidoscopic abstractions display a wide range of influences, from stained-glass windows to the School of Paris, from Native American art to the New York School. She was a sophisticated and capable painter. ©David Cook Galleries...
    Category

    1970s Abstract Abstract Paintings

    Materials

    Canvas, Acrylic

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